Matt Stegner

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  1. 1 vote
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    1 comment  ·  Premiere Pro » Stability  ·  Flag idea as inappropriate…  ·  Admin →
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    Matt Stegner commented  · 

    I will ask some basic question: How are you saving the project when you close the application? How are you opening the saved project?

    Attaching a video might be very helpful for the development team.

  2. 3 votes
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    1 comment  ·  Premiere Pro » Audio  ·  Flag idea as inappropriate…  ·  Admin →
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    Matt Stegner commented  · 

    There hasn't been any changes to the code that would have caused this (that I can think of), so can we start by trying to determine if there is a difference in the configuration between 2019 and 2020?
    Can you double check that "Preferences>Media Cache..." is set up exactly the same between the two? Ideally, would you post screen shots?

  3. 1 vote
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    1 comment  ·  Premiere Pro » Audio  ·  Flag idea as inappropriate…  ·  Admin →
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    Matt Stegner commented  · 

    Most likely this is either a channelization mismatch between the clips and track types, or you have track targeting turned off. Could you post a video showing the bug in action and we can help you.

  4. 1 vote
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    1 comment  ·  Premiere Pro » Audio  ·  Flag idea as inappropriate…  ·  Admin →
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    Matt Stegner commented  · 

    I am unable to replicate this. Could you post a .prproj that shows this? I don't need media but an example project will help immensely.

  5. 1 vote
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    1 comment  ·  Premiere Pro » Performance  ·  Flag idea as inappropriate…  ·  Admin →
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    Matt Stegner commented  · 

    Can you add some more specifics, cause I can record voice overs locally and do not see this so it isn't a general issue, but there are many variables that I can't figure out from the text above.

    Are you on Mac or Win? What kind of recording device are you using? Can you get a video of the Voice Over recording set up and post it somewhere that I can view it? Even a cell phone video could help.

    One stab in the dark might be the audio hardware is messed up after enabling Voice Over. If you are in this "tanked" state, can you try setting "Preferences>Audio Hardware>Input..." to No Input and see if that helps?

    There isn't enough actionable information in this post, more details would help.

  6. 3 votes
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    Under Review  ·  1 comment  ·  Premiere Pro » Audio  ·  Flag idea as inappropriate…  ·  Admin →
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    Matt Stegner commented  · 

    I was mistaken, there is still an issue in 14.0.0. Thanks for the project file John, written as bug DVAAU-4202138

  7. 1 vote
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    1 comment  ·  Audition  ·  Flag idea as inappropriate…  ·  Admin →
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    Matt Stegner commented  · 

    I'm not sure I understand exactly what you are asking for. In the Editor, you can select a section of the waveform, and simply delete. A razor tool doesn't make much sense in the editor since all deletes are ripple deletes. Can you post a video explaining what you are asking for?

  8. 9 votes
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    3 comments  ·  Audition  ·  Flag idea as inappropriate…  ·  Admin →
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    Matt Stegner commented  · 

    I think I understand what you are saying. This is just how Audition works. Lemme see if I can explain.
    It appears that you are time stretching a 13 hour audio clip. When using the "Effects>Time and Pitch>Stretch and Pitch..." effect, the internal algorithm is a high quality stretch that looks at the audio before and after the potions that is currently being acted upon. This is an inherently linear process, the data needs to be acted upon in a linear manner. This cannot be easily broken into multiple streams of data and "multithreaded".
    In your screen shot you are showing Audition use roughly %107 percent of the CPU resources of the iMac Pro. This means that Audition, when it is rendering this stretch, is maxing out a single processor thread, and maxing out a single core of the CPU in the iMac. Unless there was major engineering added to the Radius stretching algorithm, this is as fast as it can go. This is the classic dilemma about single threading vs' multithreading. If a piece of software cannot use multiple cores, it wont and it will seem like it is not using the hardware to the full potential. This is probably what you are seeing.
    Audition will process multiple files in parallel, and do it well. So if you need to stretch 16 files, and your computer has 16 cores, Audition will light up all 16 cores and process the files in parallel, which is using all the hardware available to it.

    What I can recommend is to use the multitrack, not in the Audition editor.
    Place the file you want to stretch in the multitack, and use the realtime stretching option in the Properties panel. This is a related stretch algorithm, that is much faster (it is realtime, no rendering involved). The quality is slightly less, but you can use your ears to determine if the quality is fine or not. You will need to export the multitrack, which is still much faster than stretching a 13 hour file in the Editor.
    1. Take you original clip (the 13 hour one you want to stretch), right click on it and select "Insert into Multitrack>New Multitrack Session"... Create a new multitrack on disk, leaving the Sample Rate alone and setting the bit depth to match your original material. Hit ok to create the new multitrack.
    2. In the new multitrack, select the clip on the timeline. Open "Window>Properties>Stretch...".
    3. Leave the mode as "reatime" but set the Monophonic or polyphonic setting as needed. Set the desired stretch amount or duration.
    4. This will stretch the clip using the realtime “Omega” algorithm. You can then export the multitrack much faster.

