David Tarrodi - Yellow Tone
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290 votes
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398 votes
An error occurred while saving the comment David Tarrodi - Yellow Tone
commented
Very bad that "versions" of master clip effects isn't available so that the same camera in a multicam edit can have different grading settings.
David Tarrodi - Yellow Tone
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626 votesDavid Tarrodi - Yellow Tone
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510 votes
Thanks everyone for your feedback. I am moving this to Under Review.
David Tarrodi - Yellow Tone
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649 votesUnder Review · 64 comments · Premiere Pro » Effects & Transitions · Flag idea as inappropriate… · Admin →David Tarrodi - Yellow Tone
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50 votes
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commented
I say as Steven
!!Much needed feature but these time saving improvements are never implemented. Just new features that nobody really wanted and bugs!!
David Tarrodi - Yellow Tone
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18 votesDavid Tarrodi - Yellow Tone
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12 votesDavid Tarrodi - Yellow Tone
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15 votesDavid Tarrodi - Yellow Tone
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4 votesDavid Tarrodi - Yellow Tone
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6 votesDavid Tarrodi - Yellow Tone
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3 votesDavid Tarrodi - Yellow Tone
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40 votes
An error occurred while saving the comment David Tarrodi - Yellow Tone
commented
Don't have time to "bug report" every single thing I find malfunctioning in the software. I would not call PRP a professional software since there are simply too many minor things that is not working good enough.
An error occurred while saving the comment David Tarrodi - Yellow Tone
commented
Still happening to me to. Some times when just starting a new project. It disappears only for PRP not for windows.
A lot of bugs in every last like 6 versions. It is very very bad indeed! Tried Davinci Resolve and was amazed how snappy and smooth it was (or disappointed that PRP is not at all as good - though I am stuck with PRP for a number of reasons). I have the ultimate workstation with the most expensive and up to date hardware. PRP won't deliver what I expect.
David Tarrodi - Yellow Tone
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An error occurred while saving the comment David Tarrodi - Yellow Tone
commented
Still happening to me. Horrible and unbelievable
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238 votesUnder Review ·
AdminPatrick Palmer
(Director of Product Management, Pro Video and Motion Design, Adobe DVA)
responded
Hi Florian,
while this is a rather critical and large change to the way the application works and will take some time to be implemented, we’ll definitely put this under consideration.
There’s more than one solution to this problem, though.
A good short term opportunity is to use the parallel install feature in the creative cloud application. It should help to at least take away some of the issues working with people on a different version of the application.
Another thing worth keeping in mind is that you can install CC on two different machines (if you’re on an individual subscription). That gives you additional opportunity to keep different versions around for compatibility reasons.
I’ll update the status of this request as we move along.
If you have further thoughts on this matter, please keep them coming.
Thanks
PatrickDavid Tarrodi - Yellow Tone
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483 votes
Currently, Premiere uses the Lanczos method for intrinsic scale and rotation. Lanczos is an exceptionally high-quality interpolation method which generally yields better results than bicubic, bilinear or nearest neighbor. From reading the forum post, it seems that up-scaling is the real issue here. I suggest looking at the Detail-Preserving Upscale effect in After Effects. It does a really good job and gives you some parameters to tweak to fit your specific content.
David Tarrodi - Yellow Tone
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20 votes
An error occurred while saving the comment David Tarrodi - Yellow Tone
commented
+1
The timecode window is now sufferinf frome extensive lagging if it is not highlighted during playback. If I set focus to the timeline or any other panel the timecode windoe updates tje timecode every other second or so. If this is fixed FIRST I would be happy to have the timecode reflect what's in the source monitor as well.
Im on windows 10 snd lstest version of prp. 14.9.0 build 52