in 12.1 (171), in the "effects" tab on the "export settings" window, when "lumetri look/lut" is checked, I can't choose "select" from the drop down menu. when I click it, nothing happens.

When you get an interlaced graphics file for tv and have to do an online version in progressive you need to transcode it with the best de-interlacing possible

It would save time making precomps and rotating in new comp

Example: If I exported an image sequence 1000 frames long, but decided I wanted to replace frames 50-100. I could select those frames as my in In Point & Out Point and click a box that says "take frame numbers from composition" or something, then the exported image files would be called XXX0050 - XXX0100 automatically.

Please, please can we improve launch time by not preloading all of our AE/PPro plugins (I have hundreds) unless they are actually needed. It takes an age. I can actually boot my whole Mac faster than I can open MediaEncoder from the same M2SSD. Ridiculous. It make ME almost impractical to use due simply to the launch time.

There is no possibility to define the numbering in exported image sequences. The number of digit, the starting number etc.

Currently, Bug stays on while video fades up. I want both to fade in/out. Compressor has this feature. Why doesn't Encoder?

Allow uploading to a Google Drive account and specific folder, particularly business accounts that do not support "Backup and Sync".

For the love of... please update media encoder FTP transfer to allow transfer over Secure FTP (SFTP)

You all have not updated FTP transfer software since 2010! Its time to get with the program and allow for better security. Without this feature the automated system in Adobe does not work and files have to be transferred manually or you have to run no encryption at all which is not a wise idea for anyone and puts the network at risk.

Adobe please address this. This is a very common issue for broadcasters and other media companies.

It would be helpful to be able to monitor audio (either through speakers or a visible meter) during encoding. I find it very useful to catch editing issues in the Output Preview monitor, however I do sometimes still get caught out with audio problems. If there could be an option to preview the audio as well, that would be very useful.

Yes, very soon I hope to see some development about integrating ACES 2065-1 in Adobe Creative Cloud. PPpro, AE, Photoshop, AME, etc. It is a must for color management. Thank you

Allow user to type choose how many number digit format for the export sequence like in After Effect we can type out [####]

I don't always need an export to happen as quick as possible. If I want to continue editing in Premiere while ME exports, it's quite laggy, but I often don't mind if an export takes longer as long as I can continue working.

Currently, there is no effective way to edit the length of imported images that you wish to stitch together. The default length is 5 seconds and the only way to 'modify' that is by using Export Settings > Effects > Time Tuner and altering the Target Duration or Duration Change (%). That's great and all... as long as you don't have to change the duration by more than 10%, which is the max.

i picked english in adobe creative cloud cc but it still installed chinese for media encoder. when i changed the language option to english in the os, the media encoder display as english. so the language preference is useless in the adobe creative cloud. is it better to have language option during the installing process? cheers...

Media Encoder presets could be more faithful with the You Tube, Vimeo and Instagram settings. Its important to preserve the video quality.

for some reason H264 in AME is not able to spit out 16fps...Is there any good reason that it's not possible to have this limitation. We do online games and play out simulations and animation to preview as H264 videos, but have to render them with 15fps which is inaccurate and can cause problems.

Let's set the fps setting free to accept any custom fps!