After Effects

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  1. Don't require track mattes to be above the layer it modifies (and also allow re-use)

    Requiring a track matte to be right above the layer it modifies seems like an archaic convention at best. Get rid of that requirement and make them like parent layers which can be anywhere and used by many layers.

    393 votes

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    37 comments  ·  Compositing & effects  ·  Flag idea as inappropriate…  ·  Admin →
  2. Adopting the powers of node-based programs by tweaking the set matte effect.

    Inspired by Node-based workflows. We often want to combine different mattes into one layer without the need of pre-comping—and then even use the same matte for multiple layers.

    If we improve the already existing "Set Matte" Effect with the functions of the "Track Matte", we may be on a better path!

    Here is a video of how that could work: https://vimeo.com/138156034

    1. Add a "Track Matte" switch to set matte:

    This could make the "Transform Properties" of the set matte behave the same as how "Track Mattes" do. (this is possible already by sandwiching the set matte effect between two transform…

    263 votes

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    9 comments  ·  Compositing & effects  ·  Flag idea as inappropriate…  ·  Admin →
  3. Folders in After Effects timeline

    Timeline folders. We have them in Animate, Photoshop, Illustrator... precomps can utterly ruin your work and is NOT an alternatives to having a simple folder hierarchy - especially when dealing with shape layers or anything that requires continual rasterization.

    95 votes

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    40 comments  ·  Compositing & effects  ·  Flag idea as inappropriate…  ·  Admin →
  4. Add Grain in 32bit

    Please move this to the top of priorities.
    Since we're now all moving towards ACES which requires working in 32bit, not having a grain effect that works in 32bit makes most of the compositing work almost impossible to do. It's hard to think of an effect that doesn't require grain matching with the background plate, and now every time we apply the add grain effect all, overbright values get clamped, so we CAN'T use the effect on any new production :/

    36 votes

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    10 comments  ·  Compositing & effects  ·  Flag idea as inappropriate…  ·  Admin →
  5. Add a native UVW mapping plugin.

    AE needs a native UVW mapping plugin, so that you can export UV maps from 3D apps and you can map images onto 3D object renders. You could make awesome templates (and ultimately mogrts) with 3D renders where the user could swap out image textures on 3D objects!

    Why native? Because then you can sell those templates without requiring others to buy a 3rd party plugin.

    The most obvious uses would be for things like bendy pages on a wedding album or images wrapped onto text. But it would open up unlimited possibilities to very creative people.

    30 votes

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    4 comments  ·  Compositing & effects  ·  Flag idea as inappropriate…  ·  Admin →
  6. revamp the mesh warp

    the whole distort family effects would need some love, but the mesh warp could be a super powerful tool if could :
    -have access to every points and tangeants positions
    -lasso select points
    -scale, shear, rotate the grid to affect only a part of the image
    -making it 3d
    -promote it to b 32bpc gpu accelerated
    -go beyond those request and make it a weapon of choice

    to my knowledge this effect has been change only once to be able to move points with arrow keys...

    30 votes

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    5 comments  ·  Compositing & effects  ·  Flag idea as inappropriate…  ·  Admin →
  7. AE should remember effects layer inputs (like set matte) when copy/pasting layers. Currently need to manually reconnect after pasting,

    This is how parenting works when you copy/paste a new set of layers. It creates parents relative to the new layers you've pasted. That is smart, now if only effects worked the same way! For some reason the default behavior on plugins is to revert the layer inputs on effects like “set matte” or “create nulls from paths” to the source layer that the effect is applied to after pasting.

    I frequently use both of the aforementioned effects to make templates, and I'm constantly copy/pasting sets of template layers into new comps, but every time I do I have to…

    28 votes

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    4 comments  ·  Compositing & effects  ·  Flag idea as inappropriate…  ·  Admin →
  8. Just wanted to say thank you for Master Properties!

    Just wanted to thank the AE dev team for implementing Master Properties. This is the killer feature we've all been waiting for.

    I can say this will hopefully prevent me for trading in my hard won AE skills and turning to Nuke or Fusion. Something I was seriously considering.

    I'm sure the devs are continually subjected to ranting, angry bug reports. I know I've written a couple.

    Well it's time to say thank you. I complained. You listened and built a feature I actually need, that significantly improves the software.

    Awesome job

    You rock.

    Alan

    27 votes

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    1 comment  ·  Compositing & effects  ·  Flag idea as inappropriate…  ·  Admin →
  9. Native light wrap in After Effects layer.

    I really wish to have a fast and native light wrap plugin in After Effects. This tool is essential in compositing.

    27 votes

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    2 comments  ·  Compositing & effects  ·  Flag idea as inappropriate…  ·  Admin →
  10. Set Adjustment Layer (like Set Matte)

    Steal a page from the 'Set Matte' playbook and create a 'Set Adjustment Layer' effect. This would allow an adjustment layer to live anywhere in the comp and frees the layers you want to affect from being required to live underneath the adjustment layer itself.

