Michael Rogowski

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  1. 173 votes

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    Michael Rogowski supported this idea  · 
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    Michael Rogowski commented  · 

    This is happening to me as well and I have a theory on what's causing it - if you are working in full resolution on a 4k project, and the comp viewer scale is at 25%, the comp viewer falls behind struggling to downscale each frame from RAM.

    The info panel can say it's playing at real-time, but it actually isn't due to the extra time spent downscaling and I think this causes a desync. So let's say RAM is running real-time and you press space while it's at frame 50, but the comp view hasn't even gotten to frame 30 yet: the input gets delayed until the comp view catches up to frame 50.

    This delay grows the longer you let the preview run, and gets worse the smaller the comp viewer scale is. So the delay until your input is finally recognized could be seconds to minutes long depending.

    The workaround is to lower the preview resolution or only preview at 100% scale

  2. 635 votes

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    87 comments  ·  Premiere Pro » Editing  ·  Flag idea as inappropriate…  ·  Admin →

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  3. 677 votes

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    This is a great request that is certainly something we want to implement. Rest assured our engineers DO understand the importance of this feature and how to get the job done. We also know that the performance and stability of the app should be our #1 priority and that is where our focus is right now.

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  4. 13 votes

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  5. 18 votes

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    16 comments  ·  After Effects » Performance  ·  Flag idea as inappropriate…  ·  Admin →

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    Michael Rogowski commented  · 

    Same thing happening to me

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  6. 180 votes

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  7. 3 votes

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  8. 3 votes

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  9. 5 votes

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  10. 28 votes

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  11. 16 votes

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  12. 15 votes

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  13. 20 votes

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  14. 429 votes

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    42 comments  ·  After Effects » Compositing & effects  ·  Flag idea as inappropriate…  ·  Admin →

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    We're very excited to announce that Selectable Track Mattes are now available in the public beta builds! Selectable Track Mattes work just like parenting, allowing you to pick any layer in your composition, no matter where it sits in the layer stack, as a Track Matte source for any other layer.

    You'll need to update to version 23.0 build 8 or later to try it out. Learn more here: https://community.adobe.com/t5/after-effects-beta-discussions/feature-focus-selectable-track-matte-layers-have-arrived/td-p/13110013

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    Michael Rogowski commented  · 

    Use the Set Matte effect! The only drawback to it is that if you're using it on footage layers or solids that don't have the same dimensions, it doesn't work as expected. Still extremely useful for vector/shape/text layers though.

  15. 8 votes

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  16. 115 votes

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  17. 18 votes

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  18. 20 votes

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  19. 122 votes

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    Michael Rogowski commented  · 

    This would be really great to have. For now, there's Flow: https://aescripts.com/flow/ (but you can only work with 2 keyframes)

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  20. 4 votes

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