Prores is limited to 60fps in Media encoder 2020. Must be corrected ASAP.

This was an absolutely superfast workflow for exporting from Avid.
Really easy and time saving. Avid even still offers QuickTime reference export in version 2019.9.

When trying to encode a 4920x180 source into an MP4 using "Match Source" preset, it resizes the video down to 4096x180 (adding black bars on top and bottom). "Match Source" should respect the original size.

Today I repeatedly tried to encode a 4K HEVC(H265) file, and I got very quick fails with error code 7 (Out of Memory). Checked save locations, memory usage, disk cache, etc. Closed AME2020, reopened, etc.
Then I reinstalled AME2019, and it worked like a charm.

So it's a new bug, I guess...

There is a drastic color difference when exporting via AME, compared with exporting directly from Premiere. See attached photos. I literally changed nothing on the timeline, but it's handled completely differently. This has happened to me twice in the last month, both from h.264 clips and ProRes 422 clips with Lumetri effects.

I agree that .mov is outdated, but it is still a very typical format that drops in from time to time. Support for old formats is really really usefull, one never knows when they pop up. And it's stressfull to have to jump to free softwares like handbrake to get the job done

Please make it an option to either bypass audio compression, or match the source file's number of tracks so that we don't need to adjust how many tracks for each individual file for larger projects. Take a page out of Apple's compressor for this please.

I would appreciate if there would be a way to save the rendered part of a stopped render. I have been rendering for 12 hours now and the render suddenly frizzed, if it fails of stops (like it did before SEVERAL TIMES) I will lose all the rendered parts as well as many working hours!

When I use the third-party plug-in After Codecs, Media Encoder starts transcoding all clips at the same same time and crashes the job. I've reached out to After Codecs as well.

it will be usefull to have the chance to rotate the videos, so you can do it faster, whitout the need of other adobe software

Media encoder is still ignoring track mattes setup in AE. When rendering, rendering said file with a track matte results in a cropped square instead of the required shape (in this case a circle). I've been seeing discussions of this issue since 2014. Doubling up on renders just to get around this bug is an appalling workflow bug. Rendering to Media Encoder continues to be unreliable.

Thank you!

Very frustrating that it isn't possible to change the export folder/filenames in bulk.

Compressor has done this well for years, with the ability to create presets for common destinations and file naming structures.

Something like that would be super useful.

Instead of choosing between "same as source" or a custom resolution.

Id would be great with a simple "half of input resolution" option when choosing resolution

Video and audio encoder with dolby digital plus & dolby true HD 5.1 sound for adobe Premier pro & media encoder.

XML Imported into Adobe Media Encoder with a timeline resolution of 1920x1080 with an undefined Pixel Aspect Ratio should default to 1.0

I have tried all the way to export my video but still not working . please fix!!

When using AME as a render for AE, it's unpleasant to set the output folder for each queued item. A preference to make AME behave like AE (output to the previous set folder) would be nice and time saving.