John McClary

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  1. 6 votes

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    0 comments  ·  Audition » Workflow & Interoperability  ·  Flag idea as inappropriate…  ·  Admin →
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  2. 6 votes

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    0 comments  ·  Audition » User experience/interface  ·  Flag idea as inappropriate…  ·  Admin →
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  3. 2 votes

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    1 comment  ·  Audition » User experience/interface  ·  Flag idea as inappropriate…  ·  Admin →
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  4. 3 votes

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    0 comments  ·  Audition » User experience/interface  ·  Flag idea as inappropriate…  ·  Admin →
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  5. 10 votes

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    0 comments  ·  Audition » User experience/interface  ·  Flag idea as inappropriate…  ·  Admin →
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  6. 6 votes

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    0 comments  ·  Audition » User experience/interface  ·  Flag idea as inappropriate…  ·  Admin →
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  7. 14 votes

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    5 comments  ·  Audition » Preference & Settings  ·  Flag idea as inappropriate…  ·  Admin →
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  8. 37 votes

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    13 comments  ·  Audition » Multitrack Editor  ·  Flag idea as inappropriate…  ·  Admin →
    John McClary supported this idea  · 
  9. 20 votes

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    8 comments  ·  Audition » Preference & Settings  ·  Flag idea as inappropriate…  ·  Admin →
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    John McClary commented  · 

    Perhaps has this been covered and I'm not using the channel matrix correctly?

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    John McClary commented  · 
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    John McClary commented  · 

    Desperate Need for 7.1 surround (Dolby OR DTS) encode. How could you possibly leave us with only $$$ options? You're killing me here - first you take away AC3 encode and then this insane enterprise signin every time I use CC on a different computer. Nuts! Driving Me Crazy!

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    John McClary commented  · 

    Netflix and game design is driving the independent market for sound - so, DTS Headphone:X & Dolby Atmos for headphones (7.1) for games and for Netflix and movie releases it is Dolby Atmos 7.1.2 (at least bed, hopefully you can give full Atmos somehow without RMU?).

  10. 143 votes

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    81 comments  ·  Audition » User experience/interface  ·  Flag idea as inappropriate…  ·  Admin →

    Unfortunately, I need to change the status of this feature request. While we anticipated being able to share the new Projects feature in our Public Beta release, for which Bins were a component, the realities of the pandemic and related business priorities required the Audition team to focus efforts on other ongoing projects. At this time, I cannot provide an estimated date when Bins or related organizational features may be introduced to the Audition session format.

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    John McClary commented  · 

    Instead of folders, think about Smart Folders (a folder the contains clip with the 'searched for' words or characteristics) or filters would also help. If you could have multiple criteria (Subject,ShootDay, etc.) to filter on then I don't think I'd need folders. Right I now I need folders.

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  11. 13 votes

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    Under Review  ·  12 comments  ·  Audition » Workflow & Interoperability  ·  Flag idea as inappropriate…  ·  Admin →
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    John McClary commented  · 

    Priority -
    (1) looping record (or defined regions) to define a "punch in" duration for recording
    (2) preroll/postroll
    (3) "takes" panel - where the recorded takes go (ordered by region)
    (4) rocking' record (after this 'special record' is clicked, play the last two seconds of the timeline and then start recording)
    (4) streamers (visual line that moves across picture - 'record' starts when it hits picture edge) - used to help timing of the record point

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    John McClary commented  · 

    #1: looping record
    #2: Preroll and Post roll
    #3: a way to audition and pick individual takes (a list in a popup window/panel or maybe double-clicking the track to open a nested composition with them?)

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    John McClary commented  · 

    The biggest thing missing for ADR in Audition is "looping record" with preroll and postroll. Preroll is the amount time before the time selection and post roll is the amount of time after the time selection. When recording, just like when we recorded video masters in an online suite with tape decks, there was a 'rhythm' created by using preroll/RECORDING/postroll (just like a band conductor counting "1,2,3,4" before the band starts playing so they can all play in rhythm). It helps the talent find the rhythm of the line of dialog.

    So, Preroll and Postroll would be set in preferences with a checkbox enabling beeps for "3-2-1-..." during Preroll and the Time Selection tool would set the actual record time. The take would pile up on top of each other in the track just like multiple clips can do now. (I've laid out this workflow in this very comment section a few times now)

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  12. 288 votes

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    150 comments  ·  Premiere Pro » Essential Graphics  ·  Flag idea as inappropriate…  ·  Admin →
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  13. 11 votes

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    4 comments  ·  Premiere Pro » Export  ·  Flag idea as inappropriate…  ·  Admin →
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  14. 184 votes

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    126 comments  ·  Premiere Pro » Essential Graphics  ·  Flag idea as inappropriate…  ·  Admin →

    We understand that retiring a part of the software can create issues for some users. We are doing our best to make this a slow and steady process and are adding needed features along the way. Most importantly, we have added the ability to convert Legacy Titles into Source Graphics. While not all characteristics will translate perfectly, this should give you really good results in most cases.
    We’re not just taking something away, we’re adding functionality to Essential Graphics constantly. Our team is working hard to make sure it meets your workflow needs. And if it doesn’t – we want to know about it.
    If you feel that there is a specific feature missing in Essential Graphics please create a single UserVoice post for it, e.g. for Inner and Outer Strokes. This way it is much easier for others to vote on something actionable.
    Please take a look at our …

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  15. 8 votes

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    10 comments  ·  Premiere Pro » Projects  ·  Flag idea as inappropriate…  ·  Admin →
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  16. 5 votes

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    1 comment  ·  Audition » Workflow & Interoperability  ·  Flag idea as inappropriate…  ·  Admin →

    I wonder if the “Source Channel Routing” could be expanded to map this ‘effect’ easily. Right now, the SCRis limited to one unique channel assignment per clip channel, but it might be easy enough to modify.

    Ideally, Premiere should make it simpler to convert a stereo clip to mono and toggle the source channel. “Fill x with y” seems a bit of a kludge to me as the result, a multi-mono file, has the same output results with a lot more complexity.

    I’ll enter a feature request. Thanks.
    Edit: Request: 4199707

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  17. 121 votes

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    44 comments  ·  Audition » Workflow & Interoperability  ·  Flag idea as inappropriate…  ·  Admin →
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  18. 6 votes

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    2 comments  ·  Audition » Workflow & Interoperability  ·  Flag idea as inappropriate…  ·  Admin →
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