At some future stage, will AME have a batch frame rate conversion feature with interpolation? That being I can send to a queue a stack of clips with varying frame rates and output all the input files to a same end output file frame rate but leave the audio part of the file untouched to same pitch and duration? Say a collection of 12, 23.97, 24, 29.95, 30, 60 fps and all resulting output conversions at 25 fps. At present I am using AWS Elemental Media Converter which is pretty costly.

Also, why when converting an AOMedia AV1 video file to h.264, the resulting AME conversion only carries audio through and not vision? Does AME have support for AV1 files, or is that still coming?

After Effects and Adobe Media Encoder 2020 are rendering h264 codec MP4s too bright. The colors are washed out slightly and what I'm assuming is a gamma shift. I'm using Windows 10, After Effects v17.1.4, Adobe Media Encoder v14.4, and Nvidia driver 451.77.

This issue does not exist on After Effects 2019 and Adobe Media Encoder 2019. The MP4s look as you would expect, using identical settings for export.

One additional finding was that using After Codecs plugin, I'm able to export an MP4 using the x264 codec and the colors are correct. That is also using AE and AME 2020. So, from what I'm gathering there is definitely an issue with AME 2020.

I find this annoying issue with nearly every release of AME, and have had it pop up off and on since 2004. This is not an issue with playback between video players, but specifically a color shift in the actual render. I'm not using any display profiles, and have After Effects set to not use a Workspace color profile in Project settings. Have also tested rendering the files with and without Hardware encoding turned on.

Would be happy to send additional info or files if needed. Thank you!

Adobe partnership with Big video platforms: YouTube, Vimeo...

It can be game changer if Adobe talks with all the big video platforms to understand how they process the videos. So we can export with the same codec settings they use updated. We will be able to upload the video in any of this platform and will nott need to process it again. It will be ready for all the resolutions automatically.

For example, YouTube will give the processing workflow how they work and Adobe will implement in their software. Videos can be certificated that they were processed with the YouTube engine so no need to process the video again. YouTube same some machines rendering files, people don't need to wait extra, everyone happy! :)

I'm editing a feature documentary, and many of the archives are made of old DV footage. Unfortunately I can't import any of the material either directly into premiere or into ME to convert into a supported format. Adobe should have kept the codec at least for media encoder. I can't imagine the amount of editors around the world who've had similar frustration and with the monthly subscription service as it is, a creative cloud user, shouldn't have to turn to or pay for additional 3rd party support for a feature that was a part of the older editions. It's absurd to the extreme. An entire generation of archive was shot on the DV format, so the decision to remove it smacks of corporate greed or oversight. Something that could be easily amended on their side, if they so consented.

There is a big issue with iphone footage coming in with Variable FR resulting in skewed audio/video throughout the adobe suite. Right now the only fix for it is to upload the footage into third party software and encode the footage to have a Constant FR, which is pretty ridiculous given that we have a media encoder for Adobe and if I wanted to be using open source software, I wouldn't be paying for the adobe suite. I think Media Encoder is the obvious software solution for this but it affects so many of the adobe suite programs that it should be implemented in a way that makes it easy for users to make the change regardless of what program they are using (like how exporting generally moves the file to encoder). This is something that your help desk team is aware of and right now they currently recommend an open source program called "HandBrake" to remedy it. As a software platform that goes out of its way to be Iphone friendly, I think this is a must-have for the program. In the same vein, VLC was able to import the footage correctly without issue as well. I hate to nag on you guys but I find it a little disheartening that so many open source programs get this concept to the point where the solutions are barely even user facing (VLC just corrects it on its own) and Adobe, which is a very expensive suite, doesn't. Please make this crucial update.

Hello Everybody,

I would like to ask if there could be an option added maybe to premiere or especially to Adobe Media Encoder to be able to Remux files to different containers.

Option also without transcoding just copy the CODECS from input file and change only the container.

Example there is one really important remuxing that is needed and there are just so limited the options for someting so simple.

In Broadcasting Centers there are still a lot of equipment that only support Transport Stream (TS), as there is only option from Adobe for MPEG2 and not for H264 which is what we need.

Also if there could be one option for only multiplexing to change container with out encoding again would save a lot of time for cases where the files are already h264 but mp4/mov/mkv.

By selecting multiplex and with codec to only copy would take seconds even for 2 hour long videos.

Thank you and hope somebody will take this in consideration for future update.