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John McClary

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  1. 802 votes

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    594 comments  ·  Premiere Pro » User experience/interface  ·  Flag idea as inappropriate…  ·  Admin →
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    All,


    first of all I wanted to thank everyone for making this a productive conversation over the last couple of days.


    As several people responded to my comment about keeping the tone civilised, I need to dwell on that for a minute. Please hear me out, this is important to everyone on my crew and I hope it will be to you.


    Saying that we shouldn't be surprised when things get heated is very problematic in my opinion. How do you expect a junior person on my team to respond to a technical question when it is combined with something that can easily be described as hate speech? How do you think we can actually come together on actual issues when there's already the assumption that we're a big faceless corporation, not even listening to our customers?


    People on my team have received threats. I've been there over the years,…

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  2. 30 votes

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    8 comments  ·  Premiere Pro » Editing  ·  Flag idea as inappropriate…  ·  Admin →
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    John McClary commented  · 

    It is impossible to count on - visually my scale settings were completely off

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  3. 8 votes

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    0 comments  ·  Audition » Workflow & Interoperability  ·  Flag idea as inappropriate…  ·  Admin →
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  4. 6 votes

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    0 comments  ·  Audition » User experience/interface  ·  Flag idea as inappropriate…  ·  Admin →
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    John McClary supported this idea  · 
  5. 3 votes

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    2 comments  ·  Audition » User experience/interface  ·  Flag idea as inappropriate…  ·  Admin →
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  6. 3 votes

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    0 comments  ·  Audition » User experience/interface  ·  Flag idea as inappropriate…  ·  Admin →
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  7. 14 votes

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    0 comments  ·  Audition » User experience/interface  ·  Flag idea as inappropriate…  ·  Admin →
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  8. 6 votes

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    0 comments  ·  Audition » User experience/interface  ·  Flag idea as inappropriate…  ·  Admin →
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  9. 16 votes

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    5 comments  ·  Audition » Preference & Settings  ·  Flag idea as inappropriate…  ·  Admin →
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  10. 51 votes

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    21 comments  ·  Audition » Multitrack Editor  ·  Flag idea as inappropriate…  ·  Admin →
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  11. 20 votes

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    8 comments  ·  Audition » Preference & Settings  ·  Flag idea as inappropriate…  ·  Admin →
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    John McClary commented  · 

    Perhaps has this been covered and I'm not using the channel matrix correctly?

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    John McClary commented  · 
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    John McClary commented  · 

    Desperate Need for 7.1 surround (Dolby OR DTS) encode. How could you possibly leave us with only $$$ options? You're killing me here - first you take away AC3 encode and then this insane enterprise signin every time I use CC on a different computer. Nuts! Driving Me Crazy!

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    John McClary commented  · 

    Netflix and game design is driving the independent market for sound - so, DTS Headphone:X & Dolby Atmos for headphones (7.1) for games and for Netflix and movie releases it is Dolby Atmos 7.1.2 (at least bed, hopefully you can give full Atmos somehow without RMU?).

  12. 167 votes

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    99 comments  ·  Audition » User experience/interface  ·  Flag idea as inappropriate…  ·  Admin →
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    Unfortunately, I need to change the status of this feature request. While we anticipated being able to share the new Projects feature in our Public Beta release, for which Bins were a component, the realities of the pandemic and related business priorities required the Audition team to focus efforts on other ongoing projects. At this time, I cannot provide an estimated date when Bins or related organizational features may be introduced to the Audition session format.

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    John McClary commented  · 

    Instead of folders, think about Smart Folders (a folder the contains clip with the 'searched for' words or characteristics) or filters would also help. If you could have multiple criteria (Subject,ShootDay, etc.) to filter on then I don't think I'd need folders. Right I now I need folders.

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  13. 14 votes

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    Under Review  ·  12 comments  ·  Audition » Workflow & Interoperability  ·  Flag idea as inappropriate…  ·  Admin →
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    John McClary commented  · 

    Priority -
    (1) looping record (or defined regions) to define a "punch in" duration for recording
    (2) preroll/postroll
    (3) "takes" panel - where the recorded takes go (ordered by region)
    (4) rocking' record (after this 'special record' is clicked, play the last two seconds of the timeline and then start recording)
    (4) streamers (visual line that moves across picture - 'record' starts when it hits picture edge) - used to help timing of the record point

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    John McClary commented  · 

    #1: looping record
    #2: Preroll and Post roll
    #3: a way to audition and pick individual takes (a list in a popup window/panel or maybe double-clicking the track to open a nested composition with them?)

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    John McClary commented  · 

    The biggest thing missing for ADR in Audition is "looping record" with preroll and postroll. Preroll is the amount time before the time selection and post roll is the amount of time after the time selection. When recording, just like when we recorded video masters in an online suite with tape decks, there was a 'rhythm' created by using preroll/RECORDING/postroll (just like a band conductor counting "1,2,3,4" before the band starts playing so they can all play in rhythm). It helps the talent find the rhythm of the line of dialog.

    So, Preroll and Postroll would be set in preferences with a checkbox enabling beeps for "3-2-1-..." during Preroll and the Time Selection tool would set the actual record time. The take would pile up on top of each other in the track just like multiple clips can do now. (I've laid out this workflow in this very comment section a few times now)

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  14. 295 votes

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    153 comments  ·  Premiere Pro » Essential Graphics  ·  Flag idea as inappropriate…  ·  Admin →
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  15. 11 votes

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    4 comments  ·  Premiere Pro » Export  ·  Flag idea as inappropriate…  ·  Admin →
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  16. 10 votes

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    11 comments  ·  Premiere Pro » Projects  ·  Flag idea as inappropriate…  ·  Admin →
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  17. 5 votes

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    1 comment  ·  Audition » Workflow & Interoperability  ·  Flag idea as inappropriate…  ·  Admin →
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    I wonder if the “Source Channel Routing” could be expanded to map this ‘effect’ easily. Right now, the SCRis limited to one unique channel assignment per clip channel, but it might be easy enough to modify.

    Ideally, Premiere should make it simpler to convert a stereo clip to mono and toggle the source channel. “Fill x with y” seems a bit of a kludge to me as the result, a multi-mono file, has the same output results with a lot more complexity.

    I’ll enter a feature request. Thanks.
    Edit: Request: 4199707

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  18. 132 votes

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    45 comments  ·  Audition » Workflow & Interoperability  ·  Flag idea as inappropriate…  ·  Admin →
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  19. 6 votes

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    2 comments  ·  Audition » Workflow & Interoperability  ·  Flag idea as inappropriate…  ·  Admin →
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    John McClary supported this idea  · 

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