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AdminMatt Stegner (Admin, Adobe DVA)

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  1. 1 vote

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    AdminMatt Stegner (Admin, Adobe DVA) commented  · 

    @n Would you be wiling to get on a screen share/phone call with me so I can try to determine what is causing this issue for you?

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    AdminMatt Stegner (Admin, Adobe DVA) commented  · 

    Hi, I'm trying to investigate something related to "the first few seconds of audio played in a sequence at double speed (until I turned off the default input device - wtf)" but do not have a solid way to make it happen.
    Could you post a screen shot of your Audio Hardware and Playback preferences so I can see what might be happening?

  2. 1 vote

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    AdminMatt Stegner (Admin, Adobe DVA) commented  · 

    Hi, Matt from Adobe here,
    This may be related to the audio input. If you set the input to "No Input" does premiere seem fine? Also, I'm guessing that the Sample Rate of the audio input and audio output are not set to the same number, but you could confirm if you post a picture of the Preferences>Audio Hardware... so I can see how you have you computer configured?

  3. 1 vote

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    1 comment  ·  Premiere Pro » Audio  ·  Admin →
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    AdminMatt Stegner (Admin, Adobe DVA) commented  · 

    Can you add some tangible information here? Maybe post a clip for me to try.

  4. 12 votes

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    3 comments  ·  Premiere Pro » Audio  ·  Admin →
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    AdminMatt Stegner (Admin, Adobe DVA) commented  · 

    @sergio venturini
    About the closest workflow to what you are asking is to use a clip effect preset.

  5. 3 votes

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    AdminMatt Stegner (Admin, Adobe DVA) commented  · 

    The peak file generation is automatic. There is a way to change the queue order though, though it might not be the perfect workaround for you.

    1. Turn off automatic waveform generation. With this off no files will have their waveforms generated on import. Uncheck "Preferences>Audio>Automatic Audio Waveform Generation..."
    2. Now that no waveforms will be automatically generated, you can use the "Clip>Generate Audio Waveforms...' command to trigger Premiere to generate waveforms.

    The "Generate Audio Waveforms" command will generate waveforms for entire clips, if it is executed on the Project panel, or on the in to out point of a clip if executed on a clip in the timeline.
    It will generate waveforms in the order that the command is executed also.
    The "Generate Audio Waveforms" command only works if the Preference to automatically generate waveforms is turned off.
    So, if you want to generate waveforms on the music clips first, select them in the Project panel and execute "Generate Audio Waveforms", when they are finished you can then select the 4 hour file and generate waveforms there in the back ground.

  6. 2 votes

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    1 comment  ·  Premiere Pro » Audio  ·  Admin →
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    AdminMatt Stegner (Admin, Adobe DVA) commented  · 

    Could you send me the source files so I can investigate and file a bug if necessary?

  7. 1 vote

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    1 comment  ·  Premiere Pro » Audio  ·  Admin →
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    Hi Ryan, 

    Boy, do I have good news for you!

    https://community.adobe.com/t5/premiere-pro-beta-discussions/click-and-drag-to-select-multiple-track-targets-in-premiere-pro-beta/m-p/13171928#M6300

    We were originally going to release this feature for just track targeting but based on feedback like yours, decided to keep working on it to add more capability. It will ship later this year but it's available now in beta if you'd like to try it out. 

    Regards,

    Fergus


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    AdminMatt Stegner (Admin, Adobe DVA) commented  · 

    This should be available in the current public Beta builds of Premiere Pro as a new feature.

  8. 3 votes

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    AdminMatt Stegner (Admin, Adobe DVA) commented  · 

    I'd like to better understand what you are asking here. With mono, stereo, and 5.1 mix tracks, the channelization is locked once the sequence is created. But with a Multichannel Mix track, the channelization can be changed at any time (between 1 and 32 channels wide).

    Can you go into more detail here on what is blocking you?

  9. 1 vote

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    2 comments  ·  Premiere Pro » Audio  ·  Admin →
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    AdminMatt Stegner (Admin, Adobe DVA) commented  · 

    Hi Mark,
    I'm unable to replicate this in Premiere Beta 23.0.0x43. Could you add a video showing the bug?

  10. 2 votes

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    3 comments  ·  Premiere Pro » Audio  ·  Admin →
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    AdminMatt Stegner (Admin, Adobe DVA) commented  · 

    Please check that "Preferences>Playback>Audio Device..." dropdown is set to "Adobe Desktop Audio".
    If it is set to anything other than Adobe Desktop Audio setting the audio output will be routed away from the Audio Hardware preferences (Example: an NDI endpoint installed on the machine).

    If this is not the case, please let me know as I can try to help.

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    AdminMatt Stegner (Admin, Adobe DVA) commented  · 

    It this every sequence or just certain sequences? Can you post screenshots of the Audio Hardware and Playback preference pages? And if possible a video showing the issue will always help.

