Plain and simple: bring back high frame rate encoding. It was in AME 2019 and at some point it was removed. Could this have anything to do with conforming to 'broadcast standards' related to timecode? As time code doesn't exist in formats faster than 60fps. Find a way around it because this is an essential editing feature request. ProRes is not solely for broadcast delivery, in fact it is the backbone of most editing pipelines who choose to not edit native.

Hi,
Since updating to 22.3, ME won't move when encoding to HVEC 4K 60 FPS.
I rolled back to 22.2 and it works fine.
I am on a brand new MacBook Pro M1 Max 32 GB ram.

Every single time I try and make a batch export of multiple files Media Encoder will create the first one and fail all the rest.
I can make it work by resetting the failed files and hitting export again.
This happens on multiple machines and different OS.

There are a number of audio recorders used in production that produce multiple files for multiple channels. This means that, for example, if there are 3 mics recording to 3 channels, the recorder produces 3 files.

It would be very useful if Media Encoder could combine these files into 1 multi-channel audio file.

R.

Media Encoder continually logs user out when directly uploading/Publishing to Vimeo and YouTube

It has been very convenient to have webM format as an export option. It is the smallest format very convenient for websites, mobile games and apps...It's very disappointing that you decided to remove it

Add an export option to extract and split the audio channels from a video file and export into individual .mp3/wav files.

OpenCL rendering in "Mercury playback engine" will crash with multiple file types on up-to-date intel drivers iris xe. Setting the renderer to software only will fix.

Driver Info
ProviderIntel Corporation
Version30.0.101.1660
Date3/18/2022

When changing the encoding settings for multiple outputs, AME always asks for me to confirm that I want to do this. The pop up really needs a "never ask me again" option, so I'm never asked again. I nearly always adjust he output settings of multiple items, and do not want to be asked for confirmation.

For me the .gif format need to be seen more.
It may need to have more options "Like photoshop already have".
1. Color reduction algorythim
2. Specifying dither algorythim
3. Resampling method
Etc.
Exporting an animated giff created in After Effects through Media Encoder should be ideal, but unfortunately it came out as a very heavy file. That's why a big part of us go to export it through Adobe Photoshop.

Also for gifs It may be usefully to have the option of typing the desired framerate and not only the default presets ME already have.

The Media Encoder isnt connecting with After Effect projects for me.

Hello, the "ANIMATION" preset is missing from the QuickTime format, in PR and AME? now if someone send videos rendered in Animation, we can't open it, we have to re encode to pores 4444 with a alpha..

Would be great if Media Encoder had some sort of loading or progress bar when sending comps from After Effects.

I'm converting simple 4K X4K raw AVI to mp4 with 10Mbps bitrate for streaming test.
When I set CBR 10Mbps with maximum render setting, I get 300 Kbps..
When I set VBR 10Mbps with maximum render setting, I get 1-1.3Mbps..
Maybe it thinks that's enough, but the gradient doesn't look good as the original source.
Also I need accurate size of bit rate data for my test

(22.2) I can send a render queue from AE to ME without issue, but when I start the queue, it stalls out on "Connecting to project..." indefinitely.

Using 2019 MacBook Pro running OS Monterey.

Every time I send out an export from premiere to media encoder it is not applying a lumetri color effect I have applied on Sony a7iii 4K 30fps footage. I don't get it. It doesn't show the color grade I have when I apply the affect either on an adjustment layer or on the file itself. But the color affect I have on an adjustment file to my A cam Canon R5 footage is exporting fine. Please fix, this is adding headache and delaying my projects for my clients.

I updated to 22.4 and now I do not have the option to "Interpret Footage" (it's greyed out) after I send my footage from Premiere Pro to Media Encoder. If you aren't familiar with the 120FPS workaround, I interpret 120fps footage to 23.976 in PP and in ME so I avoid the 60fps issue. I have now downgraded to (22.3.1) until there is a solution. Really hurts my workflow.

posted to community forums, learned this is a better way to submit bugs.

https://community.adobe.com/t5/adobe-media-encoder-discussions/updated-to-media-encoder-22-4-now-i-cannot-quot-interpret-footage-quot-120fps-proxy-workflow/m-p/12960265#M15938