This was an absolutely superfast workflow for exporting from Avid.
Really easy and time saving. Avid even still offers QuickTime reference export in version 2019.9.

Prores is limited to 60fps in Media encoder 2020. Must be corrected ASAP.

There is a drastic color difference when exporting via AME, compared with exporting directly from Premiere. See attached photos. I literally changed nothing on the timeline, but it's handled completely differently. This has happened to me twice in the last month, both from h.264 clips and ProRes 422 clips with Lumetri effects.

I agree that .mov is outdated, but it is still a very typical format that drops in from time to time. Support for old formats is really really usefull, one never knows when they pop up. And it's stressfull to have to jump to free softwares like handbrake to get the job done

Today I repeatedly tried to encode a 4K HEVC(H265) file, and I got very quick fails with error code 7 (Out of Memory). Checked save locations, memory usage, disk cache, etc. Closed AME2020, reopened, etc.
Then I reinstalled AME2019, and it worked like a charm.

So it's a new bug, I guess...

I would appreciate if there would be a way to save the rendered part of a stopped render. I have been rendering for 12 hours now and the render suddenly frizzed, if it fails of stops (like it did before SEVERAL TIMES) I will lose all the rendered parts as well as many working hours!

Very frustrating that it isn't possible to change the export folder/filenames in bulk.

Compressor has done this well for years, with the ability to create presets for common destinations and file naming structures.

Something like that would be super useful.

Instead of choosing between "same as source" or a custom resolution.

Id would be great with a simple "half of input resolution" option when choosing resolution

Video and audio encoder with dolby digital plus & dolby true HD 5.1 sound for adobe Premier pro & media encoder.

it will be usefull to have the chance to rotate the videos, so you can do it faster, whitout the need of other adobe software

1. If creating a preset from scratch, it is possible to "Set Start Timecode" to a DF (e.g. 01;00;0;00)...HOWEVER the output file will be NON drop frame starting at 00;59;56;11


2. A preset with DF "Set Start Timecode" of 01:00;00;00 will immediately be changed to NDF timecode starting at 00:59:56:12 when applied to source clip in queue, and can not be changed to DF 01;00;00;00 once applied.


3. In Preferences>Media, "Indeterminate Media Timebase" is always set to 29.97 Drop-Frame

I have tried several versions of Media Encoder:
12.1.2 in Mac OSX 10.11.6
13.0.1 in Mac OSX 10.13.6

To render a 10 second video, spend hours trying to connect with dynamic links and conclude nothing, unusable.

When using AME as a render for AE, it's unpleasant to set the output folder for each queued item. A preference to make AME behave like AE (output to the previous set folder) would be nice and time saving.

Just make it faster. 22 h for a 6 min video is so so so so frustrating.

Adobe media encoder does not utilize my systems performance when encoding a premier pro sequence, thus taking a lot longer than it should.

When i export a sequence straight out of the premier pro software, the software utilizes all my recourses and takes about 45 mins to endode whereas AME takes 9 hours to encode that same sequence using about 20% CPU with spikes!

When encoding a Premiere Pro project in media encoder. The clip will finish encoding and export a file but will still sit unfinished in the encoder queue. If you push pause and play it will complete.