When applied to an adjustment layer CC RepeTile generates 2 empty extra pixels between the tiles. This is a bug! The problem is present in both AE 2019 and 2020 versions. When applied directly to the footage it seems to work fine.

Requiring a track matte to be right above the layer it modifies seems like an archaic convention at best. Get rid of that requirement and make them like parent layers which can be anywhere and used by many layers.

Please move this to the top of priorities.
Since we're now all moving towards ACES which requires working in 32bit, not having a grain effect that works in 32bit makes most of the compositing work almost impossible to do. It's hard to think of an effect that doesn't require grain matching with the background plate, and now every time we apply the add grain effect all, overbright values get clamped, so we CAN'T use the effect on any new production :/

I came across a .aet project that has a missing font, and I just can't get the text to change font in the comp, it resizes as if it was changing but the font remain the same no matter what...

After consulting with Adobe technical support, they responded that there is no such a function to change missing font. I sincerely hope in future version they include this option! Thank you!

A UI of your effects that allows you to layer effects in a previewer to see the results before applying. This would be especially effective if you have a lot of effects and not sure what they all do.

The reshape tool would become way more helpful with digital beauty work if AE had a way to parent Masks to a Null object that received tracking data from Mocha.

Was working with 2020 for 5 min.
Out of the box in comparison seam to be slower on a comp of a resolution of 5400x1080, as compares to AE 2019.

Certainly twice(!!!!) slower from AE 2019 in reading JPG SEQ res:5400x1080.

Did not checked it further.

Both Apps synced with their preferences.
Both of them have the Cache option disabled.

Some effects like camera lens blur are computationally expensive. It would be great to be able to have a proxy effects such as Gaussian blur during previews, but at render time turn off Gaussian blur and turn on camera lens blur. Or perhaps have a setting that only turns it on at render time. I imagine it could be a drop down that says "off until render." I know I can turn off all effects on a layer or composition, but then I have to remember to turn them on before rendering.

After Effects doesn't recognize SWFs if the SWF is placed on a server. Full brakes the whole workflow for any studio using Animate CC...

When you're animating a mask on a layer that has effects applied, the mask doesn't update live. You have to purge the memory or disable all the effects on the mask in order to be able to see the updated layer.
We need to see the mask updated even with effects applied.

Ich habe (leider nicht freiwillig) eine Möglichkeit gefunden, die After Effects Projektdatei komplett zu zerstören:
Ich habe einen HD Footage 1920/1080 23,98 Frames/Sekunde über sich selbst gelegt und auf dem oberen das Roto-Pinsel-Werkzeug angewendet und die Datei gespeichert.
Sobald ich die Datei danach geöffnet habe, bekomme ich folgende Meldung:
"After Effects Fehler: Fehlende Daten in Datei. ( 33 $ 4)".
Dieser Fehler ist beliebig oft reproduzierbar, an verschiedenen Computern.

Version 17.0.1

Blending modes (especially screen & add) are completely unpredictable in 32 bit space. They're essentially useless now. Build a system (or a new blending mode) that allows screen and add to behave the like they do in 16 bit

Everytime I do compositing with cryptomatte (using it as a luma matte for an asset) I have this error (see picture) and my after effects crash.
Thanks if you can solve it.

Gaussian Blur does not work properly in 32 bits mode.
Whenever I blur a 32bit layer, overbright objects get a dark halo as in darker than surrounding background. After measuring, these halos actually have negative color values!!! Fast Blur does not have this problem, please fix it fast :/

Need a native edge blur tool similar or better to the key correct suite by RG.

Grouping can be improved, by grouping the selected items automatically in a Group, in stead of adding a Group (= a folder) and then drag all items in there.
Furthermore, I would the Group to automatically update any involved expressions. Currently expressions are broken by changing Shape Layer hierarchy, and have to be repaired manually.

I want to be able to divide the position of the transform of the effect into dimensions.

Because the expression of animation of keyword spreads

エフェクトのトランスフォームの位置を次元分割できるようにしてほしい。速度グラフでの表現の幅が広がる為。

It would be nice to crop comps, footage without loosing its position and keep it in same place in other comps without reposition.

Thanks.