Baffy19

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  1. 253 votes

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    21 comments  ·  Premiere Pro » Effects & Transitions  ·  Flag idea as inappropriate…  ·  Admin →

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    Baffy19 commented  · 

    I would like to emphasize that it is necessary to preserve the possibility of an adjustment layer in its current state and introduce an adjustment layer specifically affecting the track below. Because sometimes it is convenient to work, as it is now - to influence all the layers below on the timeline. But, very often it is necessary to apply an adjustment layer specifically to one video sequence located under it. As on the principle of Photoshop. That would be impressive.

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    Baffy19 commented  · 

    SUPER IDEA.
    Guys, thank you for paying attention to this. It would be an amazing opportunity to influence not only all the clips under the adjustment layer, but only specifically the first one standing under it. It's super. LET'S VOTE

  2. 17 votes

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    4 comments  ·  Premiere Pro » Editing  ·  Flag idea as inappropriate…  ·  Admin →

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    Baffy19 commented  · 

    I have been experiencing discomfort for a long time and fully support the new NEST unlock feature. Guys do it as soon as possible. Just one click and the whole hierarchy of your work is restored. This is an extremely important function that has not been available until now. Now it's an extra job, although there are at least 3 ways to get it back. But the new feature would speed up the process. Developers, pay attention to this rather. Waiting waiting waiting

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  3. 29 votes

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    10 comments  ·  Premiere Pro » Editing  ·  Flag idea as inappropriate…  ·  Admin →

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    Baffy19 commented  · 

    I have been experiencing discomfort for a long time and fully support the new NEST unlock feature. Guys do it as soon as possible. Just one click and the whole hierarchy of your work is restored. This is an extremely important function that has not been available until now. Now it's an extra job, although there are at least 3 ways to get it back. But the new feature would speed up the process. Developers, pay attention to this rather. Waiting waiting waiting

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  4. 2 votes

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    0 comments  ·  Premiere Pro » Stability  ·  Flag idea as inappropriate…  ·  Admin →

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  5. 1 vote

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  6. 18 votes

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    3 comments  ·  Premiere Pro » Effects & Transitions  ·  Flag idea as inappropriate…  ·  Admin →

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    Baffy19 commented  · 

    Adobe, pay attention to the masking tool in Premiere. It is really necessary to make changes to the operation of this tool. Very awkward and wooden works. Another sore issue with masking: add the ability to subtract masks as in AE. It is not possible to apply multiple masks to a layer without NEST. Now it is extremely inconvenient to create a pie for the sake of masks by investing in NEST every time. **** madness. Pay attention to this.

  7. 13 votes

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    2 comments  ·  Premiere Pro » Editing  ·  Flag idea as inappropriate…  ·  Admin →

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    Baffy19 commented  · 

    Adobe, pay attention to the masking tool in Premiere. It is really necessary to make changes to the operation of this tool. Very awkward and wooden works. Another sore issue with masking: add the ability to subtract masks as in AE. It is not possible to apply multiple masks to a layer without NEST. Now it is extremely inconvenient to create a pie for the sake of masks by investing in NEST every time. **** madness. Pay attention to this.

  8. 34 votes

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    71 comments  ·  Premiere Pro » Closed Captions  ·  Flag idea as inappropriate…  ·  Admin →

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  9. 375 votes

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  10. 1 vote

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  11. 1 vote

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  12. 11 votes

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    7 comments  ·  Premiere Pro » General  ·  Flag idea as inappropriate…  ·  Admin →

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    Baffy19 commented  · 

    I agree. Resolve is designed to work with color. This is the best thing on the market. But, since I want to support the Adobe product, I recommend it. And how it will work is the task of engineers. The main thing is not to stand still and improve the product. Then everyone will be happy. I'm not even talking about such a huge number of bugs in the latest Premiere v update.22. The color interpretation position from LOG to REC 709 doesn't even work there. It just doesn't work and that's it. Although it is implemented in a new function - Color Management. They didn't even check it out when they released it. How is this possible.

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    Baffy19 commented  · 

    It is better to strive for a production standard when working with color - ACES. Even in the absence of a proprietary camera profile, any source material in a standard format (for example, Rec.709) is converted into the internal ACES space, which ensures uniformity and freedom of manipulation.

    Due to the large "margin" in dynamic range and mathematical operations with negative and super-positive floating point values, ACES makes it possible to aesthetically and accurately interpret the image in extreme shadows and lights, avoiding their clipping.

    This advantage is especially useful when working with initially contrasting source material — such as Rec.709, Flat profiles for action cameras and drones, videos from smartphones, etc.

    At the same time, debayerization occurs immediately into the internal space of ACES, bypassing the intermediate stages of conversion and minimizing the associated possible loss of color accuracy.

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    Baffy19 commented  · 

    I support the OCIO profile for the correct interpretation of the material in the entire Adobe ecosystem.

  13. 1 vote

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    0 comments  ·  Premiere Pro » Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →

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  14. 1 vote

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    0 comments  ·  Premiere Pro » Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →

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  15. 423 votes

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    26 comments  ·  Premiere Pro » General  ·  Flag idea as inappropriate…  ·  Admin →

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    Baffy19 commented  · 

    I support the author of the post and everyone who is waiting for the clarification of this function. I still don't know how to configure it correctly in order to correctly make a color selection. And imagine you paint your skin tone and how it affects your assessment. It's time to fix this and there should be nothing that restricts your work. We are waiting waiting waiting

  16. 159 votes

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    5 comments  ·  Premiere Pro » Editing  ·  Flag idea as inappropriate…  ·  Admin →

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    Baffy19 commented  · 

    I suppose if we fill the Premier with such things, we will get confusion and concentration of attention. I don't know about many people, but for me it's extremely outrageously inconvenient to strain my eyes tracking the flashing of heads in front of you. Think for yourself whether it's worth it or not. I am categorically against this feature.

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  17. 1 vote

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    1 comment  ·  Premiere Pro » General  ·  Flag idea as inappropriate…  ·  Admin →

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    Baffy19 commented  · 

    Intel Core i9, 32 Gb RAM, 2070 Super Nvidia, M.2 500 Gb, ssd - 1tbб, Win 10 latest - 21H1
    ver. 19043.1237

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  18. 1 vote

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  19. 3 votes

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    2 comments  ·  Premiere Pro » Performance  ·  Flag idea as inappropriate…  ·  Admin →

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    Baffy19 commented  · 

    Yes, the program requires this in order to work smoothly and without worrying about viewing frames. I fully support it. What is the peculiarity of decoding in the FCX program? Why not make Premier the fastest program for rendering and cursory viewing of clips on the timeline forward and backward. Now it is generally a problem to rewind the video in the opposite direction.

  20. 46 votes

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    3 comments  ·  Premiere Pro » Preference & Settings  ·  Flag idea as inappropriate…  ·  Admin →

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