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  1. 18 votes

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  2. 404 votes

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    Hi Florian,

    while this is a rather critical and large change to the way the application works and will take some time to be implemented, we’ll definitely put this under consideration.

    There’s more than one solution to this problem, though.

    A good short term opportunity is to use the parallel install feature in the creative cloud application. It should help to at least take away some of the issues working with people on a different version of the application.

    Another thing worth keeping in mind is that you can install CC on two different machines (if you’re on an individual subscription). That gives you additional opportunity to keep different versions around for compatibility reasons.

    I’ll update the status of this request as we move along.

    If you have further thoughts on this matter, please keep them coming.

    Thanks
    Patrick

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  3. 3 votes

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  4. 1 vote

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    2 comments  ·  Premiere Pro » Audio  ·  Admin →
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    Angelos commented  · 

    Uninstalling and Reinstalling or reseting plugin cache does not fix the problem. So waiting for another hotfix by Adobe.

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  5. 5 votes

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  6. 16 votes

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  7. 15 votes

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  8. 11 votes

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  9. 2 votes

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    Angelos supported this idea  · 
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    Angelos commented  · 

    Same error here. Happens randomly. It first occured when I changed the sequence resolution. If I close the project and re-open, it goes away temporary until I change something again.

    I'm also on v13.1, Win10 Version 1809.

  10. 1 vote

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  11. 11 votes

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    Angelos commented  · 

    I've been waiting for this for years. It seems weird that it only has 5 votes.
    The difference is very noticeable.
    DaVinci Resolve has this by default in the paid version and it is way better than the default H.264 MainConcept encoder that Adobe is using. Everything from gradients, to dark scenes render a lot better with x264. That's why it's been used for streaming services such as netflix and youtube.
    When I have some time I will post some screenshots to check for yourself.

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  12. 700 votes

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  13. 487 votes

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    Currently, Premiere uses the Lanczos method for intrinsic scale and rotation. Lanczos is an exceptionally high-quality interpolation method which generally yields better results than bicubic, bilinear or nearest neighbor. From reading the forum post, it seems that up-scaling is the real issue here. I suggest looking at the Detail-Preserving Upscale effect in After Effects. It does a really good job and gives you some parameters to tweak to fit your specific content.

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  14. 7 votes

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  15. 6 votes

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    Angelos commented  · 

    I thing I've figured it out.

    It's actually a combination of 2 problems.

    1. Applying a custom LUT (as in first example) requires the LUT to be also copied in AME's folder. Not only on Premiere's folder.

    This is not documented by Adobe and it should be.

    2. If you enable DCM on Premiere's preferences, there is a small color inconsistency on AME's preview window (as seen on second example). I did checked however that the exported video has the correct color by importing it back to Premiere.

    So for me DCM should be off unless you work on a P3 monitor.

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    Angelos commented  · 

    After playing a little bit, trying to figure out what's happening, it seems that Media Encoder completely ignores Input LUTs.

    Creative LUTs also translate wrong when using Media Encoder. No issues when exporting straight from Premiere.

    I did check, if Display Color Management is the reason for that, but it is not as it also happens with DCM off.

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  16. 2 votes

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    0 comments  ·  Premiere Pro » Audio  ·  Admin →
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  17. 3 votes

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  18. 707 votes

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  19. 64 votes

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  20. 131 votes

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