  9. 1 vote
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    2 comments  ·  Audition » Performance  ·  Flag idea as inappropriate…  ·  Admin →
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    Matt Stegner commented  · 

    Audition does save peak files for uncompressed formats such as WAV and AIFF. This includes Multichannel audio files.
    From what you are describing, it appears that you have the peak file generation turned off in the Audition preferences.
    You can double check by making sure that there is a check box next to "Preferences>Media & Disk Cache>Save Peak Files..." Be default it is turned on.
    If you check that on peak files will be generated for media as it is imported.
    If you have that checked on and there are no peak files being generated, then you might be opening files from a disk that is unwritable (that you do not have permissions to write to), or the file needs to be conformed in some way (file is video or compressed audio).
    The multitrack recorder you mention might be generating some sort of compressed format. Posting an example will help us determine if this is the case.

  10. 2 votes
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    2 comments  ·  Premiere Pro » General  ·  Flag idea as inappropriate…  ·  Admin →
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    Matt Stegner commented  · 

    Can you look at the settings under "Preferences>Audio Device..." dropdown and see if the setting in Premiere 2020 is the same as 2019?

    Most likely it is set to the default Adobe Desktop Audio, and it needs to be set to Blackmagic Audio.

  11. 1 vote
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    1 comment  ·  Premiere Pro » Editing  ·  Flag idea as inappropriate…  ·  Admin →
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    Matt Stegner commented  · 

    "Why it's not recorded to a file where Project is located?"

    Check on "Preferences>Media Cache>Save .cfa and .pek media cache files next to original media files when possible...".
    This will put the files next to the original file, but not in the project folder. There is no way to easily get the files into the project folder.

  12. 1 vote
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    1 comment  ·  Premiere Pro » Audio  ·  Flag idea as inappropriate…  ·  Admin →
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    Matt Stegner commented  · 

    This is not a bug and done very much on purpose. There were various reasons to make this change.
    Audition has a similar range, and the non-linear nature of the scaled used (-100 to +15) required the change. The previous system made little sense that there was half of the range dedicated to 6 dB of volume change, and the other half of the range dedicated to 100 dB of volume change. This change, while not perfectly equal in both directions, helps mitigate some of these issues. Now, 1/3 of the range is dedicated to 0 db to +15 db of change, and the remaining 2/3 is dedicated to 0dB to -100 dB.
    This also increases the usable range when you get to extreme ends of the range also. Example: It is much easier to reach a specific negative value like - 50. It was nearly impossible to do this before.
    This change also more closely matches the faders "throw" in the two mixer panels. There is now a closer visual correlation.
    We understand that this is confusing at first, and there will be an adjustment time, but this is a better moving forward, and was necessary to make the adjustment from +6 dB maximum to the current +15.

  13. 1 vote
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    1 comment  ·  Premiere Pro » User experience/interface  ·  Flag idea as inappropriate…  ·  Admin →
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    Matt Stegner commented  · 

    We are working on something that should alleviate your issue in future versions. Sit tight.

  14. 5 votes
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    1 comment  ·  Premiere Pro » Audio  ·  Flag idea as inappropriate…  ·  Admin →
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    Matt Stegner commented  · 

    This is fixed internally and should be fixed in the next patch.

  15. 5 votes
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    3 comments  ·  Premiere Pro » Audio  ·  Flag idea as inappropriate…  ·  Admin →
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    Matt Stegner commented  · 

    This is fixed internally and should be fixed in the next patch.

  16. 2 votes
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    1 comment  ·  Audition » Multitrack Editor  ·  Flag idea as inappropriate…  ·  Admin →
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    Matt Stegner commented  · 

    I just tried this on Mac 10.13.6. Both Pre-Render and Solo are working as expected for me. Can you provide some more info so I can try to replicate this on my end?

  17. 1 vote
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    1 comment  ·  Audition  ·  Flag idea as inappropriate…  ·  Admin →
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    Matt Stegner commented  · 

    This is how the effect is designed. It is now a legacy effect and has been replaced with the new DeNoiser effect. Please use the new DeNoiser effect in place of the Adaptive Noise reduction.

    There is no plan on changing or fixing the Adaptive Noise Reduction at this time.

  18. 11 votes
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    5 comments  ·  Premiere Pro » Audio  ·  Flag idea as inappropriate…  ·  Admin →
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    Matt Stegner commented  · 

    I think you mean the SHIFT key modifier. This is a known issue and should be fixed in the next patch.

  19. 5 votes
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    1 comment  ·  Premiere Pro » Playback  ·  Flag idea as inappropriate…  ·  Admin →
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    Matt Stegner commented  · 

    Are you using a ton of clip based audio effects, or a ton of Essential Sound panel effects on your clips? There is a known issue when using lots of audio clip effects. Starting playback can take a long time.
    The only workaround now is to attempt to convert the effects from clip effects to track based effects.

  20. 1 vote
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    1 comment  ·  Premiere Pro » Audio  ·  Flag idea as inappropriate…  ·  Admin →
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    Matt Stegner commented  · 

    Can you post a cell phone video of this?

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