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  1. 97 votes

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    122 comments  ·  Premiere Pro » Export  ·  Flag idea as inappropriate…  ·  Admin →
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    Alberto commented  · 

    Same problem for me. I'm losing A LOT OF working hours because of this.

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  2. 222 votes

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    81 comments  ·  Premiere Pro » Editing  ·  Flag idea as inappropriate…  ·  Admin →
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    Hi all, 

    There are two parts to this request:

    1. Ensuring that proxies are created respecting changes that have already been applied to media via Interpret Footage. 

    2. Ensuring that changes in Interpret Footage are applied to proxies that have already been created. 

    The first part was done and is in v23 or later of Premiere Pro and Media Encoder. The second part is being worked on but I don't have a release data to share at this time. 

    Regards,

    Fergus

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    Alberto commented  · 

    Hello Fergus, any update about the right way of fixing this problem? Your proposed solution is not the right one.

    The right solution is quite easy: create proxies WITH THE SAME FPS OF THE ORIGINAL FOOTAGE. Then Interpret footage the same way both for the proxy and the original file!

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    Alberto commented  · 

    Hello Fergus, thanks for the update. This is not the fix that is needed at all. Everyone creates proxies while importing footage. THEN we interpret footage only on clips those we need.

    Proxies should be created using the same fps of the original footage AND they simply need to change footage according to the "interpret footage" setting.

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    Alberto commented  · 

    We need this bug to be fixed.

    Workarounds add very annoying extra steps and they do not always work (sometimes we want to change framerate only on few clips, not all, during editing time)

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    Alberto commented  · 

    Yes. We need this basic feature!! It's really important.

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  3. 1 vote

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    0 comments  ·  Premiere Pro » Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
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  4. 4 votes

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    0 comments  ·  Premiere Pro » Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
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    Alberto supported this idea  · 
  5. 183 votes

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    26 comments  ·  Premiere Pro » User experience/interface  ·  Flag idea as inappropriate…  ·  Admin →
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    Alberto supported this idea  · 
  6. 58 votes

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    11 comments  ·  Premiere Pro » Effects & Transitions  ·  Flag idea as inappropriate…  ·  Admin →
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    Alberto commented  · 

    We need this. Every editor I know who uses warp stabilizer NEEDS this.

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  7. 34 votes

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    13 comments  ·  Premiere Pro » Import  ·  Flag idea as inappropriate…  ·  Admin →
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    Alberto commented  · 

    Yes!! We need this. We can use master clip attributes but it doesn't work rotating 90 degrees on the SOURCE MONITOR.

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  8. 10 votes

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    3 comments  ·  Premiere Pro » Closed Captions  ·  Flag idea as inappropriate…  ·  Admin →
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    Alberto supported this idea  · 
  9. 4 votes

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    0 comments  ·  Premiere Pro » Stability  ·  Flag idea as inappropriate…  ·  Admin →
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  10. 16 votes

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    9 comments  ·  Premiere Pro » User experience/interface  ·  Flag idea as inappropriate…  ·  Admin →
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    Alberto commented  · 

    I have this problem both for masks and text edit edges

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  11. 9 votes

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    10 comments  ·  Premiere Pro » Editing  ·  Flag idea as inappropriate…  ·  Admin →
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    Alberto commented  · 

    Same problem for me. I have this problem not only for masks but also for text editing edges!!

    A lot of months and still no fix?

    Alberto supported this idea  · 
  12. 683 votes

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    168 comments  ·  Premiere Pro » Editing  ·  Flag idea as inappropriate…  ·  Admin →
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    This is a great request that is certainly something we want to implement. Rest assured our engineers DO understand the importance of this feature and how to get the job done. We also know that the performance and stability of the app should be our #1 priority and that is where our focus is right now.

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    Alberto commented  · 

    Oh yes please! Da Vinci and FCP has this possibility!

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  13. 487 votes

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    46 comments  ·  Premiere Pro » Effects & Transitions  ·  Flag idea as inappropriate…  ·  Admin →
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    Currently, Premiere uses the Lanczos method for intrinsic scale and rotation. Lanczos is an exceptionally high-quality interpolation method which generally yields better results than bicubic, bilinear or nearest neighbor. From reading the forum post, it seems that up-scaling is the real issue here. I suggest looking at the Detail-Preserving Upscale effect in After Effects. It does a really good job and gives you some parameters to tweak to fit your specific content.

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  14. 1 vote

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    0 comments  ·  Premiere Pro » Playback  ·  Flag idea as inappropriate…  ·  Admin →
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  15. 28 votes

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    5 comments  ·  Premiere Pro » User experience/interface  ·  Flag idea as inappropriate…  ·  Admin →
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    Alberto commented  · 

    Today on Da Vinci Resolve 16 launch page: "LUT Browser
    New visual LUT browser makes it faster than ever to find, preview and apply LUTs."

    ...

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  16. 10 votes

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    1 comment  ·  Premiere Pro » Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
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    Alberto supported this idea  · 
  17. 19 votes

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    5 comments  ·  Premiere Pro » Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
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    Alberto commented  · 

    Same problem. Premiere crashes when fast-changing LUTs and preview picture resets to the first one. It's so frustrating.

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  18. 8 votes

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    2 comments  ·  Premiere Pro » Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
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    Alberto commented  · 

    Yes!!!!! LUTs list MUST support sub-folders, like in Da Vinci Resolve. Please add this.

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  19. 645 votes

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    87 comments  ·  Premiere Pro » Editing  ·  Flag idea as inappropriate…  ·  Admin →
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    Alberto supported this idea  · 
  20. 3 votes

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    0 comments  ·  Premiere Pro » Stability  ·  Flag idea as inappropriate…  ·  Admin →
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    Alberto supported this idea  · 
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