Baffy19
My feedback
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112 votesIn Progress · 60 comments · Premiere Pro » Preference & Settings · Flag idea as inappropriate… · Admin →
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6 votesBaffy19
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7 votes
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commented
This problem still persists with Scopes display areas. When changing the color adjustment in the shot, Scopes freeze and do not show changes in real time. How long it takes to fix the basic things, without which it is simply impossible to work.
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commented
Now the same situation is observed in version 22.1.2. The lumetry areas freeze for a long time and do not react to the changes made to the color. Scopes are also displayed incorrectly, as if they deform when opened to full screen and freeze.
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14 votesBaffy19
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31 votes
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commented
There is some work in this direction. I hope the long-awaited nuisance will be eliminated in the next update. Here is a review, check out:
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10 votes
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commented
A great solution. It will be clear where exactly the piece of media with the speaker's voice came from. Informative and important.
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99 votes
We are working to fix this ASAP. I totally agree that this is a regression from the previous version. I'll update the thread here when we have a fix available in public beta and when it has been fixed in release.
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45 votesBaffy19
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commented
Adobe, add the ability to hide the panel by moving the mouse up and bring it back down, as it was with the work panels. This way it will be possible to save the workspace when the panel is not required and all work takes place on the timeline. It's elementary to make you.
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70 votes
An error occurred while saving the comment Baffy19
commented
Kiryn, the Adobe ecosystem behaves strangely. For example, the dynamic link between Pr and Photoshop does not work in full for me. I can send a picture from Pr, work in Photoshop, and changes do not occur in real time.
My advice to you is to send a copy of your frame from Pr to AE, work with it, and then output it through AE. And already ready to throw the media into your project in Pr. This is as a workaround, as long as the problem with the dynamic link persists. TryAn error occurred while saving the comment Baffy19
commented
Kiryn Poole, f you use a Mac system, look for your answer on the Premiere forum. There is an answer on your topic. This is due to the security settings that blocks links. I have no problems with dynamic Pr/AE communication.
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commented
Solutions for all users of Apple systems at this link. There's your answer.
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commented
Brooks O'Kelley, Hello.
Everything should be fine in the latest version 15.4 Premier. I personally tested it. Why you can't do it, most likely different versions of Premiere and After Effects. Check on the official Adobe website.An error occurred while saving the comment Baffy19
commented
Hello. In update 15.4, it was fixed. I checked it myself and did a Promo in conjunction with AE. The dynamic link works and is interrupted as it was before. I have been going back to the project in Premiere for several days now and the link is always active and there is no need to link with AE.
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3 votesBaffy19
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26 votesIn Progress ·
AdminFergus Hammond
(Product Manager, Video & Audio Cloud Workflows, Adobe DVA)
responded
Hi,
This something we're aware of and working on. I don't have a date for a fix but the work is well underway - we know exactly what the issue is and the correct way to solve it.
Regards, Fergus
An error occurred while saving the comment Baffy19
commented
Adobe developers, when will the Lumetri Scopes panel work normally??? Since the v.22 Premiere update, this panel freezes when opening and freezes every time I switch between workspaces. In the last update, I can't work at all matching colors with what I'm doing on the timeline. THE Lumetri Scopes panel DOES NOT DISPLAY COLOR CHANGES IN MY EDITS. To be clear, when adjusting the color using the sliders, Lumetri Scopes becomes inactive for a long time. This happens more than once. But constantly. After dropping all the settings, it works once, then problems again. Painting frames using Scopes is not just impossible, I would say IMPOSSIBLE. Now tell me, when is this damn problem going to be fixed? I'm already tired of writing on all possible topics. This situation continues with v.22 Premiere. Now in v. 22.3.1 you cannot work with Scopes.
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commented
This is another serious problem with the correct color display. We all mostly use Proxies in large projects, although I think that we can do without them if we properly balance the speed of the output on the timeline with freezes and lags at the present time. But, this is a separate topic for conversation. A new function with color control is introduced here, but it is raw and unfinished. What is it for and why users experience very huge inconveniences. Even more projects are disrupted and postponed until this childish mistake is eliminated. Is anyone testing new features before their official release??? Just do not say that there is a Beta version of Premiere, users test there, after which we release. You must have a person from Adobe, specially, I emphasize, specially working in test projects to identify sores before publication. Then there will be fewer problems. There is no such person, hire him in the state, what is the problem. Why should the user suffer from ridiculous flaws. By the way, this is an important function on which the fate of the project depends. If you can't do quality updates, don't release them. Develop, test, then launch. Pay attention to this.
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48 votes
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commented
Adobe developers, do you hear the opinion of users??? How much writing does it take for you to solve the **** color management setup. I've been tormented by setting up this nightmarish color redefinition, which doesn't work properly and spoils the clips on the timeline.
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commented
Add the ability to set the color space on the color bar using Input color for media. This is vital for controlling the color process for shots.
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commented
We need to rebalance the Lumetri panel and add new tools to fine-tune the color. Now it is difficult to paint the material perfectly with a narrow toolkit. Nowadays, customers require a more complex gradation of color than just highlighting a color and changing its value.
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commented
To be honest, there are not enough more flexible tools in the color panel. For example: restoration of overexposed frames, as well as a gradient tool for more accurate correction of certain areas in the clip.
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commented
I support Neil's request.
Please make the color management settings panel more convenient in one location, and not across the entire Premiere program, as it is now. That's exactly what confuses people and many miss the opportunity to set the correct settings for the correct display of color.
And secondly, pay attention to the fact that now the function of displaying LOG material through a third-party LUT does not work correctly in the Interpret footage tab. The folders themselves are placed on computers with third-party LUT in the right place in agreement with Adobe support. As with me and many others, when using LUT in the specified panel, the correct interpretation of the material occurs on the timeline, and in the program monitor the colors will be displayed without LUT. Why no one sees it and does not correct it. This feature was introduced in the new v release.22 and still not fixed.
Pay attention.Baffy19
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20 votesBaffy19
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6 votes
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commented
Support. Sync of markers when moving clips on the timeline needs to be implemented. Now it is extremely inconvenient to use them while editing ripples.
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2 votesBaffy19
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2 votes
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commented
I support it. One of the most important today remains the incompatibility of Nvidia drivers with Adobe products. This is noticeable to the naked eye. I notice that with one update of Nvidia drivers, the program works much more normally, but through an update or much worse, bugs occur in Adobe products. This applies not only to Premiere. Very often I observe brakes and stuttering in Photoshop. And not much is being done about it, and it kind of prevents people from working.
Baffy19
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171 votes
This is not a bug, it’s as designed. We specifically limit the visibility to one track at a time to avoid accidentally burning in multiple tracks. Also, when exporting to a format that only supports one captions stream like SRT or STL, we need to know which is the active track in order to export the correct track.
But I understand why you might need two tracks visible at the same time.
Multiple speakers:
If we could automatically identify speakers and designate a style associated with them, would that help? For example speaker 1 is blue and on the left, speaker 2 is yellow and on the right?Multiple languages:
Do you ever need to burn in both at the same time or is it just a matter of being able to see both to aid in translation and alignment?Thanks for the feedback, we really are listening :)
An error occurred while saving the comment Baffy19
commented
It is ideal to have a color difference for different speakers and two tracks with subtitles to distinguish them.
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This issue will be clarified soon. Here's the news from Adobe.