It's 12:01AM and I would have been finished with my edit hours ago if it were not for the numerous bugs related to closed captions. I'll just list one here: edits in the captions are not reflected in the program monitor. I can create a new caption or change the timing of a caption, and it will not be shown when I play the video. I can delete words and the captions will not re-center themselves (okay, that's a separate bug, but worth mentioning here too). And sometimes the formatting is just completely wrong. The spacing will be too tight between lines and adjusting Line Spacing has no effect. These bugs have been in Premiere for years now from what I've read. Why are they not fixed by now?

In both Premiere 2019 and 2020 waveforms of rendered audio from a nested clip are offset incorrectly in the timeline.

Sometimes they will display correctly immediately after an audio render, but after the first edit (trim, ripple, etc) the waveform is completely wrong. It appears to generated correctly but be offset by a significant amount when displayed.

This makes it impossible to use waveforms on Multicam or Nested clips if I've applied effects/gain to the audio in the nest, therefore requiring rendering.

This was working at the beginning of 2019. I'm not sure when exactly it went wrong. Thanks for your help.

I have seen countless posts of people requesting formats back. I would make a general inquiry to reinstate ALL previous file formats.

I get how the market works, I get how some formats might not be ideal or whatever. But as an editor, that should be OUR choice, why should Adobe decide what formats or codecs I am allowed to use? If you don't want to answer the questions in regards to older or less effective codecs and formats, just don't allow technical support for those specific items? Who thought it was a good idea to just remove them all together!? That must be the laziest and most closed-minded solution I have seen since in ages.

My temper is being tested to the max, every time I try to import a file format that in the past 5 to 10 years have always been supported. I don't care if it is not the perfect format for whatever medium YOU think I am going to make it for, I am the editor. I decide what I edit and I decide in which file format and with what codec.

I have tried installing the usual codec packs. Where they always used to work in previous versions of the Creative Suite, since this abomination called the Creative Cloud was released, none of these work anymore. I don't know what changed, but then again: I don't know what you were thinking either. Removing support for something that works perfectly fine has never been the pinnacle of intellect.

Now I got to get back to my project, as I now have a thousand files to convert through a program which isn't made by Adobe. I don't know which yet, I don't know how yet and I certainly don't want to think about the extra time this is about to cost me...

HEY, THANKS!

Current Behavior: Whenever you import a long R3D file Premiere automatically groups the smaller "spanned" clips into a larger clip. If you import the clip via the media browser it works fine because the media browser will hide all but the first clip in a sequence. But if you try to import multiple folders(multiple cards, or days of footage.) Premiere will still group the clips, but it creates a full length master clip for each of the parts the the file was split into causing tons of duplicate clips.

The only work around is to manually recreate your folder structure using bins in premiere and go through each card one by one importing them into bins, or go through and delete all the duplicate clips after importing the usual way.

Expected behavior: When you import a group of spanned R3D files premiere will group them into a single master clip and not create a duplicate master clip for each file in the sequence.

This is a huge waste of time for anyone working on a large project using Red cameras. This problem has existed since at least 2013 and seems like it should be a really easy fix that would save RED users so much time.

Hi team,

I'm constantly receiving footage that is in various full frame formats and continually having to scale out the pillar/letterboxes as needed. It would be great to add an additional preference pane underneath the default media scaling to choose something like full media or full bleed. Default to full media like everyone's used to, but then also, if you have a 2048x1080 or 4096x2160 frame allow premiere to fill the entire frame if requested? I know it's super menial, but it would save a lot of time when working with tons of full frame footage, yet delivering in a 16x9 frame. Thank you for reading.

After Effects version : 17.0.6
Premiere Pro version : 14.1

I updated Premiere Pro and AE recently and started getting the error "Unknown error while loading the motion graphics template" when I tried to add an Essential Graphics template I made in After Effects to my sequence.

Template was made in a previous version, so I exported it again with the latest AE. Still getting that error, and it does it for every template I create.

I proceeded with a complete uninstall of Premiere Pro and AE, but it kept giving me an error after I installed them back.

I "solved" the issue by going back to Premiere Pro 14.0. I did not have to revert AE to an older version.

So it seems like there is a compatibility error between Motion Graphics Templates and Premiere Pro 14.1.

Hardware info :
HP Zbook G6
Windows 10 Pro (1903)
Intel i7 @2.60GHz
64GB of RAM
Intel UHD Graphics 630 + NVIDIA Quatro P5200

There is a major issue with Speed Ramping in the latest version of Premiere Pro 2020. I am unable to play back a simple clip that has a speed ramp applied to it in real time without pre-rendering it. When trying to playback a clip that is speed ramped, it turns into a glitchy mess, and the remaining clips that follow never start playing as they should unless I pause and restart the playback. This was never an issue in Premiere Pro 2019. I have re-downloaded PP2019 where the issue is no longer present.

I have found that it seems to be only while using CUDA renderer. If I disable and use Software Only, it seems to playback better, but that sacrifices a lot of performance.

This has been an issue for months now, and I have seen many people complaining about this same issue, but I don't know that it has been mentioned much on this forum.

My computer specs are as follows: Intel i9 9920X 12 Core Processor, RTX 2080 TI graphics card, that should be all you need.

I have never had an issue with this until PP2020 was released. Please fix this issue as my entire workflow is hindered due to this issue.

Thanks in advance, please feel free to ask me any follow up questions, I have tried to be as thorough as possible at explaining what is happening.

Focus only on bug fixes and performance will make a big announce to professional community !

Not only it will help adobe to gain back the trust with all users, it will send a strong message to the industry.

A lot of people are switching to other software, the time that took dev teams to fixes all the bugs is too long. On Premiere working on a advanced project that is longer than 8/10 minutes seems impossible now...

Many influencer and creative people are switching to Resolve as it gets better and better... as Phillip Bloom and others...

I think that fixes bugs and improve stability will be the smartest move to do... I received many email with PDF from adobe saying Client is the most valuable asset of a company... You should definitely apply this politics to your creative software.

Otherwise we will be force again to learn a new software, we moved from Final Cut 7 to Premiere, don't you think that we can all move from Premiere to Resolve ?

If Premiere is more stable may be some regular production company working on Avid would have a look too...

Message from old Adobe fan...

I've been using Premiere since 2000 and THE TRANSITIONS HAVE NOT CHANGED.

FCPX is whipping Premiere's butt in this category and I see no reason why Adobe hasn't even touched them except to add VR transitions.

My only theory is that Adobe is moonlighting/partnering with filmimpact.net which is the only company offering transition plugins that actually work in Premiere as transitions rather than presets. Of course it is also a paid for subscription. Seriously Adobe? We have to pay to get a transition with easing options?

Who in 2020 is using "paint splatter" and "pinwheel"?

Please update this, I teach Premiere professionally and hear many of my potential FCPX converts scoff at the lack of updated transitions.

YOU WOULD MAKE MORE MONEY

THANK YOU