    A 'Set Adjustment Layer' effect would allow for an entire effect stack that lives on an adjustment layer to be easily instanced out to whichever layer(s) you want. It would make for a smoother workflow instead of having to copy the desired effect with relative links and pasting to individual layers since you would now…

    27 votes

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    3 comments  ·  Compositing & effects  ·  Flag idea as inappropriate…  ·  Admin →
  11. Give the ramp effect some love

    The ramp effect is so basic. Sometimes it just doesn't cut it. Why don't you update it with some clever features similar to it's layer style cousin?

    25 votes

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    0 comments  ·  Compositing & effects  ·  Flag idea as inappropriate…  ·  Admin →
  12. Calculations, Channel Combiner, CC composite to be powered by GPU and 32 Bits per channel

    Calculations is the merge tool in Ae why is it still not the most overused tool!?

    25 votes

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    3 comments  ·  Compositing & effects  ·  Flag idea as inappropriate…  ·  Admin →
  13. "Track Matte" feature for the "Set Matte" Effect.

    CC composite is great for compositing its own layer over itself again, the track mattes is good for tracking an alpha/luma of a layer above itself.
    However, many times I'd like to composite, say an icon, over a circle shape - then animate each one independently (perhaps the circle scales up and the icon slides down to the centre of the circle), then, have the icon track the circles alpha channel so you only ever see the icon inside the circle.
    Set matte doesnt often work as you are manipulating transform properties, and set matte seems to only work when…

    24 votes

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    4 comments  ·  Compositing & effects  ·  Flag idea as inappropriate…  ·  Admin →
  14. colorama to 32bpc and Gpu and update color picker

    Color picker needs to be linkable by expressions and dynamically expanding an amount of color peakers created on the color wheel

    23 votes

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    3 comments  ·  Compositing & effects  ·  Flag idea as inappropriate…  ·  Admin →
  15. Default color for Outer glow/ Inner glow should be white.

    The default color for Outer/Inner glow layer styles is an odd yellow/gold that nobody wants to use. Light defaults should always be white, dark defaults should always be black. Examples, drop shadow effect, Tint, Gradient Ramp, etc.

    21 votes

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    0 comments  ·  Compositing & effects  ·  Flag idea as inappropriate…  ·  Admin →
  16. gradient map like photoshop

    gradient map in photoshop is able to re-color the image depending on the color of the gradient

    that allowing me to reach this result in coloring
    Inside photoshop

    I think it’s to much effective to re-color use gradient
    Than the (Tint filter) ,Tint is limited to two value only :(

    So can we have (gradient map filter) In after effects please 🙏

    21 votes

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    7 comments  ·  Compositing & effects  ·  Flag idea as inappropriate…  ·  Admin →
  17. More love for 360/VR in After Effects

    since 2018, Ae has not been updated in relation to VR/360 workflows. Ae has limited VR effects and the VR Comp Editor workflow which is also very limited and delicate script and expression heavy process.

    Ae should have a spherical camera, mono and stereo. this would obsolete the stiching workflow of VR Comp Editor and it's limitations. 3d plugins like trapcode or stardust are very breakable, also all the 2d effects won't work properly without the use of 3rd party tools and even then it's very limited.

    these new technologies should not be left behind, there are great things motion…

    20 votes

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    4 comments  ·  Compositing & effects  ·  Flag idea as inappropriate…  ·  Admin →
  18. Bug Report: AE CC 2020 Premultiplied Alphachannel from ProRes 4444 will result in black outlines

    When using ProRes 444+ with premultiplied Alpha in AE2020 (17.x) on MacOS 10.14. and 10.15. the key will have black outlines. Bug wont occur in AE2019 (16.x) or with AE2020 on MacOS 10.13. Please fix this issue.

    16 votes

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    8 comments  ·  Compositing & effects  ·  Flag idea as inappropriate…  ·  Admin →
  19. Separate Keyframes for Mask Feather Tool

    The Mask Feather Tool should have its own separate keyframes.

    As of now, its keyframes are the same, as the mask shape keys, so if you already animated a mask shape, you cannot animate the "feather tool" separately.

    Alternatively, please give us a "Uber Key" as seen in Mocha.
    Thanks.

    16 votes

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    1 comment  ·  Compositing & effects  ·  Flag idea as inappropriate…  ·  Admin →
  20. Transform Controls in Set Matte effect

    Adding a set of transform controls to Set Matte would allow per instance, on-the-fly adjustments to mattes that would go a long way making procedural matting easier.

    16 votes

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    0 comments  ·  Compositing & effects  ·  Flag idea as inappropriate…  ·  Admin →
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