I'll admit it, I know how powerful mogrts are, but I still keep using dynamic link instead. I find it cumbersome to "install" mogrts and then deal with multiple revisions of the same animation in my library when I really needed the template for just one or two projects. I'd much rather treat them like footage that's stored with the rest of my project where I can update and replace the template and have it update in my Premiere project.

Alternatively, if we could have the same access to properties of mogrts in Premiere with dynamically linked original AE project files, I'd be quite happy with that as well!

I make a lot of graphics package templates for editors, and as excited as I am about Essential Graphics, there appears to be a major thing missing in my opinion.

Often we make title cards that contain text and a brand icon. The current set up for EG doesn't allow you to switch out something like an icon (which is usually a precomp in my set ups).

Ideally you could add in a precomp or layer to the EG panel, and in the form of a drop down menu, you could select several other comps or assets (stills, video, whatever) that it could be swapped out for in Premiere.

So let's say I have "icon 1" in my EG panel. Under a dropdown I could specify to swap "icon 1" for "icon 2", "icon 3", etc. The user could define which items the original file could be swapped for.

Most of these title cards are super simple and would be perfect to be made into an EG template for Premiere, but until there's a way to change out images/footage/precomps in a template, I'm stuck doing these simple tasks in AE instead of passing it off to an editor.

I manage a large number of different clients' brand assets, and if I receive them from the client, or I have them stored on a server, I have to add the folder to Premiere via Essential Graphics, then add them to an Adobe CC Library from there. Unlike say, a mov or a png, I can't just drag and drop from Finder (same presumably applies to Windows) straight into the library from the main Adobe CC app.

It'd be great if we could just drag these assets into the library via the CC app we use for everything else. When you have a few hundred assets to update, it gets unwieldy really fast, so this feature would be gratefully received.

Hi, I saw on an other post of how Adobe won't be making a Linux version of Adobe CC as there isn't enough demand for it despite it being one of the most voted for features. I would ask that you guys reconsider especially seeing the exponential growth of distributions such as ChromeOS, Manjaro, and Ubuntu. If a native port to Linux however is too much to ask, which I believe isn't considering all your competition in the video editor market other than Apple has ported their software such as Lightworks, DaVinci Resolve, and Blender, so even if a native port is too much the least that I ask of you is that you guys insure that Adobe CC doesn't break compatibility with WINE.

I am working from home 50% of the time. I have an office with a workstation, a laptop, and a workstation at home. I work on all three of these devices any given day of the week. It is a total pain in the butt switching out a license everyday. I often only switch out between home and the laptop because the workstation in my office has issues re-enabling the export options in adobe acrobat. I mean c'mon two licenses is so 2000. This stuff is pretty much 100% connected at any time now, this shouldn't even be an issue these days. Licensing should be 100% transparent to the user and a 100% pain in the butt for illegal/pirated copy users, BUT it is the other way around. It is a bigger pain in the butt for legitimate PAYING customers!

Please make the timecode of the Adobe Stock video clips the same between the preview download and the purchased assets. I've got a number of Adobe Stock video clips for which I've downloaded the previews to insert into my edit.

Now the clips have been purchased and the timecode for the purchased assets do not match the timecode on the preview clips. They are all over the place, meaning I can't just copy and paste timecode. I'm going through each of these clips by hand frame by frame to find the exact frames used in the edit. Pretty painful! Thanks for your time.