  11. 1 vote

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    8 comments  ·  Premiere Pro » Audio  ·  Admin →
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    AdminMatt Stegner (Admin, Adobe DVA) commented  · 

    "Comparing PP with Audition, and Audition correctly normalises the same audio. Premiere pro is wildly out."

    How is Premiere wrong. Please, explain.

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    AdminMatt Stegner (Admin, Adobe DVA) commented  · 

    @Thomas Adjani Can you elaborate? Or provide some actionable info? What needs to change?

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    AdminMatt Stegner (Admin, Adobe DVA) commented  · 

    Glad to hear it helped.

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    AdminMatt Stegner (Admin, Adobe DVA) commented  · 

    The Auto-Match feature, and the Normalize feature will end up canceling each other out if I am following what you are describing above. Both features analyze the audio content of the clips on the timeline and adjust the Gain.
    The analysis portion of the two features work very differently though. The Peak just looks at the instantaneous volume level and adjusts according to that. That isn't how our ears work though, we hear in an averaged fashion. The Auto-Level feature scan the audio and calculates the perceived volume for each clip. This is more akin to how we, as human beings, hear audio.

    "My ultimate goal is to have my voice have roughly the same volume across the entire video"
    Normalization is not what you want to be using then. I see a lot of misinformation about normalization as it is used a lot in tutorials when it probably shouldn't. The auto-match feature is designed to set all of the audio clips to the same volume level, which is what I think you want.

    If I can make a workflow suggestion based on your statement "My ultimate goal is to have my voice have roughly the same volume across the entire video".
    1. Select the voice clips you want to have set to the the same level. Tag them as Dialog in the Essential Sound panel.
    2. Turn on Loudness>Auto-match. This will scan through each file and adjust it to a LUFS level of -23dB. Each clip will be adjusted by a different amount, but the total perceived volume between all the clips should be the roughly the same.
    3. "get my voice volume anywhere close to 0dB or even 3dB" What needs to happen next is to add an equal amount of make up gain to raise all the clips by the same amount. So, with all the clips still selected, turn up the "Clip Volume>Level..." section of the Essential Sound panel. Play the audio and watch the meter. Adjust the Level slider until you reach the desired output.

  12. 2 votes

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    3 comments  ·  Premiere Pro » Audio  ·  Admin →
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    AdminMatt Stegner (Admin, Adobe DVA) commented  · 

    What version of Premiere are you using?

  13. 15 votes

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    AdminMatt Stegner (Admin, Adobe DVA) commented  · 

    Hi all,
    Cory was able to help me (Thanks again) and I see the issue. I don't know the root cause yet but will be investigating. If you look at the affected clip in the Effect Controls Panel, you might see that the "Volume" component is listed as this:

    Volume: In _,_ | Out_,_

    If you see that, that is the cause. Somehow, the Volume effect is being created with no audio channels, and what you are hearing is a a repeated buffer (a rapidly repeating buffer that will sound like a loud buzz).
    Any information on how to create this error state would be incredibly useful for me to figure out how to fix the root issue. Please post it here.

    As a workaround for now: Right click on an affected clip, and select "Remove Attributes". Uncheck all parameters except "Volume" parameter. This will reset the clip Volume effect to the default. Unfortunately you will also lose any volume keyframes in the process.

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    AdminMatt Stegner (Admin, Adobe DVA) commented  · 

    @Cory, Got it! Thanks so much, I'll investigate and follow up on email if I need. Thanks a bunch.

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    AdminMatt Stegner (Admin, Adobe DVA) commented  · 

    Hi all,
    I'm trying to investigate this, could someone post a video showing this happening?

  14. 1 vote

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    1 comment  ·  Premiere Pro » Audio  ·  Admin →
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    AdminMatt Stegner (Admin, Adobe DVA) commented  · 

    Thanks for the report Ryan,
    Can you post screen shots of the "Preferences>Audio..." and "Preferences>Media Cache..." dialogs from Premiere so we can have more information?

  15. 1 vote

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    AdminMatt Stegner (Admin, Adobe DVA) commented  · 

    Thanks or the feedback Peter. We are exploring some of these type of interactions internally, it is good to get feed back from users here.

    While not the feature you are asking for, I can provide an alternate that might help (it might not help also, I'm never sure). If you double click on a clip in the Project panel or the timeline, the clip will load into the Source Panel. When a clip is in focus in the Source panel, the Audio Clip Mixer will show the master output for that clip. You can use the volume fader to reduce the volume of a clip there and it will be remembered when the project is saved. The downside, or upside if this is desired, is that volume will also be used when the clip is cut into the timeline.

    While not a direct replacement for a dedicated Source Volume affordance, this might help your current workflow. I'm also adding it here as this is a public forum, and it is a chance to pass on some knowledge to users that will search for similar info. They might stumble on this and it might be of some help.

