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1. Color Management Panel

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   40 comments  ·  Premiere Pro » Color/Lumetri  ·  Flag idea as inappropriate…Flag idea as inappropriate…  ·  Delete…  ·  Admin →
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   In Progress  ·  AdminFergus Hammond (Product Manager, Video & Audio Cloud Workflows, Adobe DVA) responded

   We hear your frustrations about color management and we are working on multiple improvements. 

   I recently posted a note on Alister Chapman's excellent xdcam-user.com forum, in response to a post he'd made about color management in Premiere Pro. 

   While my response doesn't go into details on our long term plans, it describes what we're doing in the short term to make handling of log footage easier. 

   Here's what I wrote:

   
   

   Hi all,

   I’m a product manager at Adobe, on the video team. I thought I’d chime in to provide some info on what we’re doing.

   Color management is not going away – quite the opposite. As HDR-capable cameras and displays are becoming the default, and shooting in log or raw is becoming the norm, color management is critical. Gone are the days of only Rec709, the one color space to rule them all.

   You might have seen reports about HDR iPhone media not looking good in Premiere Pro. And you might have seen the great video my friend Karl made to explain the issue: https://youtu.be/odwptnEhxJs

   The problem occurs when HDR media is displayed on an SDR timeline. We’re attempting to squeeze wide color range footage into a small color space. Without a manual change, either to the footage or the timeline, the results look blown-out and bad.

   Our vision for color management in Premiere Pro is simple. You can drop footage in any color space onto a sequence and we will automatically convert the colors and range with pleasing tone mapping, and provide controls to tweak the tone mapping. You don’t need a LUT, the result is likely to be more accurate than using a LUT, and there won’t be any concerns about clipping. Of course, if you’d prefer to work with a LUT, that workflow will still be supported.

   Some of this is available now, like us recognizing some (but only some) color spaces. But that’s the problem with color management: it is complicated enough without having to worry about which pieces are available and which are not.

   So, as we are adding the remaining pieces, finessing our math, and working out the user experience, we are first going to add an application preference. You’ll be able to choose whether you want Premiere Pro to automatically use the color space of your log footage or whether you’d prefer that it is treated as Rec.709. There’s more than one way to do color and by adding this preference, you’ll be in control of how you’d like Premiere Pro to work by default (a default you can easily override for specific clips).

   Regards,

   Fergus

   
   

   
   

   We hear your frustrations about color management and we are working on multiple improvements. 

   I recently posted a note on Alister Chapman's excellent xdcam-user.com forum, in response to a post he'd made about color management in Premiere Pro. 

   While my response doesn't go into details on our long term plans, it describes what we're doing in the short term to make handling of log footage easier. 

   Here's what I wrote:

   
   

   Hi all,

   I’m a product manager at Adobe, on the video team. I thought I’d chime in to provide some info on what we’re doing.

   Color management is not going away – quite the opposite. As HDR-capable cameras and displays are becoming the default, and shooting in log or raw is becoming the norm, color management is critical. Gone are the days of only Rec709, the one color space to rule them all.

   You might have seen reports about HDR… more

   Lloyd Lemmermann supported this idea  ·  Jun 7, 2022
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   Lloyd Lemmermann commented  ·  Jun 7, 2022  ·  Edit…  ·  Delete…

   Streamlining the color management workflow would remove the unnecessary but persistent dread of opening Premiere Pro.

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   Lloyd Lemmermann commented  ·  Jan 19, 2022  ·  Edit…  ·  Delete…

   I encourage this solution as well. As a long-time pro photographer, accustomed to color management whether for printing or screen, I am still mystified and challenged by CM issues within PPro.

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2. In Transcript: Export to text file - must include Timecode info!

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   17 comments  ·  Premiere Pro » Closed Captions  ·  Flag idea as inappropriate…Flag idea as inappropriate…  ·  Delete…  ·  Admin →
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   Lloyd Lemmermann supported this idea  ·  Jul 20, 2021

3. Export transcript to text file with timestamps

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   2 comments  ·  Premiere Pro » Closed Captions  ·  Flag idea as inappropriate…Flag idea as inappropriate…  ·  Delete…  ·  Admin →
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   Lloyd Lemmermann supported this idea  ·  Jul 20, 2021

4. In Transcript: Export to text file - must include Timecode info!

   28 votes

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   9 comments  ·  Premiere Pro » Editing  ·  Flag idea as inappropriate…Flag idea as inappropriate…  ·  Delete…  ·  Admin →
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   Lloyd Lemmermann supported this idea  ·  Jul 20, 2021

5. export transcription as Word doc, pdf and text WITH timecode

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   3 comments  ·  Premiere Pro » Editing  ·  Flag idea as inappropriate…Flag idea as inappropriate…  ·  Delete…  ·  Admin →
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   Lloyd Lemmermann supported this idea  ·  Jul 20, 2021