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Vincent GUSTIN

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  1. 3 votes

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    Vincent GUSTIN supported this idea  · 
  2. 2 votes

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  3. 3 votes

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  4. 105 votes

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  5. 7 votes

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  6. 146 votes

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  7. 5 votes

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  8. 6 votes

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  9. 223 votes

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    This is not a bug, it’s as designed. We specifically limit the visibility to one track at a time to avoid accidentally burning in multiple tracks. Also, when exporting to a format that only supports one captions stream like SRT or STL, we need to know which is the active track in order to export the correct track.

    But I understand why you might need two tracks visible at the same time.

    Multiple speakers:
    If we could automatically identify speakers and designate a style associated with them, would that help? For example speaker 1 is blue and on the left, speaker 2 is yellow and on the right?

    Multiple languages:
    Do you ever need to burn in both at the same time or is it just a matter of being able to see both to aid in translation and alignment?

    Thanks for the feedback, we really are listening :)

    Vincent GUSTIN supported this idea  · 
  10. 230 votes

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  11. 814 votes

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    All,


    first of all I wanted to thank everyone for making this a productive conversation over the last couple of days.


    As several people responded to my comment about keeping the tone civilised, I need to dwell on that for a minute. Please hear me out, this is important to everyone on my crew and I hope it will be to you.


    Saying that we shouldn't be surprised when things get heated is very problematic in my opinion. How do you expect a junior person on my team to respond to a technical question when it is combined with something that can easily be described as hate speech? How do you think we can actually come together on actual issues when there's already the assumption that we're a big faceless corporation, not even listening to our customers?


    People on my team have received threats. I've been there over the years,…

    Vincent GUSTIN supported this idea  · 
  12. 3 votes

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    1 comment  ·  Premiere Pro » Audio  ·  Admin →
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    Vincent GUSTIN supported this idea  · 
  13. 346 votes

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    An error occurred while saving the comment
    Vincent GUSTIN commented  · 

    Good evening,
    you are absolutely right...
    "Why not continue with Resolve since everything is already perfectly synchronized, that it is free (or "hardly paid"), very complete, extremely stable and completely efficient ?"

    After Effect will no longer be able to make a difference for very long compared to all these advantages and arguments (especially for individuals and small structures).

    Even Photoshop could then be called into question eventually ...

    It is not too late to correct the situation BUT:
    - the more the days go by,
    - less Adobe understands and implements the functionality,
    - the more the use of Resolve will be necessary and practiced,
    - the less the need to continue with this software suite will be real

    (especially if the editing ends with a serious calibration and therefore also with Resolve whose "collaboration" part, in addition to the "sound mixing", is impressive for so little money).

    Adobe MUST move on and implement this functionality perfectly in all existing versions available ...
    They cannot wait for a "major release".
    This is no longer possible !

    An error occurred while saving the comment
    Vincent GUSTIN commented  · 

    Good evening,
    Do you have any idea when this feature that is so important to everyone will finally work in Adobe Premiere (and in which version even)?

    It's incredible (sad to be very polite) that Audio TimeCode's generator and synchronizer vendors recommend using a free, and moreover quite complete, post-production software to perform this kind of task before coming to edit it in your solution...
    How long do you think that by using Davinci Resolve to generate the synchro, we won't also do the rest of the work there ?
    Honestly, it's become totally unacceptable to have to pay for a post-production software which is not even able to synchronize ONLY videos and audios on TimeCode (it's not enough to put the title, the box, the check mark of the function in the interface for us to be delighted...). It has to work!

    For the moment, here's what we can read as a tip to get there: https://nanolockit.com/en/tutorials/adobe-premiere-pro/
    It is high time to provide THE internal solution to the product you rent!
    Your eco-system "speaks" to us... Hear us and act when we explain that it is URGENT and necessary right away.
    Thank you.

    NB : Davinci Resolve "free" are not enough for the Broadcaster that use 50i and specific codec !
    Translated with www.DeepL.com/Translator (free version)

    Vincent GUSTIN supported this idea  · 
  14. 9 votes

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  15. 22 votes

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  16. 67 votes

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  17. 81 votes

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  18. 119 votes

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  19. 93 votes

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  20. 437 votes

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