Erik Díaz
My feedback
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88 votes
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70 votes
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15 votes
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12 votesUnder Review · 10 comments · Audition » Workflow & Interoperability · Flag idea as inappropriate… · Admin →
An error occurred while saving the comment The lopping record must be able to make multiple takes on a subtrack, to keep organization, for example you have an actor doing multiple takes, the track is named with the actor's name, there must be a way to deploy the track and show the multiple takes and an easy way to mute clips in order to select best part of each take, also some sort of elastic tool to perfectly align each clip to lip sync. In this video from 0:45 to 5:45 can be seen the ol version of nuendo 5 ADR features. https://www.youtube.com/watch?v=sjBdhFrS5cY
Also a visual Prerrol Cue and Subtitles is a must. See also this video as a reference. https://www.youtube.com/watch?v=Ml0Rx7HdYGE&t=5s
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5 votes
An error occurred while saving the comment Yes, it used to work a long time ago In CS6 version I think, I have submitted this bug many times for years now and no answer.
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45 votes
An error occurred while saving the comment I'm having this issue since day one and is shown on this post on a screen capture video that shows some other glitches. https://adobe-video.uservoice.com/forums/911233-premiere-pro/suggestions/34879825-caption-bugs-see-attached-screen-recording
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3 votes
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6 votes
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18 votes
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198 votes
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129 votes
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22 votes
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27 votes
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2 votes
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127 votes
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2 votes
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5 votes
I wonder if the “Source Channel Routing” could be expanded to map this ‘effect’ easily. Right now, the SCRis limited to one unique channel assignment per clip channel, but it might be easy enough to modify.
Ideally, Premiere should make it simpler to convert a stereo clip to mono and toggle the source channel. “Fill x with y” seems a bit of a kludge to me as the result, a multi-mono file, has the same output results with a lot more complexity.
I’ll enter a feature request. Thanks.
Edit: Request: 4199707 -
13 votes
An error occurred while saving the comment I use Audition for mixing localized dubbed spanish version of feature films in 5.1 for theatrical release. I had two movies that where 7.1 and had to remix in 5.1 because I did'nt have the choice of 7.1. I think that adding the industry standards is a must.
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90 votes
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3 votes
Yes you are right, Its been a long time and no metadata support for several cameras formats, also the ability to apply luts by default to the footage on S-log or C-log, the way red footage works.