After using Essential Sound - Ducking, I turned off "Monitor Clip Changes" so that I could hand adjust keyframes. (Audition does a poor job of auto-adjusting in any way that sounds good and makes sense, but that's another issue.)

I was finished, but I felt like the Amplify effect which appears in the Effects Rack when using the Ducking feature was causing the sound to clip out on the high-end. So, I turned off the Amplify effect in the Effects Rack, and when I played the track, the effect itself was removed as well as all of my keyframes that I hand adjusted.

No amount of "Undo" would fix the issue, even though my History still shows many Modify Keyframe actions taken. There's nothing I can do to get that time back, but I can report this as a bug. Even turning off Ducking in Essential Sound removes all the keyframes. This really shouldn't be happening; we should be allowed to review a track without these effects and NOT lose our work. Or is this a case-by-case bug?

Hi! I'm encountering a weird issue when I'm moving my mouse over the multitrack editor. The mouse cursor sort of gets "stuck" on the audio clips, it seems to be trying to change the cursor shape between the normal mouse pointer shape and the "move" cursor, many many times, so it sort of flickers.

I use an external Thunderbolt monitor connected to my macbook, and this only happens when the Audition screen is on the (much bigger) external monitor, and that monitor is the "main" monitor for OSX (see screenshot). If the Audition screen is on the (much smaller) macbook screen, in either configuration, this behavior doesn't happen. When the macbook screen is the main screen, this doesn't happen, although then it disrupts all my other workflows and screen management.

I've just updated to Audition 13 in hopes that it would be fixed, but it is not :(

Dear Developers,

Today, I have experienced that over 70 .wav files created using Audition under macOS 10.14.6 are not loaded in python. The code I have used is <paulstretchstereo.py> under <https://github.com/paulnasca/paulstretchpython>.

After converting those files by using RX7 or by using Audacity, python could load the files.

Why does it happen?

The following is the error message from python:

stretch amount = 8.04
window size = 0.25 seconds
/Users/prko/opt/anaconda3/lib/python3.7/site-packages/scipy/io/wavfile.py:273: WavFileWarning: Chunk (non-data) not understood, skipping it.
WavFileWarning)
Error loading wav: shortpercussivelikeJG3GA.wav
Traceback (most recent call last):
File "/Users/prko/paulstretchpython/paulstretch_stereo.py", line 149, in <module>

(samplerate,smp)=load_wav(args[0])

TypeError: cannot unpack non-iterable NoneType object
Paul's Extreme Sound Stretch (Paulstretch) - Python version 20141220
by Nasca Octavian PAUL, Targu Mures, Romania

I am not sure if it is a bug or not, but it is very strange....

Thank you in advance for your work.

Currently, according to Adobe, there is no way to change the sample type to a sample rate other than those listed on the pull down list. This is very disappointing and means that if I choose to record audio at 528hz, 432hz, etc., I now will have to go and find another company and software to accomplish this. This is extremely disappointing since I pay for the full professional CC software, and is surprising that Adobe Audition has not been designed to support other and more popular audio sample rates. Will Adobe be changing Adobe Audition to support other sample rates other then the defaulted ones? Thank you.

Hi There!

I am using audition cc 2019 and have a suggestion on how to improve loudness matching. I love this feature in it’s current implementation in the waveform editor as well as in the multitrack version.

First suggestion: It would be great if you were able to disable the peak limiting in IBU 1770-3 loudness matching when using 32 Bit files. What I mean, 32 Bit allows for over 0db audio, so you can alter the amplification at will. It's not necessary to limit peaks in 32 Bit files at that stage, that can always be made afterwards.

Example: I do lots of atmo and field recordings, and I would like to bring them all to a hearable nice LUFS level, for finding quicker what I want much later. I don’t want peak compression at that stage, and as they’re 32 Bit recordings I don’t care about peaking at all. If it peaks I’ll bring that one down later or add a compressor. Or maybe I’ll just mix it into my movie at a very soft level. But for establishing a library that is easy to search through matching that way would just be nice.

Second suggestion: Please make loudness matching also an effect that you can apply to a certain selection only. Just like the normalize effect. At the moment loudness matching only works for either a) files or b) clips in a multitrack session. It would be nice to use this feature inside a selection of a wav file as well.

Example: I’ve got interviews where loudness is not constant (people talking louder and softer over the course of the interview, no short-time differences). So I would select the different answers, to match them in loudness.

As for now I’d have to make a multitrack file, put the clip on a track, split it into parts, match volume on clips, export it, and continue editing again. That’s a little cumbersome.

Thank you!

With kind regards

Sebastian

I edit a million podcasts and I love that I can template my id3 data so that when I export it's part of the file. But it drives me crazy that I have to export to an mp3 and then open that mp3 to add album art to it.

Is there not a way to add the art to the multitrack and just let it sit there and then add it when exporting the mp3? This would save a ton of time and also add a feature that could give Audtion an advantage over other editors. Many people own 3rd party software to add their id3 and art. This would eliminate that if they used audition.

Maybe this works now but I cant figure it out if it does.

Thank you

Premiere Pro has an excellent method of relinking media files. If media isn't present in its last known place, it provides a window that tells you all the files that are missing and its last known location.

Audition only informs you that there is X number of files missing, and when you relink, it gives you one file to relink at a time, with no information where Audition thinks its last location is.

Additionally, Premiere Pro will automatically find remaining files based on the last location of the relinked file. Adobe Audition does not. Having this additional functionality would be extremely helpful, especially if your workflow makes it challenging to collect all files into a session due to space limitations.