Joe Scotto

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  1. 15 votes

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    6 comments  ·  Premiere Pro » Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
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    Joe Scotto commented  · 
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    Joe Scotto commented  · 

    According to the Apple white paper, one of the big benefits of shooting ProRes RAW is that you can easily match LOG formats from other cameras. Without a RAW to LOG conversion, this isn't possible and nearly defeats the purpose of ProRes RAW support.

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    Joe Scotto commented  · 

    Also, here is a link to a video that explains the workflow within FCPX. It is very easy to work with ProRes RAW in FCPX.

    https://www.youtube.com/watch?v=WZyLDUwexJ0

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    Joe Scotto commented  · 

    This is an example of what is needed inside FCPX in order to work with the footage. It's as simple as dropping it into the project, selecting a version of LOG from a dropdown and you're done.

    It handles everything... it takes the RAW linear footage and conforms it to a more familiar LOG workspace.

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  2. 395 votes

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    Under Review  ·  28 comments  ·  Premiere Pro » Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
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