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  1. 6 votes

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    0 comments  ·  Premiere Pro » User experience/interface  ·  Flag idea as inappropriate…  ·  Admin →
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  2. 24 votes

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    1 comment  ·  Premiere Pro » Projects  ·  Flag idea as inappropriate…  ·  Admin →
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  3. 64 votes

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    18 comments  ·  Premiere Pro » Preference & Settings  ·  Flag idea as inappropriate…  ·  Admin →
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  4. 125 votes

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    13 comments  ·  Premiere Pro » User experience/interface  ·  Flag idea as inappropriate…  ·  Admin →
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  5. 16 votes

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    3 comments  ·  Premiere Pro » Preference & Settings  ·  Flag idea as inappropriate…  ·  Admin →
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  6. 3 votes

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    0 comments  ·  Premiere Pro » Projects  ·  Flag idea as inappropriate…  ·  Admin →
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  7. 7 votes

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    3 comments  ·  Premiere Pro » Stability  ·  Flag idea as inappropriate…  ·  Admin →
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  8. 127 votes

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    17 comments  ·  Premiere Pro » Stability  ·  Flag idea as inappropriate…  ·  Admin →
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  9. 14 votes

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    1 comment  ·  Premiere Pro » Stability  ·  Flag idea as inappropriate…  ·  Admin →
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  10. 1,626 votes

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    579 comments  ·  Premiere Pro » Formats  ·  Flag idea as inappropriate…  ·  Admin →
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    Thanks for all the feedback. It’s pretty clear that we’ve got to look into the workflow using this format more closely, there are enough reports about gaps at this point to reopen this item. I’ll post more info about next steps shortly. In the meantime, a couple of questions are easy to answer:

    - The plugin is designed for Premiere Pro. It currently doesn’t provide support for After Effects.
    - It does work with AME, so if you want to use it for batch processing, that’s very doable
    - If you’ve started a project with Autokroma, there’s no easy way to transfer it to be running with the new plugin.

    Patrick

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  11. 5 votes

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    1 comment  ·  Premiere Pro » Preference & Settings  ·  Flag idea as inappropriate…  ·  Admin →
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  12. 1 vote

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    0 comments  ·  Premiere Pro » Formats  ·  Flag idea as inappropriate…  ·  Admin →
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  13. 143 votes

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    40 comments  ·  Premiere Pro » Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
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    We hear your frustrations about color management and we are working on multiple improvements. 

    I recently posted a note on Alister Chapman's excellent xdcam-user.com forum, in response to a post he'd made about color management in Premiere Pro. 

    While my response doesn't go into details on our long term plans, it describes what we're doing in the short term to make handling of log footage easier. 

    Here's what I wrote:


    Hi all,

    I’m a product manager at Adobe, on the video team. I thought I’d chime in to provide some info on what we’re doing.

    Color management is not going away – quite the opposite. As HDR-capable cameras and displays are becoming the default, and shooting in log or raw is becoming the norm, color management is critical. Gone are the days of only Rec709, the one color space to rule them all.

    You might have seen reports about HDR…

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  14. 3 votes

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    0 comments  ·  Premiere Pro » User experience/interface  ·  Flag idea as inappropriate…  ·  Admin →
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  15. 805 votes

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    594 comments  ·  Premiere Pro » User experience/interface  ·  Flag idea as inappropriate…  ·  Admin →
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    All,


    first of all I wanted to thank everyone for making this a productive conversation over the last couple of days.


    As several people responded to my comment about keeping the tone civilised, I need to dwell on that for a minute. Please hear me out, this is important to everyone on my crew and I hope it will be to you.


    Saying that we shouldn't be surprised when things get heated is very problematic in my opinion. How do you expect a junior person on my team to respond to a technical question when it is combined with something that can easily be described as hate speech? How do you think we can actually come together on actual issues when there's already the assumption that we're a big faceless corporation, not even listening to our customers?


    People on my team have received threats. I've been there over the years,…

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  16. 105 votes

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    17 comments  ·  Premiere Pro » Closed Captions  ·  Flag idea as inappropriate…  ·  Admin →
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  17. 205 votes

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    28 comments  ·  Premiere Pro » Export  ·  Flag idea as inappropriate…  ·  Admin →
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  18. 223 votes

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    152 comments  ·  Premiere Pro » Closed Captions  ·  Flag idea as inappropriate…  ·  Admin →
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    This is not a bug, it’s as designed. We specifically limit the visibility to one track at a time to avoid accidentally burning in multiple tracks. Also, when exporting to a format that only supports one captions stream like SRT or STL, we need to know which is the active track in order to export the correct track.

    But I understand why you might need two tracks visible at the same time.

    Multiple speakers:
    If we could automatically identify speakers and designate a style associated with them, would that help? For example speaker 1 is blue and on the left, speaker 2 is yellow and on the right?

    Multiple languages:
    Do you ever need to burn in both at the same time or is it just a matter of being able to see both to aid in translation and alignment?

    Thanks for the feedback, we really are listening :)

    Noar supported this idea  · 
  19. 5 votes

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    3 comments  ·  Premiere Pro » Formats  ·  Flag idea as inappropriate…  ·  Admin →
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  20. 14 votes

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    1 comment  ·  Premiere Pro » Stability  ·  Flag idea as inappropriate…  ·  Admin →
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