On "Fade In" and "Fade Out" I would like much greater control to raise the beginning and end of a fade. i.e. beginning +.25 to +11dB... I want to change the numbers independent of one another. This was a feature I got very use to in Cool Edit... If people want the quick fade in and fade out that is great keep it. But I would love having the greater control.
Sometime I will fade out 0 to -240. Also, sometimes I need to go from +.25 to +7 or whatever to ride the end of a song, bed, or other audio. This is a big deal with the workflow of my work and using this program. Raising by small increase is slow and painful. Please bring this feature back.
Thanks Rick-

Hi There!

I am using audition cc 2019 and have a suggestion on how to improve loudness matching. I love this feature in it’s current implementation in the waveform editor as well as in the multitrack version.

First suggestion: It would be great if you were able to disable the peak limiting in IBU 1770-3 loudness matching when using 32 Bit files. What I mean, 32 Bit allows for over 0db audio, so you can alter the amplification at will. It's not necessary to limit peaks in 32 Bit files at that stage, that can always be made afterwards.

Example: I do lots of atmo and field recordings, and I would like to bring them all to a hearable nice LUFS level, for finding quicker what I want much later. I don’t want peak compression at that stage, and as they’re 32 Bit recordings I don’t care about peaking at all. If it peaks I’ll bring that one down later or add a compressor. Or maybe I’ll just mix it into my movie at a very soft level. But for establishing a library that is easy to search through matching that way would just be nice.

Second suggestion: Please make loudness matching also an effect that you can apply to a certain selection only. Just like the normalize effect. At the moment loudness matching only works for either a) files or b) clips in a multitrack session. It would be nice to use this feature inside a selection of a wav file as well.

Example: I’ve got interviews where loudness is not constant (people talking louder and softer over the course of the interview, no short-time differences). So I would select the different answers, to match them in loudness.

As for now I’d have to make a multitrack file, put the clip on a track, split it into parts, match volume on clips, export it, and continue editing again. That’s a little cumbersome.

Thank you!

With kind regards

Sebastian

I edit a million podcasts and I love that I can template my id3 data so that when I export it's part of the file. But it drives me crazy that I have to export to an mp3 and then open that mp3 to add album art to it.

Is there not a way to add the art to the multitrack and just let it sit there and then add it when exporting the mp3? This would save a ton of time and also add a feature that could give Audtion an advantage over other editors. Many people own 3rd party software to add their id3 and art. This would eliminate that if they used audition.

Maybe this works now but I cant figure it out if it does.

Thank you

Premiere Pro has an excellent method of relinking media files. If media isn't present in its last known place, it provides a window that tells you all the files that are missing and its last known location.

Audition only informs you that there is X number of files missing, and when you relink, it gives you one file to relink at a time, with no information where Audition thinks its last location is.

Additionally, Premiere Pro will automatically find remaining files based on the last location of the relinked file. Adobe Audition does not. Having this additional functionality would be extremely helpful, especially if your workflow makes it challenging to collect all files into a session due to space limitations.

This has been an issue for as long as I can remember, but currently with OS X and Audition CC 2018 11.0.0.199.

Basically, upon launching Audition and opening an audio file, I am able to select a portion of audio, then press Shift-P to define an audio print, however when I open the Noise Reduction effect module (Cmd-Shift-P) and preview or Apply the settings the resulting processed audio has not changed. I have to re-define the noise print in order for it to work.

Note- If I first launch the Noise Reduction module (Cmd-Shift-P) and then capture the noise print after that, then it will work. Every subsequent use of Shift-P works after the module has been loaded the first time.

I would really like to have the program successfully capture the noise print I define the first time when I type Shift-P, without having to open the effect module first.