You could to add the same color tools in both After Effects and Premiere Pro so that you can work on one application as well as on another, generating the same result (for example, adding the new Premiere COLOR EQUALIZER within After Effects, or to adding the power of the masks and their After Effects tracking functions within Premiere).

Thank You, Adobe.

I've been experimenting a lot with the EG panel recently, and I've discovered a weird draw back when using slider controls within the panel.

If the value of your slider is 1.5 (or anything with a decimal), the slider displays the value as rounded to 2, but the actual value of the control remains 1.5. So what you are seeing numerically doesn't match up with what the property value actually is.

Please do away with this strange rounding function. It's very confusing when I'm passing templates off to editors.

It would be great if you could select a number of files in the project panel, right click and export all as motion graphic templates.
Now I have to do it one by one.

You could make a more stable and faster compatibility between CInema 4D and Creative Cloud. The idea of rendering faster and better in Media Encoder a Premiere file with an After Effects file wich has a Cinema 4D project inside it is really nice.

I don't know how about others but I've moved to make every color adjustments with Lumetri, since it became available in Ae

Adobe Apps should have better compatibilities with graphic tablets (wacom, huion...etc).

After Effects knows when you are moving the layer with your pencil or painting on it, but Photoshop doesn't know it. It's horrible.

Adobe Premiere and After Effects need more powerful Lumetri tools, like better tracker masks in Premiere, as powerful as After Effects tracker masks, to do better works in terms of COLOR CORRECTION and COLOR GRADING.

It's great to be able to keep all keyboard layouts and workspaces in sync between multiple workstation just by logging in to Creative Cloud, but it would be even more awesome to sync all my presets (.epr,.prfpset, LUTs and so on) by using the same method.

Illustrator could be integrated the Cinema 4D functionalities without download anything.

The interoperability could be better with these softwares, such as interoperability wich Premiere & Audition have right now, wich is really powerful.

As media encoder is becoming the main output for Ae and Pr and as media encoder'UI is quite simple it would help not waste too much time to have a panel inside the other apps that can control AME and show its state, renderqueue etc...

Would love to open an optional dockable window in Premiere that reflected the selected After Effects project.

Instead of opening the After Effects project, or dragging items over this would be docked in Prmiere for quick access.

You could select what you needed and brought it into the source monitor.

You would be able to drag and drop into the timeline.

Lock folder structure in the After Effects Projects window.

Also, would potentially help clear RAM if After Effects didn't have to be open in the BG.

It would be a boon if Comps and Sequences in Ae/Pr were also dynamically linked by their name in either program.

For example, when in Premiere and you select a clip to "Replace with an After Effects Composition", it creates a Comp in Ae with "ProjectName Linked Comp ##". However, if you want to rename it, you have to rename that Linked Comp in both programs separately.

It would be a huge time-saver if this naming process was global across programs.

Accelerated Dynamic Link to have After Effects compositions inside Premiere Pro without RED BAR.