When making edits to an individual clip it would great if it would save the changes as a recipe as in Lightroom Classic, or transparently render a new file into media cache or RAM and change the pointers to reference it. This would operate safely the way Lightroom Classic, Premiere Pro and other professional apps operate.

Additionally, the users shouldn’t be promoted to manually save changes to clips. This should be done automatically in the background and the multitrack editor and Dynamic Link partners should reference the newest clip version without manual file reference / save as changes.

Perhaps in the past, it made sense to do destructive editing to save on storage but now NVMe storage, RAM, and powerful processors are cheap enough that it is no longer logical to edit dangerously.

I edit podcasts using the waveform editor, and sometimes have 3 or more people in a conversation that necessitates having an audio file with 3 or more channels, in order to keep everyone separate. I also have Snap to Zero Crossings enabled under Snapping, so that edits are smoother and there isn't a loud pop or click every time I hit play when the playhead does not start on a zero crossing. I only now realized that the Snap to Zero Crossings feature only works on mono and stereo files - anything more than 2 channels and it's greyed out.

It would be great to have this feature on files with 3 channels or more. The Adobe support person I spoke with told me that for, as an example, a 5.1 file it would be nearly impossible to find a zero crossing on all 6 channels at the same time, but I only ever have one channel with audio on it at a time since it's an interview podcast, so the other channels are blank at any given moment.

Even if that is impossible to implement, maybe an option to have a fade in/fade out on playback when pressing the play and pause buttons, to avoid clicks?

When processing a highlighted section, that section is being playback. This is in my case not what i want. When editing a part of a sample, let's say the punch of a kick drum, the playback is about 50 ms and that sound like a machine gun. But without playback i can't hear what i'm doing. I would like to see a function where you can loop the whole sample for playback while also hearing the highlighted part your processing. In this way you can hear what your processing does to the whole sample. Then when you're happy with the result, the apply button should still only apply on what you've highlighted.

If there is a function like this, please let me know! If not, please implement.

(Using Audition built 12.1.3.10)

I've been working on a project for a few hours and so far this random bug has ruined my dialogue track three times.

I have all my dialogue laid down to one track sent over from Premiere. I bounce all the tracks to a new track. Do a master volume mix and some light editing. I'll move onto foley, ambience, etc. and then randomly my dialogue bounce track has tons of high and low frequencies removed. I have no effects applied to the clip or track--only volume automation. There's nothing to undo, remove, or change... it's just baked into the waveform and sounds terrible!

See attached photo for a picture of the waveform editor after the bug occurs.

To use the awesome Sound Remover effect, you must first carefully paint over the frequencies that make up the sound you want to learn and remove. The Paintbrush Tool is the tool to use for this, but it’s so painful to use it’s discouraging,

For instance, if you carefully paint over all of what you want (if you first go into System Preferences and set Mouse Tracking Speed to the slowest setting), then when doing the last little bit your mouse button sensor “bounces” and is detected as a double-click, it immediately selects the entire view and you lose your carefully selected Paintbrush selection that was in progress with no way to recover it since there is no Undo / Redo for selection operations (only for things that actually change the sound), nor can you save a selection (not the Sound Model once learned, but the actual SELECTION) so that it could be retrieved again.

Proposed improvements:

• When in Paintbrush Selection mode, the double-click-to-select-entire-view shortcut should be DISABLED (you should probably also do this for Lasso Selection).

• When in Paintbrush Selection mode, the regular Undo / Redo shortcuts apply to the SELECTION operations.

• Get rid of holding [Shift] to add to the Paintbrush selection. That should be the DEFAULT. If you want to start over, you should use the above Undo instead. Rather than doing Add To Paintbrush, [Shift] can have another purpose more in line with what it does with other of your products such as Photoshop: it should CONSTRAIN the painting to horizontal or vertical, since what you’re trying to select is often frequencies (horizontal) and things like clicks or clunks (vertical).

• Ability to load a Saved Sound Model (.srm) file and get back the Paintbrush Selection used to make it, if loaded into the same sound file from which it was made.

Maybe this should be a separate feature request since it’s not UX related, but Sound Remover itself desperately needs an analogue to the Noise Reduction’s “Output Noise Only” checkbox so that we can listen to just what’s being removed. Or, maybe we actually want to isolate and keep the painted sound, not remove it (great for forensic work, for instance).