sometimes when i am recording a mix to disk i have later discovered that due to windows update or some other back ground task the mix has dropped out a 1/4 second here or there and i do not always want to have to take 2 hours and review the mix to verify this is not happening.
it would make sense if the software could scan for this type of irregularity and put markers where i should double check the mix .. thus saving previewing time ..

Addition of plugin to send to external output and then compensate for latency. Presently, it is possible to route to an audio output on a separate bus and then bring it in as an input on a new track, but this has limitations and adds more tracks. It would be great if we could "patch" to an external hardware chain on the source track and have it process the effects in latency-adjusted time.

Would love if one could add FX to the input chain. That is, process FX on the incoming audio so that they are recorded into the tracks.

It seems as though it would be workflow functional to have the ability to remove edits created in continuous audio clips. Same way we can with right click "join Through Edit" in Premiere Pro. I know the merge clips workaround yet this is not the same thing and creates a new file. Seems like to much when I simply want to remove an edit or split. Thank you for taking the time to review this.

It would be great to have keystrokes for different colored markers. As I listen I would like to mark different things, having a keystroke for each color market would be fantastic. Thank you so much!

Is it very difficult to have a light interface next to all these black interface windows? I almost cried laughing when seeing the several options like 'Melon', I mean it's all just black and grey?

Is it very difficult to have a light interface next to all these black depressing windows?

Is it very difficult to have a light interface next to all these black depressing windows?

There is a bug in the Punch and Roll feature that sometime inserts an artifact at the punch in point. It takes a bit of the recording just prior to the punch in point and pastes it after the point and just before recording starts. It would be helpful if I could upload a file that shows this but apparently sound files aren’t allowed?

fix the bugs with the crashes ! 6 months the same problem and adobe dosnt react... super adobe!!! my trust in you grows every day a little...
what is wrong with you? why the screenshot option when you dont use it to help? audition seems to be a tumor or a thing like this for you, in photoshop, since 2003, never exist this kind of service problems... why here? are you crazy to risc your image in thinking abought adobe? for me adobe was the one and only... this is true! and now?

just a personal want to pay to buy , the thinking is support adobe develop more future for poor people, even i am a poor people . the money i can pay will be not large money but willing .creating more possible for poor people.

There's a bit more to the Netflix delivery spec. besides a -27 LKFS (I) Loudness target. Based on meter's lack of necessary descriptors it appears Dolby's Speech Gating Ref. Code (re: BS-1770-1) has yet to be added. Is this in the works?

-paul.

Since v22.0 audition wont open mp3 files on mac. had to go back to v14.

Thanks!

Maintain the zoom when going back into waveform of same clip. Stop it zooming out everytime.

So many times I build what a click a way takes care of in my effects rack, but there isn't anyway to add Normalize -3 db in effects rack and that I cant understand why.

Before the current update, you could select several clips and Mute them, and each clip would flip its current Mute state. This behaved just like Clip Enable in Premiere, and it allowed you easily demo various takes with one keystroke. Now, if you select a mix of muted and unmuted clips, Mute sets them all to be muted, and pressing it again unmutes them all. Not the behavior we want.

Using a the EQ in the special > mastering plugin create a crazy sharp peak at the end of the spectrum.

I have tested with low shelf, peak and high shelf they all create the sharp peak over 10k.

Granted it might not be audible but it could cause issues with headroom or create a crazy resonance. This plugin never did it before in the history of audition not sure why this bug has appeared now.

See screenshot below.

Bring back loudness radar for Mac M1