I've had to force quit Adobe Premiere Pro three times today after the cursor goes missing or freezes while editing. Changing to a space other than Premiere, the mouse is responsive, visible, and works. Switching back to Premiere, the cursor is unresponsive and missing.
Using Creative Cloud for Mac. Macbook Pro 16". Premiere version 14.0.2 - just updated 02/20/20

Because of the yet to be solved bleeding media management issues with Premiere some projects can get large, over 100MBs, and be slow to open. Very slow. Naturally one might step away for a moment to let Premiere slowly do its thing, but it doesn't if something is offline. Rather than open the project as requested, it has to let you know something is offline first. Then you can wait again while your project slowly opens. Can this notice come after the project loads? It'd be more efficient and less invasive.

Generating peak files is one of the slowest aspects of Premiere. Can we please make this process faster?

Please fix frame.io plugin from syncing timelines! the newest release of premiere broke the frame.io extension from syncing comments to the sequence. I've reached out to them but they're trying to figure it out, and asked that I reach to you!

I would like to place an adjustment layer into an audio track so everything below it changes in volume or does whatever effect i want it to do. It is a better visual cue from bird eye view then using markers when it comes to keyframed audio effects, especially if i have to ripple visuals downstream but don't remember if my audio has effects on it or not (due to lack of visual cues).

Please develop this!

Avid has two features that make it easier to edit audio ‘visually’
a. The waveforms can be scaled vertically within the height of the timeline clip. Thus very quiet sections can be expanded. (PP uses linear or logarithmic scaling between ♾ and 0dBFS. Broadcast audio generally -25 to -10 so restricted to about 15% of track height)

b. The timeline waveforms in Avid are better defined, to my eye. They default to black on light grey too. For the exact same zoom I can better see where the beats are, where individual words, clicks & breaths are.

When exporting a video edited with RED RAW footage, sometimes I notice a 'lost frame' in the exported video (black frame). It could be anywhere in the video... sometimes it's there, sometimes it's not. Really frustrating.

When track effects are applied, then an audio nest is created (creating new sequences from clip for multi-cam workflow or any type of audio nest), the waveforms no longer display correctly after a cut or thru-edit is made. I've attached images for reference. Both images are from the same section of the timeline (before and after the thru-edits).

so when you move a video clip up, the corresponding audio goes down. It would be very helpful

In Premiere 2020, when you export a frame from the timeline it is a different brightness/grade to the original (lighter). You see the jump when you put it back into the timeline.
I use this feature all the time and it has never been a problem in any of the previous versions.

With the MOV H264 codec you use to be able to do multichannel exports with any number of mono tracks. Now that you got rid of that, there's no way to make lo quality proxies with multichannels. I mean you have the H264 in and MP4 but you can only export mono, stereo. or 5.1. Why can't you just let the user choose the audio configuration. I would like to have a full stereo mix and an M&E stereo mix on a proxy. The audio config options for the H264 MP4 codec are really limiting.

A wonderful feature to have when it comes to Mogrts, Motion Graphics Templates, is the ability to add placeholders created in After Effects that can be replaced by images and videos in Premiere Pro, while maintaining all their animation properties including motion in 3D space. Right now we are limited to text and graphics, but no way to enjoy placeholders and dropping your own footage or images inside.

Metal support in Premiere Pro 2020 is currently very bad. On a Radeon VII under macOS Catalina, I'm seeing encode times from a ProRes 4444 timeline to ProRes HQ output taking 45-50 minutes for a 4-minute piece. That same piece encoded in under 10-minutes using OpenCL. Additionally, native Adobe plugins that work fine in OpenCL give a red banner CPU warning under Metal. There is no RED SDK support either. Clearly Metal render support needs work, especially if OpenCL is being deprecated. Please improve Metal support under macOS in Premiere Pro and across all professional media creation applications. Thanks.

Add Afterburner Car support into Adobe Premiere

Bug Report - When playing back a multicam in the timeline at double speed there is awful stuttering present after about 5 or 10 seconds of playback. I am using proxies and the same exact workflow as the 2019 version and this was not present in that version. This makes double speed editing a hassle when it it used to be seamless and efficient. Please fix.
Windows 10, 32gb RAM, GTX1060, latest Nvidia Studio Drivers.