Kevin Monahan
My feedback
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3 votes
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1 vote
An error occurred while saving the comment Kevin Monahan
commented
This feature has been added. Check Preferences > General at the bottom of the dialog box. Disable that preference. Hope that helps.
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3 votes
An error occurred while saving the comment Kevin Monahan
commented
You should NOT be adding LUTS to the app package. That method is incorrect and outdated. It can mess up your entire grading workflow.
The proper way to add LUTs is here: https://helpx.adobe.com/premiere-pro/using/color-workflows.html#InstallCustomLUTfiles
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78 votes
An error occurred while saving the comment Kevin Monahan
commented
There is a lot of misunderstanding in this thread because a good number of editors do not understand how Premiere Pro handles handles GPU and iGPU assisted exports.
If you want to export H.264, you will be using the iGPU not the dedicated GPU. It's faster because it is using Quick Sync. In Export Settings, hardware assisted encoding takes place and should be enabled by default. You can switch it off, if you like, but the encode will take longer with the discrete GPU engaged. It will be of slightly higher quality, as the main benefit. Most people prefer the hit in quality to get faster exports, though.
If you want to export non-H.264 (like ProRes), you will be using the dedicated GPU, not the iGPU. It should be set with hardware encoding disabled by default because of the codec you choose.
Other NLEs might use the GPU and iGPU completely differently for exporting and supporting GPU accelerated effects processing, so keep that in mind.
Exporting in Premiere Pro, by the way, is a CPU-centric process with the GPU and iGPU providing mainly effects processing in the export process, and does very little to assist the actual encoding of the files.
So in the end, you might find that Premiere Pro is exporting using the correct hardware if you have one of those laptops with an iGPU and discrete GPU. There's nothing wrong with Premiere Pro at all, it's you that might need to get up to speed on how things actually work.
It's definitely confusing, but it's important to understand exactly what's going on with your laptop and exports - which vary depending on the export codec.
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2 votesKevin Monahan
shared this idea
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1 vote
An error occurred while saving the comment Kevin Monahan
commented
Place playhead on desired beat. Image is not matching beat. You need to Match Frame to find the clip. Scrub to the image you want to hit the beat. Select the clip in the Timeline. Choose Clip > Replace from Source Monitor > Match Frame. Then, place Marker on clip and another on the music clip. I think that will do what you wish.
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11 votes
An error occurred while saving the comment Kevin Monahan
commented
I support this directive.
Kevin Monahan
supported this idea
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22 votesKevin Monahan
supported this idea
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28 votes
An error occurred while saving the comment Kevin Monahan
commented
I endorse this request.
Kevin Monahan
supported this idea
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1 vote
An error occurred while saving the comment Kevin Monahan
commented
Known issue. It's being worked on and will be fixed in an upcoming version. Thanks for reporting.
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2 votes
An error occurred while saving the comment Kevin Monahan
commented
Looks like it should be working right now for you, Kevin.
From a Quality Engineer.
"Sidecar acts like a new monitor…you can put whatever you want on it. We certainly don’t limit it. I put a project panel on it and was manipulating Freeform view with the Apple Pencil – it was great!"
An error occurred while saving the comment Kevin Monahan
commented
I've seen some using it as a preview monitor, but I don't know of its use for other panels. I'll check.
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3 votes
An error occurred while saving the comment Kevin Monahan
commented
Sorry for this. This is a bug that will be resolved in an upcoming version of Premiere Pro. Stay tuned.
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1 vote
An error occurred while saving the comment Kevin Monahan
commented
Give us full details of your system. Perhaps you are no longer meeting system requirements.
Please also a new project.
Try importing the old project into the new one.
Delete media cache. -
20 votesKevin Monahan
supported this idea
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142 votesKevin Monahan
supported this idea
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259 votes
Hi Everyone! You asked for it, and we’re going to deliver. Work has begun on support for iOS Files. We cannot provide a specific date, but we’re working hard to get this highly requested feature out as soon as possible. Stay tuned for an update when this feature is available.
Happy editing!
From the Rush team
Kevin Monahan
supported this idea
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3 votes
An error occurred while saving the comment Kevin Monahan
commented
Hi Kevin, this feature already exists. You can drag footage directly into the Layers area of the Essential Graphics panel. It's not readily apparent that you can do this, but try it and it works just like a drop zone would, I think.
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741 votes132 comments · Premiere Rush » Editing in the Timeline & Preview Monitor · Flag idea as inappropriate… · Admin →
Hi All. Thank you for sharing your desire for a Ken Burns style effect. We’re investigating the request and will continue to keep you updated
An error occurred while saving the comment Kevin Monahan
commented
this would be awesome!
Kevin Monahan
supported this idea
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33 votes
An error occurred while saving the comment Kevin Monahan
commented
Here's the workaround: https://community.adobe.com/t5/premiere-pro/how-to-solve-encoding-export-stuck-at-0-with-premiere-pro-adobe-media-encoder-14-0-1/td-p/10875118
Has to do with errant marker setting.
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5 votesKevin Monahan
supported this idea
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99% of the time it's because your tracks are not patched. IOW User error.
Solution: any time you are editing to the timeline, alway make sure you patch A1 > A1 and V1 > V1 BEFORE you drag the clip in. Info: https://community.adobe.com/t5/premiere-pro/faq-why-does-audio-or-video-not-go-to-the-track-where-i-drop-it/td-p/3540610