I am trying to export a Premiere Pro sequence with mogrts using the Watch folder in Media Encoder. I've tried several solutions to get this to work, and the only way I have found it to work is if I place the mogrts in the root watch folder. This is a problem because the Media Encoder will recognize the mogrt files and process them in the queue, thus having them moved to the source folder once they have been exported.

Moving a project folder (e.g. PROJECT1) containing a Premiere project, raw material inside a subfolder (RAW) and the Motion Graphics folder to the root watch folder and then moving the Project file to the root watch folder will start the export process, but with the graphics files showing as Media Offline. If I do this without mogrts, Media Encoder is able to relink the raw material residing in the project folder.

Am I doing this the wrong way or is this a scenario you haven't thought of?

I always get a green screen when encoding MP4's - but only happens after a while. I posted a similar bug in the Premiere forum but nobody has answered - and I am not the only one with this issue with the spec I have.

It happens with any MP4 from my camera, creating Proxies and such like. Even if I use the software render. Please please please can someone look into my issue. It really affects my workflow.

The green screen affects all my Mac (i.e. Safari MP4 videos). I have to restart for it to return to normal. It has happened for well over a year. Still a problem!

iMac (Retina 5K, 27-inch, Late 2015)
Using macOS Catalina 10.15.1 (19B88)
4 GHz Quad-Core Intel Core i7
AMD Radeon R9 M395X 4 GB
32 GB 1867 MHz DDR3

This seems to have been introduces with the latest update. I have a preset to render an H264 file with file name and timecode visually burned in. Before updating it worked fine. Now it shows a number(I assume framecount) rather than TC. If I switch to generate rather than source, then it shows TC. But if I save the preset on "generate," it saves the starting time as well, so the TC is not accurate. If I create a new preset, the first application works as expected, but once I apply from the saved preset it fails in the same way.

This is an observation of problems with AME 2018 exports after many hours of paintstaking work late at night to try to produce a H264 Based Blu Ray disc through Encore 6, but I suspect other authoring SW would have same issue.

I know Encore 6 is a legacy product and out of support - but AME version 2017 encoded H264 blu ray files which always worked fine.

There is also a thread on Encore Community Forums about this issue where other people have found same problem as well.

Today I see no way to produce a Blu Ray H264 based disc with files encoded from Media Encoder 2018. This newer version has caused problems.

Whilst Adobe may feel Blu Ray discs are defunct and we should use Streaming ... this problem with Media Encoder 2018 needs fixing as in some cases we need to produce Blu Ray discs of our project/work.

Adobe Engineering Team : can you have a quick look at the difference between H264 encoded Blu Ray files from AME 2017 to AME 2018 please. Why is it broken ..and fix it please.

Feedback welcomed.

Adobe media encoder sorely need the ability to batch change render setting presets on all videos selected.
Example: Let's say I want to render 100 video from After Effects and send them to AME, then it chooses the last used render setting by default when loaded into AME. If I want to change I have to manually (!) add new render settings/preset to Every single of the 100 videos and then manually (!) delete the previous setting so I don't render each video two times. Also it automatically makes new names for the new video setting I added so I have to Manually (!) rename every single file. I hope you see how non-productive this is when rendering many files?

AME is suppose to to make rendering movies more efficient, but without this feature, it very often serves no purpose or is more tedious than actually rendering straight in AE of Premiere.

Please add this feature Adobe!