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I use Audition for electro acoustic composition (mainly acoustic) and I love the waveform editor which allows me t precess my samples though filtering into frequency bands with the spectrum analyser, putting samples through parametric EQ, transpositions etc, etc the multitrack editor is great for what I want to do as well; its allows me to work as I did in the late 70s with tape but with greater precision and more possibilities. I occasionally use midi to input melody or maybe create synth drones and a midi facility would allow me to add melody chords etc directly into the multitrack alongside the audio files. So that would make Audition an excellent compositional tool.

One other problem which often bugs me, apart from general instability and frequent crashes are the opening up of older works and being told to link media, a slow painful process. Can in point, this evening I double click on the empty clip to link and I was suggested the same clip for all the empty clips it took all my skills and memory to work out which ones were ,missing and track them down. Is this just a problem that my limited storage causes, shuffling off stuff to the clou? stop crashes

I don't want to spend all my composition time restarting after crashes and being told the 62 0f the 72 files are missing? Thanks. Frà

As people begin using Audition more and more for editing music and soundtracks, it would be incredibly helpful to have a feature where we can set two clips on a track at different places and select them and every track between them, click on this action and have all of the clips between them distributed evenly. This would have a similar effect to the Photoshop, InDesign, or illustrator feature where you can select multiple objects and have them distributed evenly along the same axis between the two objects on the outside. As someone trying to get perfect timing between some drum beats, having to do this manually is proving to be rather difficult.

When editing a podcast I have to remove short bits of silence. I do this with the razor tool, clicking once at each end of the silence, and then using shift-delete to ripple delete the silent segment. I'd be able to save possibly 10-15% of the time it takes me to edit if I were able to use the razor tool to click at one end of the silence, drag to the other end, and have it ripple delete that section. So taking 3-4 clicks and a key combo press and bringing it down to one click and a drag.

Of course, if there is already a way to do this or a better workflow I'm missing, someone please let me know. Google searches have not uncovered anything.

Currently, when exporting a multitrack mixdown of a 5.1 file (let's say a 5.1 main track flagged as "Music" and ducked against a stereo file panned to cover mostly center channel exported to 32-bit float PCM, since this is what I'm mainly doing)... For a ~2 hour file, the "Time remaining" estimate starts off low... maybe 3 minutes. Then, up until the 50% progress mark, the estimate just continuously increases. The actual mixdown may take 10-15 minutes but it's impossible to know without setting a timer. It's also a single-threaded process, which is pretty terrible since we're talking about uncompressed PCM here (not some weird compression scheme that requires a bunch of lookahead and deltas from previous frames) and audition is already aware of all points where ducking is happening.

My computer in 1999 had two physical CPUs, and consumer-grade CPUs have been multi-core for a very long time now. Practically all other high end software has been threaded wherever possible since the 90s (I didn't buy two processors to play Quake), and even game developers, who are notoriously and monumentally terrible when it comes to keeping up with hardware (and programming in general, these days) have started writing multithreaded games. I know audio has many situations where it's hard or impossible to parallelize an algorithm, but I'm not talking about any of those.

Anyway, after 50% is hit, it apparently enters the "write to disk phase" and the huge time estimate that's built up over the first 50% rapidly disappears as the file is written to an NVMe in 20 seconds or so.

Finally, the progress hangs at 99% for around 30 seconds. Audition will go into whited out "not responding" mode if interacted with during that phase. The file is already written to disk at this point and usable by anything that only opens for reading, so I'm not sure what it's doing here.

Nothing else can really be done in Audition during the whole export process since the "parallelize disk access" setting does nothing, apparently, as the decoders and encoders seem to share one thread that will pause to complete the newest item. If a mixdown is going on, it'll just pause the mixdown while audition continues using a single CPU core.

Anyway, I can deal with the slowness of export, but it would be wonderful if, since Audition knows exactly how much audio it has to process, and can figure out how long it's going to take per second very quickly, it would spit out something resembling the correct number on the interface so I can leave the room and come back in X minutes instead of having to check up on it randomly... which is mainly an issue because after the PCM file is exported I have to use FFMPEG to convert it to an AAC or AC3 file manually since audition decided not to support any useful compressed multi-channel file formats after dropping Dolby licenses.

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When opening a session, if some assets cannot be found, Audition can locate them. But the window is missing a 'Skip' button to skip files you don't know where to find.

If, say, you cannot locate a certain file, you have to cancel the rest as well and locate them later manually.

In the same window, there is a button to 'Copy Warnings/Errors of All Files', which copies the warning message itself to the clipboard. The only data this message contains is the path of the session file you are trying to open. A better use for this button would be to (also) copy the original paths of the files Audition cannot find.