Welcome
I am blind user of your trial version of adobe audition, however i am totally blind user with big experience of using Windows operating system and MacOS with screen readers. Unfortunatelly the adobe audition has not accessible on both platforms. It is most important to add the accessibility features to your APP such as accessibility assistant in acrobat reader. There are lots of users with visually empires around the world who use the computers and mobile devices as second eyes. I am radio journalist and editing audio material is my work, so adding this feature will improve my work rapidly.
Kind regards Lukas
Ps. I can test your result in the beta team channel or another way.

Creating a brand new application for Podcasters would be great because Audition doesn't make it easy.

Some features that would be great include mixing the following apps and features together:
1) alitu.com - The Adobe Rush equivalent of Audition
2) headliner.app - to create audiograms for social media of any length
3) Being able to rename clips of audio from a full podcast timeline so that it is easier to make highlights clips for social media.
4) If you need to create, for example, a 10-minute audiogram for social media, the AI would be able to auto-fit your clips in the most intelligent way in order to hit your time target. You could prioritise each clip from 1 - 10 and the software should be able to create the optimal highlights episode itself
5) Automatically create a stero track from a mono track recorded on an iPhone or a USB microphone

I don't know if it's already possible (I don't think so).

PROBLEM:

In the Waveforms view, I set my beautiful panels on the right and left with the sound wave in the center. I saved the Preset, all beautiful all functional.

I move to the Multitrack view and have the same panels, in the same arrangement on the right on the Left etc.
Yes, but now the panels on the right give a lot of trouble to the view and to the assembly on the multitrack of the various tracks ... setting and when I return to the multitrack the same thing ... HIGHLY BAD and FRUSTRATING !!!

I PROPOSE:

1. Is it possible to save in the same NAME as the Layout preset the separate settings one for the Waveforms view and one for when moving in the multitrack ?? (same preset different views)




2. Is it possible to review the settings of the panels of the various windows?
   Too many panels to keep open and always little space ... and if you would adopt a Responsive panel setting, and with a small interface with opening buttons superimposed on the Waveform or multitrack (Photoshop, Illustrator, Indesign style) ??




3. Is it possible to have panels that adapt themselves to vertical space? and that you don't always (always) have to resize them manually. you spend more time moving the panels every time you do the job.

(unless you have a 4k monitor in full resolution), Audition has many panels to keep under control or easy to consult and on full HD 1920x1080 monitors the space is always too small ... and the panels always too many, many to keep open ...
I'd like a more fluid management, collapsible panels like photoshop (up to icons only), groups of panels that collapse at the bottom or top snap, and no that every time you have to pull them up and down manually then always change the appearance and the size of the panels, how can this be done?

like being able to insert a series of less used panels on the right and collapsing them to an icon to save space, and with a click reposition them and take them out, ditto with the panels on the left ...
I believe that better management of panels is due to Adobe

When running Audition 2020 on a Mac, the computer speakers will make noise. This kind of noise is similar to the noise at the bottom of the current. It is not very sharp and needs to be heard in a quiet environment, or you can hear it by placing your ear near the computer's speaker. When you click the Finder icon in the Dock, the noise disappears. When you click the Audition icon again, the noise appears again when you switch back. My computer is a MacBookPro 16-inch and the system is macOS 10.15.2, 10.15.3. In addition, I also found that AE 2020 does not have this problem, but Pr 2020 also has this problem. I think this is a bug of PremierePro2020 and Audition2020.

JKL is pretty familiar to anyone who uses Audition regularly. If you edit podcasts, you know how crucial this can be for the purposes of saving time. The problem is, much like the terrible means of searching for silence in Audition (for the purposes of dialogue editing, anyway), it’s far too rigid and playback sounds incredibly unnatural. Right now, I have my shuttle increases set to half speed, which gives me a roughly 1.3X playback. I’d like to use a higher speed, but anything greater than that is useless for spoken word. They’re chipmunks and you can’t understand anything. Pro Tools gives you the option to perfectly set playback speed to your preference since it allows you to enter an exact percentage. This is immensely helpful. And there should also be a toggle for how the pitch of the output changes. I mean, every single podcast and audiobook player can do this, but some of the best implementations are Overcast and Libby (and even Audible), both of which do a good job of allowing you to smoothly adjust speed for preference with minimal destruction to the “legibility” of the words spoken.

Along these lines, I use a Kensington SlimBlade for moving around my DAW. There are some options to scrolling speed and direction, and I have my upper-right button set to allow me to hold it to scroll horizontally; but what I really want is for Audition to allow me to fine-tune horizontal scrolling behavior even further. I want to be able to dial in the speed and inertia of scrolling at will and even assign hot keys to change behavior on the fly as needed.

It seems like every DAW maker, with perhaps the odd exception of Ferrite on iPadOS (which itself still has a long way to go), was blindsided by the rise of spoken word for the purposes of editing. With the onset of audiobooks and podcasts rising rapidly even today virtually every DAW is ill-suited for the task. It’s like everything out there is thinking in terms of a 3-4 minute song and not long form. There is the exception of movie scores, but even then it’s a very specialized task that’s ultimately broken up into much smaller bits that are later added to the final product in usually a video editing environment. You can sort of do this with audiobooks, but even then a typical session is hours long. Podcasts are often 30-120 minutes, easily. We need a way to move around these editing environments much, much more quickly. We need playback that is much, much more adaptable to listening quickly. We need tools like strip silence that eliminate the unnecessary stuff recorded when another person is speaking, which helps tremendously with not only overall editing speed, but also the application of effects. We need a method better than groups and locking to timeline to prevent accidentally getting audio out of sync. We need excellent multicore performance so we don’t have to rely on pre-rendering as aggressively before mixing down, which can take an hour or more for the typical hourlong podcast. Leveraging just one core is just INSANE to me in 2020.

One of these days someone will come along that will not only create a purpose-built podcasting DAW that not only thinks in the terms above, but they’ll also have it on multiple platforms (including mobile), they’ll have default layouts and preset workspaces better suited to the task of long-form dialogue, and they’ll support excellent plugins while still cutting out the cruft that comes with supporting music or soundtracks first. This wold be a huge, huge product. It’ll think about automatically routing and recording remote audio during guest call-ins while also recoding locally. It’ll think about syncing dialogue (it can use the remote track as reference, even as guests send in their local audio), it’ll think about (as perhaps an even better alternative to strip silence) automatically creating disparate clips of only the portions where people are talking using the other already synced tracks as a way to gather intelligence about who is speaking when, and so much more.

The first DAW to really understand the needs of podcast and audiobook editing — which are in some ways is much more lightweight, and in many ways more esoteric than that of music or soundtracks — is going to OWN this space. They’ll have a huge, huge hit on their hands if they make a purpose-built tool.

I saw the Sensei demo recently where they automatically isolated ums and ahs. This is indeed a start and gives me hope for Audition, but at the same time Adobe moves so painfully slow and so much of the low-hanging fruit has already been ignored. And what’s the point of a demo if I can’t use it for, what, another 2-3 years? It doesn’t help.

What helps is simpler stuff you folks can implement now.

Currently, according to Adobe, there is no way to change the sample type to a sample rate other than those listed on the pull down list. This is very disappointing and means that if I choose to record audio at 528hz, 432hz, etc., I now will have to go and find another company and software to accomplish this. This is extremely disappointing since I pay for the full professional CC software, and is surprising that Adobe Audition has not been designed to support other and more popular audio sample rates. Will Adobe be changing Adobe Audition to support other sample rates other then the defaulted ones? Thank you.