Finished preset chains cannot be exported. I work on two computers and I would like to have the same settings in the "effects rack" category.

The ability to select multiple clips or tracks and apply the same effect to them simultaneously - either by using the track/clip effects or by copy/pasting effects - would be a huge time saver. Yes, I realize you can create a preset and apply an effect rack that way, but you still have to do it one track or clip at a time.

I'm sure it may have been brought up before, but the feature to organize saved favorite effects into folders for better organization would be incredible useful and save a bunch of time. For those of us working on multiple projects with tons of saved effects, it takes so much time to scroll down to the desired saved effect. (And this is after making a saved favorite that utilizes many saved favorites in one click.) Thanks for the consideration!

The 2022 Audition is just out and you STILL haven't done this. This is surely a no-brainer, the Premiere Pro people have already done the work and it's been available for years on Premiere Pro. I am a professional voiceover and need to hear recordings at double speed to save time to check for errors. Just put in pitch correction so I don't have to listen to high pitched sound all day. THANK YOU.

When using custom track effect parameters that have been saved, they will load ok, but if the track automation is set to write, latch or touch, the parameters are reset to the default when play is pressed. This makes it impossible to mix using the automation since an effect like a compressor with custom parameters is not in effect. This occurs on version 14 as well as the new version 22.

The french translation of the two poles parametric filter is nuts. The so called "Filtre papillon" had never existed if french (except for adding butterflies in one's face on instagram). The translation people in Adobe should seriously learn French. The proper translation would be "Filtre de Butterworth", "filtre à pente" or "filtre à 2 pôles".

Parametric filter has got a low pass frequency parameter, but it is not listed in the automation parameter list. Unfortunately, it is probably the most important parameter one wants to control dynamically.

Adobe Audition currently does NOT support position-synced plugins (like Cableguys Shaperbox2) and it would be fantastic if support for these types of plugins/effects was added, making Audition more like a DAW vs. just being an simple multitrack audio editor.

One of the really nice features of older Audition versions, were having the effects icons across the top. I think Audition 3.0 was the last version to display them. It just makes it so much easier and faster to access the effects. Anybody that does radio or music production can attest to the simplicity of accessing effects when they're right there in front of you, instead of click here, then here, then the effect. One click and you're there is so much easier.

Addition of plugin to send to external output and then compensate for latency. Presently, it is possible to route to an audio output on a separate bus and then bring it in as an input on a new track, but this has limitations and adds more tracks. It would be great if we could "patch" to an external hardware chain on the source track and have it process the effects in latency-adjusted time.

Would love if one could add FX to the input chain. That is, process FX on the incoming audio so that they are recorded into the tracks.

So many times I build what a click a way takes care of in my effects rack, but there isn't anyway to add Normalize -3 db in effects rack and that I cant understand why.

Using a the EQ in the special > mastering plugin create a crazy sharp peak at the end of the spectrum.

I have tested with low shelf, peak and high shelf they all create the sharp peak over 10k.

Granted it might not be audible but it could cause issues with headroom or create a crazy resonance. This plugin never did it before in the history of audition not sure why this bug has appeared now.

See screenshot below.

Bring back loudness radar for Mac M1

I use earbuds and I just blasted out my ears again when applying an effect. When an effect is going to drastically increase volume, like some that seemingly more than double it, there should be a warning. Something that is entitled like "loudness maximizer" you would expect it, but there are others that do this unexpectedly and either way, the user should be notified for their hearing protection.

I generally don't want to automatically cross-fade overlapping tracks, so I leave that option off. But then to fade between two clips on the same track, I can't add a simple cross-fade. (Can in pro tools by dragging the fade icon from one clip over the other clip.)