Premiere Pro

Welcome to the Adobe Premiere Pro feedback page. Submit feature requests and bug reports to the Premiere Pro team via this UserVoice page and see what ideas or issues other users have shared.

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  1. Adobe 2019 can't process footage like 2018

    I can edit through Canon Raw Light like butter on Adobe 2018 on either my iMac Pro or MacBook Pro. When I downloaded 2019, Raw light is UNUSABLE...as in it can't play back even for a couple seconds. Its choppy and horrible and is definitely a bug since 2018 can process the exact same files smoothly with zero lag. Please fix this...I'd imagine other users with raw footage may be experiencing the same thing. My friend downloaded on his computer as well and same thing...2019 needs some work.

    7 votes

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    0 comments  ·  Playback  ·  Flag idea as inappropriate…  ·  Admin →

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  2. 3 Bugs: subtitle track

    Subtitle track bug:
    1. When typing a subtitle in the program monitor, when project auto save starts, the typed text is gone. (When editing normal text when auto save comes, the text is kept)
    2. Copying a subtitle makes it duplicate frames. I get this. But when I change the text in the subtitle, the ducplicate frames bar is not removed.
    3. I do not see the subtitle-block (it is transparant) when dragging it to a new position on the subtitle track. This makes positioning it difficult. Trail / error.

    I think these three things should be changed in the…

    1 vote

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    0 comments  ·  Stability  ·  Flag idea as inappropriate…  ·  Admin →

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  3. Cinema Raw Light Major Bug in Premiere CC 2019

    Once the playback is stopped, the brightness is extremely increased. During playback, however, it will be displayed correctly.
    However, this makes a color correction impossible.

    2 votes

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    0 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →

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  4. 3 Imperative things...

    1) Solve the "The selection you are deleting contains clip references in one or more sequences. If you continue these clip references will also be deleted..." issue. This makes projects a mess and is a headache to deal with, make it so the clips just go offline, not removed from every timeline.

    2) Multicam/Subseqeunces - We need to be able to access and choose all audio tracks just like video in one married clip. Why is there no multicam applied to the audio? This is super important.

    3) Globally searchable markers. Please.

    We're all paying for this software please update…

    1 vote

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    1 comment  ·  General  ·  Flag idea as inappropriate…  ·  Admin →

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  5. Auto add 1 frame fade on sound clips

    You know the situation. You cut up a sound file and all looks well until you play it back. Then you hear it. The audible click from each start and end of a clip as the sample is jumped from zero of near silence to the audio clip you want there.

    The common solution? A one or two frame fade to bring that sample down so it plays nicely in the mix.

    The 1-2 frame crossfade on sound clips... So many times people have asked me why I so religiously do it on all sound clips. But killing all the…

    7 votes

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    1 comment  ·  Audio  ·  Flag idea as inappropriate…  ·  Admin →

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  6. I can’t play back Sony a7s 3 footage

    Don’t a7s 3 footage doesn’t playback well in premier. I’m sick of proxies.

    3 votes

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  7. Audio effect settings STILL being reset when sequence is duplicated (12.1/12.1.1/12.1.2)

    I'm posting another version of this bug, because why not continue to throw this at the wall until hopefully someone from Adobe acknowledges it, and gives us some indication of when we might expect it to be fixed?

    This one is well-overdue!

    1) Setup some audio effects (compressors are especially susceptible to the bug)
    2) Duplicate your sequence.
    3) Marvel as all of your effect settings are reset.

    This only started with the abomination that was 12.1, and has now continued on through to 12.1.2.

    OS X 10.13.5
    iMac (Retina 5k, 27-inch, Late 2014)
    32GB RAM
    AMD Radeon R9 4096…

    21 votes

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    5 comments  ·  Audio  ·  Flag idea as inappropriate…  ·  Admin →

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  8. Nested sequences only play audio from track 1 or not at all

    Each time I open Premiere, in my main sequence, which is comprised of many smaller, nested sequences, the audio from several nested sequences only plays from track 1, or not at all. The only way to fix it that I've found is going into the nested sequence, soloing an audio track, playing the video, and then unsoloing the track.

    9 votes

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    6 comments  ·  Audio  ·  Flag idea as inappropriate…  ·  Admin →

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  9. Add a 1:1 crop proportions option in the Source tab of the Export Settings dialog.

    Hi there,

    There are several presets in the Crop Proportions menu in the Source tab of the Export Settings dialog but there's no 1:1 option. Given the trend for square video, how about adding one?

    2 votes

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    0 comments  ·  Export  ·  Flag idea as inappropriate…  ·  Admin →

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  10. Making better use of the Hardware, GPU for Playback and Debayering and using mutiple cores.