  16. 1 vote

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    1 comment  ·  Premiere Pro » Audio  ·  Admin →
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    AdminMatt Stegner (Admin, Adobe DVA) commented  · 

    Hi Paul,
    I'm not sure what you familiarity with the various ways to manipulate the keyframe line, but I can list some of the more hidden functions if you want (I also add it here for anyone that wants to search for this later on). Sorry if this is remedial for you, since this is a public forum, so bear with me.

    When you are dragging the keyframe line, or a keyframe itself on the clip, holding modifier keys will change how fast the line/keyframe will be dragged.
    So, on Mac:
    Holding Command will move the line more slowly, in one tenth a of a dB change
    Holding Option will move the line ins equal proportions (it will follow the logarithmic nature of the decibel line) making it easier to set the negative values by dragging.
    On Windows:
    Holding Crtl will move the line more slowly, in one tenth a of a dB change
    Holding Alt will move the line ins equal proportions (it will follow the logarithmic nature of the decibel line) making it easier to set the negative values by dragging.

    Note that the path that the keyframes takes vertically is not linear, or logarithmic, but a customs scale mapped across the face of the clip.

    Additionally: there is keyboard short cuts to move the line, or the selected keyframes up and down by one dB. By default it is mapped to the brackets keys ("[" and "]"). And the Shift modifier will move the keyframe in larger increments. The default is 6 dB, but that can be customized here: "Preferences>Audio>Large Volume Adjustments...".

  17. 16 votes

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    5 comments  ·  Premiere Pro » Audio  ·  Admin →
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    AdminMatt Stegner (Admin, Adobe DVA) commented  · 

    @Anthony Dean. Please provide a video showing what is happening.

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    AdminMatt Stegner (Admin, Adobe DVA) commented  · 

    Hi all, a couple things here from the Premiere audio "guy":

    Correct, this does not re-generate waveforms, and never has. This command is solely for when you have "Preferences>Audio>Automatic audio waveform generation ..." turned off. The command will not re-generate or create waveforms for Multicam/Nests. The command does not grey unfortunately, and is not well documented that it has a narrow functionality.

    "What's worse is that Premiere is even more likely to show no waveforms as of CC2018." If you can provide details so I can reproduce the issue I will file a bug to have it fixed. I've not seen this on my end.

    "work with multicam sequences and if I have a adjust the audio in my sequence, it often makes the waveform disappear"
    Premiere will only show audio for any nested sequence in narrow cases also (Multicam is a special type of nest). If there is no audio mixing happening on various tracks in the source, and no audio volume keyframes. Other than that the waveforms will be not shown in the nest. This is as designed and has worked this way, as far as I know, since the beginning of nests. It isn't ideal I agree, but it is not a bug as it functions as it was intended.

    I agree with you all here with how it should work. Using the term bug is a tough one, cause this really ins't a bug (a bug is an untended or breakage of the or a deviation from the desired behavior of the code). I will interpret all votes here as converting this functionally to a new feature: Re-Generate waveforms.
    Along with that, the missing waveforms on nest should be explicitly called out as a separate feature, and made available for votes.

  18. 1 vote

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    1 comment  ·  Premiere Pro » Audio  ·  Admin →
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    AdminMatt Stegner (Admin, Adobe DVA) commented  · 

    I tried this on an M1 Mac Mini and found no issues. Could you elaborate more on the specifics of what you are doing.
    What platform?
    VST3 or Audio Units?
    What version of Premiere and Waves?
    What Buffer Size are you using in the audio hardware preferences.
    Any additional info that could help me replicate this.

  19. 5 votes

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    AdminMatt Stegner (Admin, Adobe DVA) commented  · 

    I have a high priority bug filed for this.

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    AdminMatt Stegner (Admin, Adobe DVA) commented  · 

    "I thought VST3 plugins didn't work with Premiere Pro ?"

    VST3 is fully working on Mac and PC.

  20. 37 votes

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    AdminMatt Stegner (Admin, Adobe DVA) commented  · 

    I have a bug on this and am raising the priority.

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    AdminMatt Stegner (Admin, Adobe DVA) commented  · 

    @Matt Crum: Could you send me a project file that shows this bug? Send it to audbugs@adobe.com Attention Matt.

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    AdminMatt Stegner (Admin, Adobe DVA) commented  · 

    My comment below was referring to this: "creates a nasty glitching/grinding digital". That issue was fixed.
    I am able to head a pop when playing across an edit when this is applied as a clip effect. I will create a bug fro that right now. Is this what everyone is hearing?

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    AdminMatt Stegner (Admin, Adobe DVA) commented  · 

    Hi All,
    Matt from the Premiere Pro Team. We have been fixing a ton of bugs related to this type of error. I don't have a specific bug against this effect, but most likely we have fixed this in 13.1 release this week. Can someone comment on whether this is fixed or if it is still happening?

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