Hi there // the ability to import AAF is so necessary. I mean, this embedded AAF i just received opens in Davinci Resolve, why can't it be opened in Adobe's audio program? Seems pretty basic.

Guess I'll move off Audition and into Resolve's Fairlight page.

Enjoy my subscription money anyway, what is it now, $960AUS a year? ****, you guys are killin it!

Adobe Team,

I’d love to see an iPhone and iPad version of Audition to support audio recording and light editing in field.

Perhaps this app could interface with some of the multitrack digital recorders on the market or Adobe could release its own awesome control surface for their apps similar to LoupeDeck.

I am an Electronic Music Producer and I would love to use my virtual instruments with Audition and record them in real time.
Examples like Arturia Analog Labs or NI Kontakts would be ideal.

Wenn man mehrere Marker hat und auf Datei > Exportieren > Audio innerhalb Bereichs-Markern… geht, wird die „Formateinstellung“ und der „Sampletyp“ nicht gespeichert. Normalerweise sollte hier das voreingestellt sein, was man zuletzt auch ausgewählt hat.

Außerdem wäre es gut, wenn es ein Präfix-Kürzel für den Dateinamen gäbe.

I multitrack our worship service every week. It would be nice to be able to select all the tracks and arm my recorder at the same time. Now I have to go in and select each track separately and it really slows things down.

The volume automation in Audition is done in dB values from - infinity to +15.

The .sesx file does save these values in long numbers between 0-1. Unfortunately help desk, user forums and a mathematician were not able to find out how they are calculated. I am working on big projects and entering values directly in the .sesx file would help my workflow enormous! I would love to get the formula or maybe in a future update if the data would be safed in dB values.

Really could use the ability to write a CD layout to an ISO file instead of having to burn a disk..

Hello,
since Premiere Pro has the Speech to text feature, I think Audition users would love it too... :)
Thank you,
Daniel

It would be wonderful if the arrow keys on my control surface would scroll my entire screen by half a screen at a time, instead of moving my playhead, since that's what the jog wheel is for. Also, it would be wonderful to have faster, or even variable scrubbing speed on my jog wheel, because that is god awfully slow

I'd like to be able to add a digital Watermark or ID to my tracks or even to CD projects so they are traceable or identifiable.

Integration with CC Libraries and the ability to use Adobe Capture to record sound on mobile devices and save to a CC Library.

When working with a parametric track EQ, I adjust a setting in the effect control window but automation overwrites my changes. It is possible to exempt individual envelopes in the track automation settings, but this is not practical as it means individually selecting over 20 parameter envelopes.

In Premiere Pro, there is a Bypass button ("Toggle Animation") which deletes any keyframes associated with the effect.

It would be better if a button similar to the bypass/power button was added near the plug-in list in channel in mixer view to exempt all effects from automation.

This is a bug that needs to be sorted.

With the latest build of Audition (13.0.10.32) for OS-X, I am unable to create a new folder via CMD+Shift+N when Saving a file, like I am used to doing in previous versions, and in every other application that I work with.

This was also a problem with Illustrator CC 2020, which eventually got sorted.

Being able to batch export multiple sessions in a single export

Audition 2020 13.0.9.4.1 - Catalina 10.15.6.

When opening multiple files at once, the warning/error dialogue box automatically disappears after the last file is opened making impossible to read the error or multiple errors (missing files, missing plug ins etc..).

Currently the only way to make the warning to work correctly is to open one file at a time.

EDIT: today, same sesxs, same machine and files, the problem is disappeared. I'll report here what could have influenced Audition. Please Adobe verify anyway my report. Thanks.

This would be great to have RIGHT NOW:

1. From Premiere Project A- select Sequence01 > send to Audition - OR - from Audition> open Premiere projectA> select Seq01


2. Mix audio


3. From Audition > send stems or mixed audio back to (original sequence) Premiere projectA/Seq01.

No.3 is currently a painful series of clicks and navigations. Shouldn't Au remember where .prproj came from? Wouldn't it already know because it has 'dynamic linked video' already? I know it's not dynamic-linking, but it will feel a whole lot of a more an integrated experience and would work great with PremierePro Productions.