    • Use the Power of GPU for better Playback Performance
    • In General I noticed a much greater Performance with FCPX and Resolve. I would LOVE to see the Performance in Premiere.
    • iMac Pro Hardware support aswell as MacBooks and all common used editing machines. Note: I cant get full Resolution 4K Playback with an iMac Pro (in ProRes or C200 RAW as well as some 4K h.265 from a consumer camera files)
    546 votes

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    49 comments  ·  Performance  ·  Flag idea as inappropriate…  ·  Admin →

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    Under Review  ·  Reg Santo Tomas responded

    As Wes noted, we are looking at many areas for optimization and have made strides in the last few releases already.

    We recognize there are still many areas to improve performance and we are investing in appropriate areas.

    Threads that are catch-alls are often non-actionable. Please keep giving us specific feedback on what workflows are slow for you.

    Technical solutions may not always be as obvious as some people may be suggesting as the application architecture is often very different than people’s conception.

    Short answer. Yes, we want to and will make it faster.

  11. Add a "monitoring resolution" for video playback of 2.39:1, etc timelines to Decklink cards with letterboxing instead of stretching

    Allow the setting of a standard output resolution for external sources to facilitate the proper scaling and automatic letterboxing of the other aspect ratios being used in various timelines in a project -- like 1.66:1, 1.85:1, 2.00:1, 2.20:1, 2.39:1.

    We shouldn't have to work in 16x9 timelines just to make our monitors work!

    6 votes

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    3 comments  ·  Playback  ·  Flag idea as inappropriate…  ·  Admin →

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  12. Adding effects directly to video layers (Audio Track Mixer for Video layers)

    Being able to add effects directly to a layer which makes all clips on that layer affected would be a huge time saver.
    If you have a multicamera sequence with 3 different cameras where you want to add same grade to all clips on track 1, track 2 and track 3 seperately.

    Or even being able to make adjustment layers only affect the clips on the layer directly beneath would also be amazing... (like in photoshop)

    260 votes

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    21 comments  ·  Effects & Transitions  ·  Flag idea as inappropriate…  ·  Admin →

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  13. So Many Problems with 12.1.1

    I haven't had this many issues with Premiere since CS6. This update is simply awful and needs fixing fast!

    1. The font issue. Invalid fonts? Should have been fixed with the first complaints months ago.

    2. Rendering stalls out and you need to force quit. Re-open and render again - no problem. This shouldn't happen.

    3. When opening sequences, sometimes the track are all muted (even though the mute button isn't on). The only fix for this is to solo a track and then un-solo it and it works. But if you open a sequence and export it while tracks are invisibly muted,…

    38 votes

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    6 comments  ·  Stability  ·  Flag idea as inappropriate…  ·  Admin →

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  14. Properly detect and import .avi files with multiple audio tracks

    Reproduce this issue by recording an .avi with multiple audio tracks - likely with DXTory. Then import the raw video into premiere. Only one audio track will be shown. Right-clicking the footage and selecting properties shows that Premiere can see the additional audio tracks.

    To use the additional tracks, install VLC media player and return to your original raw footage in windows explorer. Right-click, select 'export audio stream'. Then import those .wav files into Premiere and sync them individually against the original material.

    This is TERRIBLE workflow. As someone with 4 audio sources per clip, I spend ~5 minutes exporting,…

    25 votes

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    2 comments  ·  Import  ·  Flag idea as inappropriate…  ·  Admin →

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  15. Copy speed attributes of 1 clip to multiple clips. FCP 7 can do this....

    Copy speed attributes of 1 clip to multiple clips. FCP 7 can do this....

    5 votes

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  16. 16 votes

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    0 comments  ·  GPUs  ·  Flag idea as inappropriate…  ·  Admin →

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  17. Make every new PPro version backwards compatible by at least 1 app version. Hard version cuts detrimentally affect peoples' work.

    Make every new PPro version backwards compatible by at least 1 app version. Hard version cuts detrimentally affect peoples' work.

    9 votes

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    3 comments  ·  Adobe Interoperability  ·  Flag idea as inappropriate…  ·  Admin →

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  18. Creating Proxies with 'include fx' option

    When viewing RAW footage with colour space - Slog2/3 selected, the need to create proxies that match the setting is important. The 'Create Proxies' pull down option does not include any LUTs or colour space adjustments. The only way to do this is the manually use Media Encoder to create the proxies with the changed colour.

    4 votes

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  19. Allow low-res viewing (1/8 & 1/16) while in 1080. Using 4K footage in a 1080 timeline is excruciatingly slow.

    I have the option to downgrade resolution to 1/8 or 1/16 if I'm working in a 4K timeline but not in a 1080p timeline.

    When working in a 1080 timeline, my source footage is still 4K, and system performance suffers the same as if I'm working in 4K. I need to turn that resolution down. Help! (Thanks!)

    3 votes

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    0 comments  ·  Performance  ·  Flag idea as inappropriate…  ·  Admin →

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  20. BRAW timecode issue

    I imported some Black Magic Raw media into Premiere and it has different timecode compared to Resolve

    5 votes

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