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jesse schluntz

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  1. 222 votes

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    81 comments  ·  Premiere Pro » Editing  ·  Flag idea as inappropriate…  ·  Admin →
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    Hi all, 

    There are two parts to this request:

    1. Ensuring that proxies are created respecting changes that have already been applied to media via Interpret Footage. 

    2. Ensuring that changes in Interpret Footage are applied to proxies that have already been created. 

    The first part was done and is in v23 or later of Premiere Pro and Media Encoder. The second part is being worked on but I don't have a release data to share at this time. 

    Regards,

    Fergus

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    jesse schluntz commented  · 

    After many years of using a proxy workflow, I'm happy to report that this issue is no longer a problem for me because of my new system. I'm able to cut 6 angle, 4K multicams (gopros, sony a7s iii, and sony FX 9) with almost zero lag. No proxies used at all.

    This was unthinkable before. I upgraded to the new Mac Studio, but after a lot of research, DID NOT opt for the top tier processor because the performance difference was so small for the money.

    Just wanted to share my setup. See attached images. This new system is worth every penny.

    jesse schluntz supported this idea  · 
  2. 1 vote

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    1 comment  ·  Premiere Pro » Adobe Interoperability  ·  Flag idea as inappropriate…  ·  Admin →
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    jesse schluntz commented  · 

    Thank you Francis. Would really appreciate this being fixed in the next update.

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  3. 20 votes

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    3 comments  ·  Premiere Pro » Export  ·  Flag idea as inappropriate…  ·  Admin →
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  4. 107 votes

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    48 comments  ·  Premiere Pro » Import  ·  Flag idea as inappropriate…  ·  Admin →
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  5. 32 votes

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    17 comments  ·  Premiere Pro » Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
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    jesse schluntz commented  · 

    Allow me to save your lives. I can't believe this took as much searching as it did to find an OFFICIAL FIX FROM ADOBE for this issue (until they can figure out how to unbreak it again). Adobe's own version of this video should have been sent out by Adobe to all users of Premiere Pro the second they discovered this issue. Why it wasn't is beyond me. Well, not really because Adobe is both so amazing at enabling us to do what we do, but so utterly abysmal at fixing things that won't work. Enjoy: https://www.youtube.com/watch?v=t61b6Nk-YPw&list=PLA05pELl8mMiABtsCSEB4XdivVupnYcyc&index=5&t=229s

    I do want to add one important fact: Today I married the final sound and color on a project. The color was delivered to me via prores HQ from my colorist, who graded in Resolve. There was NO NEED to apply this LUT to my final export. I double checked my export against what my colorist gave me, and there was no shift in color at all noticeable in either premiere pro or using quicktime player.

    So the BIZARRE thing about this color shift issue is that it only seems to happen when you use Premiere to grade our projects. Which is super weird since Adobe can't seem to export the color we create with the very tools they provide unless we use this LUT as a fix.

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    jesse schluntz commented  · 

    Premiere Pro on the imac Pro has been having issues for the past year with exports coming out desaturated and losing contrast. Basically I’ve been having to add some additional saturation & contrast to all my final exports for the past year, which look bad on the program monitor, but it helps on the exports maintain their color (somewhat). I just got off the phone with Adobe Tech support because I’m planning to create a film master in the next month. Here is what I was told:

    call to adobe tech support on August 17, 2019:

    This is a known issue

    The iMac pro exports get desaturated and lose contrast.

    There will be an update to premiere pro released in October (possible names are 13.1.5 or 13.2).

    Engineering team says this new version will 100% have the issue fixed.

    The engineer told me that I should marry the final color & sound of the film I plan to export using my macbook pro to avoid any color issues with the final export.

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    jesse schluntz commented  · 

    I've always noticed my H264's being slightly desaturated over the years, but lately it's been absolutely awful. I've recently updated to 13.0.1, and 13.0.2 just came out, so I'm hoping when I do the next update it will fix this.

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  6. 4 votes

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    2 comments  ·  Premiere Pro » Editing  ·  Flag idea as inappropriate…  ·  Admin →
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    jesse schluntz commented  · 

    Yes please!

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  7. 3 votes

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    2 comments  ·  Premiere Pro » Export  ·  Flag idea as inappropriate…  ·  Admin →
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  8. 4 votes

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    0 comments  ·  Premiere Pro » Import  ·  Flag idea as inappropriate…  ·  Admin →
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  9. 3 votes

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    0 comments  ·  Premiere Pro » User experience/interface  ·  Flag idea as inappropriate…  ·  Admin →
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  10. 2 votes

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    0 comments  ·  Premiere Pro » Playback  ·  Flag idea as inappropriate…  ·  Admin →
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  11. 2 votes

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    0 comments  ·  Premiere Pro » Performance  ·  Flag idea as inappropriate…  ·  Admin →
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  12. 15 votes

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    6 comments  ·  Premiere Pro » Editing  ·  Flag idea as inappropriate…  ·  Admin →
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    jesse schluntz shared this idea  · 

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