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  1. 21 votes

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  2. 4 votes

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  3. 2 votes

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    Philéas commented  · 

    I'm using the lastest version of Premiere Pro (13.3.1)

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  4. 5 votes

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  5. 3 votes

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  6. 17 votes

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  7. 17 votes

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    6 comments  ·  Premiere Pro » Audio  ·  Admin →
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  8. 15 votes

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  9. 18 votes

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  10. 23 votes

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  11. 21 votes

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  12. 71 votes

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  13. 26 votes

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  14. 144 votes

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  15. 101 votes

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  16. 137 votes

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  17. 164 votes

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  18. 34 votes

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    Philéas commented  · 

    Here, you talked about 1 possible approach to creating proxies. But in reality, there are 3 possibilities to do so.
    .
    1. From Premiere Pro Project Settings
    2. From Media Bin
    3. From Media Encoder, as you said here.
    .
    My issue with this, is that evey solution has differents settings (for example, in method two, you can create proxies “Next to the Media location, in the proxies folder”, but you cannot in the approach 1 & 3, where proxies should be in a unique folder (or do so manually)). Another example is with Presets, in the approach 1 & 2, you have very handful preset, which you don’t have in Media Encoder.
    Another issue is duplicated proxies. If you stop the process of creating proxies (it can take HOURS on large projects), and restart it, instead of starting again where it stopped, Premiere Pro/AME will start encoding all the files over, creating TWO proxies, even if they are already linked !
    .
    With our media files being larger and larger, Proxies workflow should be simple, easy and consistent. I think a bit about this, and made a graph on my perspective on how to resolve this. Hope Adobe engineers will see it 😊.

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  19. 3 votes

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  20. 876 votes

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