It's currently necessary to open a file, gather amplitude statistics, gather an average FR, save that FR to 1 of 8 color save slots (a few more color presets would be nice...😇), and open the next file to repeat for all files.

Would be incredibly helpful to streamline by providing the option to gather amplitude statistics for all open audio files.

It would be lovely to have the average FR of each open audio file so the FR shows up for the active audio file without the need to wait to process each one separately every time a file is opened or active.

I'd envision this automatic visualization could be an additional neutral color so it wouldn't interfere with the existing 8 save slot colors.

Ever since upgrading to AA 2019, none of the audio files or sessions will play within dropbox as they did before in 2018. I've gone thru this countless times with support and we can't seem to get to the root of the problem. Nothing has changed on my system except for the 2019 install. How can I get my adobe audio files and sessions to open and play within dropbox as I have been doing for the last 5 years?

Every other file opens. The audio even plays with windows media player within dropbox but nothing opens via adobe audition. I must move each folder to the desktop in order to work on it.

Thanks - I hope there is a fix for this Adobe Audition 2019 / Dropbox / Windows 10 Pro issue.

Premiere Pro has an excellent method of relinking media files. If media isn't present in its last known place, it provides a window that tells you all the files that are missing and its last known location.

Audition only informs you that there is X number of files missing, and when you relink, it gives you one file to relink at a time, with no information where Audition thinks its last location is.

Additionally, Premiere Pro will automatically find remaining files based on the last location of the relinked file. Adobe Audition does not. Having this additional functionality would be extremely helpful, especially if your workflow makes it challenging to collect all files into a session due to space limitations.

I am a great user for a long time of the adobe products that I consider very performing. The program I use and know best is premiere, after less used after effects, and finally audition. I must note that audition beyond the integrations through the dynamic link seems a somewhat anomalous program. There are no folders in which to sort different files, there is no premiere export of clip markers that are displayed in audition, if you want to work on a part of the sequence to premiere and then another part, the chaos of files in the project audition, there is no automatic detection of bpm files, not even automatic peaks, where markers can be inserted. I am sure that Adobe will do its best to invest and integrate as much as possible with the rest of the sweet cc, and I hope this happens as soon as possible. Davinci resolve is a software that adobe should be careful about, as it seems the only one that can give adobe some problems. Adobe programmers, take a look, do your best to harmonize all cc programs in the same way. You interrupted story, a program that did not bind with everything else, you interrupted encore, since now no one uses the DVDs anymore by putting energies on another. Here, I expect a harmonious audition with the rest of the programs, especially with the premiere, the markers are fundamental in a video montage, the bpm are fundamental in the synchronization of music, the folders like the other cc programs are fundamental in the organization. I hope you will read these suggestions of mine, although maybe not written perfectly in English (use google translator, because I don't speak English). Thanks for your attention.

A Dolby atmos workflow and export is a very much needed implementation due to how much sound design is directed towards multi-channel audio now more than never with so many platforms it is now available on, such as Netflix and many triple A games. What people are wanting is a 3d workspace for moving objects or sound tracks. The current implementation we have is a circle that we can move around to pan and spread the audio across the channels. What we would need from a 3d workflow would be a cube (simulating a room) or a sphere (a new implementation of that spread/pan circle). For a much shorter term goal, I am sure many people would be very happy with more surround export options for the platform to encode into. Such as 7.1, 7.2 or even 9.1. This would add great flexibility.