Joe Scotto

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  1. 59 votes

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    30 comments  ·  Premiere Pro » Formats  ·  Flag idea as inappropriate…  ·  Admin →

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    Hi all, 

    I'm a product manager in the video team at Adobe and I've recently become the product manager specifically responsible for formats. 

    My apologies that we have not responded already to this post. ProRes RAW is definitely important to us - and, more specifically, the additional controls that are being ask for here. 

    Raw support is very important to us, particularly as it becomes more common thanks to devices like the Ninja V and cameras that support it directly like the Nikon Z9. 

    Currently, there are two raw formats ahead of ProRes RAW in terms of urgency for us to support better. I understand that might be frustrating to people eager for better ProRes RAW support but I want ensure you all that it's not a matter of indifference or neglect. 

    While I don't have a date for improved ProRes RAW support that I'm willing to share at this…

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    Joe Scotto commented  · 

    Please Adobe, for the love of god add this feature already! Every other program that supports ProRes RAW already has this support yet you guys are just leaving us hanging.

    Joe Scotto supported this idea  · 
  2. 15 votes

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    6 comments  ·  Premiere Pro » Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →

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    Joe Scotto commented  · 
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    Joe Scotto commented  · 

    According to the Apple white paper, one of the big benefits of shooting ProRes RAW is that you can easily match LOG formats from other cameras. Without a RAW to LOG conversion, this isn't possible and nearly defeats the purpose of ProRes RAW support.

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    Joe Scotto commented  · 

    Also, here is a link to a video that explains the workflow within FCPX. It is very easy to work with ProRes RAW in FCPX.

    https://www.youtube.com/watch?v=WZyLDUwexJ0

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    Joe Scotto commented  · 

    This is an example of what is needed inside FCPX in order to work with the footage. It's as simple as dropping it into the project, selecting a version of LOG from a dropdown and you're done.

    It handles everything... it takes the RAW linear footage and conforms it to a more familiar LOG workspace.

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