Simply add an option to the proxy dialogue box where the user is able to type in a scale percentage instead of pixel dimensions for proxy generation. This will save the time of the user to generate aspect ratio locked proxies for media without having to consult look up tables for the values, or do the math. Maybe even adding in a "*****" window beside it to see the actual dimensions of the proxies you're generating. Being able to set scale percentage as in ingest, or proxy preset would also be extremely helpful.

for example:

create proxies for 3840x2160 media, you can either have an option to make 1280x720 proxies, or the option to make proxies at 25% scale of original, which is also 1280x720.

Steps to Reproduce Bug:

1. Open a Project

2. Open another project

3. Look at your screen

Results:

Multiple projects are open and it is very difficult to understand which project is which. It is much too easy to close the wrong project or affect an asset in the wrong project. Many users complain that the workspaces also change when if this is a workflow you want people to use then the workspace should stay the same throughout. A few suggestions:

1. Let the user disable this feature. It does not make sense for all of your users.

2. Make the highlighted/active project very obvious. Drop the other project into the background by maybe greying it out.

Expected Results:

A more obvious workspace.

Hi all,

So, here's a bug report for captions not updating, and horrible aliasing around character edges.

1) Captions don't update

This isn't something that happens every time, but it happens almost every time. Basically, captions don't update.

This might be when changing font details, like type, size, colour, etc, but also when changing the content of the caption, or its timing, or its placement. So, the problems are kind of across the board.

It should be noted that I'm referring to Open Captions, with a sequence appropriate frame rate, and resolution. This applies to imported .SRT files, and captions created directly within Premiere.

Sometimes restarting Premiere fixes the problem, but not always. When that doesn't work, sometimes I can temporarily modify the captions properties (change the frame rate, and then immediately change it back), and that occasionally forces the captions to be read correctly. Sometimes nothing really seems to work.

What's super-frustrating is that I can see in an expanded timeline video track that the caption has been updated, but in the Program/Source monitor, it shows an out of date version.

Deleting render files, and clearing the media cache does not always resolve the issue. Regardless, having to do that every time I have to work with captions would be a pretty frustrating workaround.

2) Aliasing around character edges

Just as the title suggests, the captions have jagged, aliased edges, as opposed to smooth crisp edges. I don't get the same results when using the standard type tool, or importing PNG files, etc. This is something specially reserved for captions.

Please note that these issues occur on both Mac and PC, but I'm currently on a Windows system, so I will post the specs for this machine:

Premiere Pro 13.1.2, build 9
Windows 10 64-bit (1903)
Intel i9-9900X
64GB RAM
Nvidia RTX 2070 (431.36)
2x HP Z27 displays (3840x2160 @60Hz)

Any thoughts or ideas, please fire them through. If you require any further information, please don't hesitate to ask, and I will provide it as soon as possible.

Cheers,

Darren

If you select multiple clips and apply the default warp stabilizer to them, they will automatically start analyzing which is great.
However, to save time I created a Warp Stabilizer Preset to stabilize at 5% (Instead of the default 50%) so I wouldn't have to go through and adjust all the stabilized clips to 5% manually.

But now I find out that the Warp Stabilizer Preset does not analyze automatically when applied to multiple clips, so I have to go through and click analyze on each one which takes ages!

Can we please make it so that the Warp Stabilizer 'Presets' start analyzing automatically, just like when the default effect is dropped on multiple clips?
I don't see any reason why you should have to manually go to each clip and start the process, very annoying bug.

Thanks!

I've been posting about some significant bugs and wishlist items (most needed one IMO is an overhauled Warp Stabilizer, but another one is more stable handling of render files) in the past week. I just finished expressing my sentiments to a fellow frustrated user about how Adobe's Creative Cloud suite COULD be the best in the industry, if only they would figure out these problems and start advancing things more, better and faster. The potential is there, but I feel like it's not being pushed forward as much as it could and should be.

So can anybody from Adobe please tell me... What's the plan? Is there any significant overhaul coming that will seek to actually polish Premiere up to the level it really ought to be at in 2018? What's being introduced in the next version? What's being fixed? Will we ever get a "Warp Stabilizer 2" or 3 or 4, etc?

Generally speaking, Premiere 2017 and 2018 have been very marginal upgrades. But I feel like Premiere needs its "Final Cut X" style leap forward. Maybe not so much in terms of layout/visual design, because that's aspect is fine. But just in terms of functionality, features, smoothness, etc... Premiere feels like it's really lagging on development in these areas lately. Another marginal upgrade for 2019 isn't going to cut it.

So what's going on? Please let us know.

You are able to unlink multiple audio clips by pressing Command "L" but some of my clips are linked and some are not, I have too many to link one by one, it would be a huge time saver to be able to select all clips and link to their matched audio right under said clips. Not only that but to be able to move, cut, trim ( basically match exactly what you are doing to the video clip the audio would follow). For example if I could move the clip it would be nice to have the audio follow without have to shift click the audio.

We need a professionnal way to edit a multicam sequence into a target sequence with all the audio tracks included in the multicam sequence.

If my multicam sequence have 6 audio tracks, I have to copy them from the multicam sequence and paste them into the target sequence, and cut multicam image + these "unlinked" audio channels ...

We want to keep all the audios sources for the mixer or sound editor. But these "unlinked" audios can be a big source of problems during the cutting ... Some audios clips can be desynchronisated, crushed, erased ...

And impossible to make a simple "match frame" after that, to recover the 6 audios tracks ... I have to copy TC IN and TC OUT into the timeline, cut the 6 audios clips, et drag and drop into the target timeline ... Not very productive, and so suprising for a software like Premiere to don't have an easy way to nest 6 (or less or more) tracks with a multicam image ...

Thank's