My workflow requires that I set the in-point at a consistent timecode for files I receive for transcoding. Is there a way to have a watch folder automatically set the in-point for an export when I drop a source file in? This would be a very helpful feature for Adobe to implement, if it's not availabe already.

In any other application (Finder, Chrome, InDesign etc), when I move my fingers right aross the mouse, the view moves to the right (and as a result, the objects on the screen move left).

In Media Encoder, when I move my finger to the right the view scrolls to the left (and therefore objects in media encoder move to the right).

Media Encoder should use the operating systems scroll direction settings instead of doing its own thing.

last update crash program!!!

There are a number of audio recorders used in production that produce multiple files for multiple channels. This means that, for example, if there are 3 mics recording to 3 channels, the recorder produces 3 files.

It would be very useful if Media Encoder could combine these files into 1 multi-channel audio file.

R.

I would like to consistently be able to change the output destination for multiple files. I usually have to try to change them twice or more.

When change something in After Effects, my dynamic link reflects in Premier, BUT when I export to Media Encoder, the new change does not register. I have to keep restarting my machine to make AME work. Premier exports fine but AME link update doesn't work. Please can you advise as this puts a huge dent in my work flow.

Absolutely heartbroken. My workflow for two years now, has depended on Media Encoder's ability to interpret footage, and now, a day before fathers day, I have a project I've been working on for 48 hours straight. Why, just why?

AME can't seem to read Canon's new Cinema EOS R5C files correctly. AME renames all files to Clips0001 regardless of what the original file name is. The correct file name shows in the AME browser, though. But it doesn't carry through to the compression like other camera files do. All file name burn in when trying to render proxies show Clips0001. Sorry for no examples, my footage so far is not shareable, not even screengrabs.

Slack integration test

Slack integration test

A test

I'm converting simple 4K X4K raw AVI to mp4 with 10Mbps bitrate for streaming test.
When I set CBR 10Mbps with maximum render setting, I get 300 Kbps..
When I set VBR 10Mbps with maximum render setting, I get 1-1.3Mbps..
Maybe it thinks that's enough, but the gradient doesn't look good as the original source.
Also I need accurate size of bit rate data for my test

Premiere Pro'da export ekranında enter tuşuna bastığımızda export alıyor ve bu benim gibi secondary content üreten seri video exportu alan kişiler için kullanışlı değil.

When using the Publish to Vimeo option, I get a resulting link that includes a colon rather than a slash (":" rather than "/"). See the screen shot attached. I'm blurring out a few numbers so that my video remains private.

Example of the error: https://vimeo.com/755555555:1abababab

If it matters, I'm signing in to a Vimeo + account, the privacy setting in the Media Encoder "Export Settings" window "Publish" tab is "Viewable by:" "Only Me".

I posted this issue before, but wasn't able to respond to customer service quickly enough so it must've been deleted. Thanks for fixing this!

Add an export option to extract and split the audio channels from a video file and export into individual .mp3/wav files.

When changing encoder settings of queued items, Dynamic Link takes a vast amount of time to load the Ae comp to generate a preview.

In 99% of the cases we are not interested in the preview, and only want to change some numbers in the setting. No need to use time to make a preview.

So please let us skip the preview when editing settings.