Erik Díaz

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  1. 88 votes
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    2 comments  ·  Premiere Pro » User experience/interface  ·  Flag idea as inappropriate…  ·  Admin →
    Erik Díaz supported this idea  · 
  2. 70 votes
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    21 comments  ·  Premiere Pro » User experience/interface  ·  Flag idea as inappropriate…  ·  Admin →
    Erik Díaz supported this idea  · 
  3. 15 votes
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    2 comments  ·  Premiere Pro » Import  ·  Flag idea as inappropriate…  ·  Admin →
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    Erik Díaz commented  · 

    Yes you are right, Its been a long time and no metadata support for several cameras formats, also the ability to apply luts by default to the footage on S-log or C-log, the way red footage works.

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  4. 12 votes
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    Under Review  ·  10 comments  ·  Audition » Workflow & Interoperability  ·  Flag idea as inappropriate…  ·  Admin →
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    Erik Díaz commented  · 

    The lopping record must be able to make multiple takes on a subtrack, to keep organization, for example you have an actor doing multiple takes, the track is named with the actor's name, there must be a way to deploy the track and show the multiple takes and an easy way to mute clips in order to select best part of each take, also some sort of elastic tool to perfectly align each clip to lip sync. In this video from 0:45 to 5:45 can be seen the ol version of nuendo 5 ADR features. https://www.youtube.com/watch?v=sjBdhFrS5cY

    Also a visual Prerrol Cue and Subtitles is a must. See also this video as a reference. https://www.youtube.com/watch?v=Ml0Rx7HdYGE&t=5s

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  5. 5 votes
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    2 comments  ·  Premiere Pro » Projects  ·  Flag idea as inappropriate…  ·  Admin →
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    Erik Díaz commented  · 

    Yes, it used to work a long time ago In CS6 version I think, I have submitted this bug many times for years now and no answer.

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  6. 45 votes
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    Under Review  ·  18 comments  ·  Premiere Pro » Closed Captions  ·  Flag idea as inappropriate…  ·  Admin →
    Erik Díaz supported this idea  · 
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    Erik Díaz commented  · 

    I'm having this issue since day one and is shown on this post on a screen capture video that shows some other glitches. https://adobe-video.uservoice.com/forums/911233-premiere-pro/suggestions/34879825-caption-bugs-see-attached-screen-recording

  7. 3 votes
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    1 comment  ·  Premiere Pro » General  ·  Flag idea as inappropriate…  ·  Admin →
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  8. 6 votes
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    0 comments  ·  Premiere Pro » Audio  ·  Flag idea as inappropriate…  ·  Admin →
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  9. 18 votes
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    1 comment  ·  Premiere Pro » Audio  ·  Flag idea as inappropriate…  ·  Admin →
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  10. 198 votes
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    Under Review  ·  40 comments  ·  Premiere Pro » Audio  ·  Flag idea as inappropriate…  ·  Admin →
    Erik Díaz supported this idea  · 
  11. 129 votes
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    22 comments  ·  Premiere Pro » Audio  ·  Flag idea as inappropriate…  ·  Admin →
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  12. 22 votes
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    2 comments  ·  Premiere Pro » GPUs  ·  Flag idea as inappropriate…  ·  Admin →
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  13. 27 votes
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    6 comments  ·  Premiere Pro » User experience/interface  ·  Flag idea as inappropriate…  ·  Admin →
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  14. 2 votes
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    0 comments  ·  Premiere Pro » Adobe Interoperability  ·  Flag idea as inappropriate…  ·  Admin →
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  15. 127 votes
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    8 comments  ·  Premiere Pro » User experience/interface  ·  Flag idea as inappropriate…  ·  Admin →
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  16. 2 votes
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    0 comments  ·  Audition » Multitrack Editor  ·  Flag idea as inappropriate…  ·  Admin →
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  17. 5 votes
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    1 comment  ·  Audition » Workflow & Interoperability  ·  Flag idea as inappropriate…  ·  Admin →

    I wonder if the “Source Channel Routing” could be expanded to map this ‘effect’ easily. Right now, the SCRis limited to one unique channel assignment per clip channel, but it might be easy enough to modify.

    Ideally, Premiere should make it simpler to convert a stereo clip to mono and toggle the source channel. “Fill x with y” seems a bit of a kludge to me as the result, a multi-mono file, has the same output results with a lot more complexity.

    I’ll enter a feature request. Thanks.
    Edit: Request: 4199707

    Erik Díaz supported this idea  · 
  18. 13 votes
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    6 comments  ·  Audition » Preference & Settings  ·  Flag idea as inappropriate…  ·  Admin →
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    Erik Díaz commented  · 

    I use Audition for mixing localized dubbed spanish version of feature films in 5.1 for theatrical release. I had two movies that where 7.1 and had to remix in 5.1 because I did'nt have the choice of 7.1. I think that adding the industry standards is a must.

    Erik Díaz supported this idea  · 
  19. 90 votes
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    33 comments  ·  Audition » Workflow & Interoperability  ·  Flag idea as inappropriate…  ·  Admin →
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  20. 3 votes
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    0 comments  ·  Premiere Pro » Audio  ·  Flag idea as inappropriate…  ·  Admin →
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