Vincent Gustin
My feedback
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4 votes0 comments · Premiere Rush » Adobe Ecosystem (Compatibility with Premiere Pro, Adobe Stock, Adobe Fonts, etc.) · Flag idea as inappropriate… · Admin →Vincent Gustin
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2 votesVincent Gustin
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4 votes1 comment · Premiere Rush » Adobe Ecosystem (Compatibility with Premiere Pro, Adobe Stock, Adobe Fonts, etc.) · Flag idea as inappropriate… · Admin →Vincent Gustin
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3 votesVincent Gustin
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20 votesVincent Gustin
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2 votesVincent Gustin
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127 votes
This is not a bug, it’s as designed. We specifically limit the visibility to one track at a time to avoid accidentally burning in multiple tracks. Also, when exporting to a format that only supports one captions stream like SRT or STL, we need to know which is the active track in order to export the correct track.
But I understand why you might need two tracks visible at the same time.
Multiple speakers:
If we could automatically identify speakers and designate a style associated with them, would that help? For example speaker 1 is blue and on the left, speaker 2 is yellow and on the right?Multiple languages:
Do you ever need to burn in both at the same time or is it just a matter of being able to see both to aid in translation and alignment?Thanks for the feedback, we really are listening :)
An error occurred while saving the comment Vincent Gustin
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38 votes
An error occurred while saving the comment Vincent Gustin
commented
Hello,
the fact that it "happens" in the project is already a good idea ...BUT, for "big network" (hundreds of users, multi-sites connected, interconnected NAS-SAN storage, sharing of projects and skins,...), how could we exchange-share-propose a set of styles in a dynamic and permanent way?
Could you consider this in the same way as you did with the Graphic Essentials (integration of a patch with folder management for example)?
Thanks for your attention, Vincent.Vincent Gustin
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2 votesVincent Gustin
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6 votes
An error occurred while saving the comment Vincent Gustin
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It's amazing how Adobe is unable to exploit the power at its disposal...
And the worst thing is that it is not even able to encode in H264 with 50i without being limited in CPU only!
With each new version, we fear the worst: month after month, the evolutions make this application less and less useful, efficient, flexible, complete, adaptive, varied,... and therefore attractive.
I'm really afraid to see the next update coming: I wonder what else they'll miss or remove, since they already don't know how to listen and follow their users and customers.Vincent Gustin
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1,585 votes
Thanks for all the feedback. It’s pretty clear that we’ve got to look into the workflow using this format more closely, there are enough reports about gaps at this point to reopen this item. I’ll post more info about next steps shortly. In the meantime, a couple of questions are easy to answer:
- The plugin is designed for Premiere Pro. It currently doesn’t provide support for After Effects.
- It does work with AME, so if you want to use it for batch processing, that’s very doable
- If you’ve started a project with Autokroma, there’s no easy way to transfer it to be running with the new plugin.Patrick
An error occurred while saving the comment Vincent Gustin
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It seems that Adobe has still not heard its users ...
2 years and still no possibility to use the BRAW in a native and powerful way!
Are we to believe that you don't need us to live?
Vincent Gustin
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6 votesVincent Gustin
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234 votesVincent Gustin
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144 votesVincent Gustin
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113 votesVincent Gustin
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39 votes
An error occurred while saving the comment Vincent Gustin
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With RGS from HP, working on remote location works correctly... and, on local network, I'm also using a VNC connection to work remotly without problem.
Vincent Gustin
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753 votes
MKV Format Support is being investigated for Premiere and Media Encoder.
Vincent Gustin
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127 votes
Moving this to Under Review. Thanks again for all the feedback.
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An error occurred while saving the comment Vincent Gustin
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And also the history please !
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4 votesVincent Gustin
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Hello Francis,
for me, it's the users who have to be careful about what they do, both when editing and exporting,...
We need to be able to work with several subtitling tracks visible simultaneously on the same timeline.
You have integrated in the interface the basis to allow this:
see nothing, see only one, see them all and you also reproduced the possibility to activate them individually "on demand"...
Unfortunately, it's not really active like that since, for now, it's "nothing or one at a time".
It's a bit the same for the subtitle track order... You can rename them but not organize them as you want: too bad.
Thanks for your attention, Vincent.