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In an effort to improve communications between you and the Premiere Pro team, we are moving this feedback forum to the Premiere Pro page on the Adobe Support Community. As requested, bugs and feature requests will be able to live separately in that forum.

This move is happening in part to acknowledge that we haven't been responsive enough here, and we are combining our forums to help remedy that. Ideas and their attached comments from this UserVoice forum will be migrated based on how many people voted for them. Check your profile on the Adobe Support Community to see any migrated posts that you've created or commented on. If you have an item here that did not make the migration, please bring it over to our new home.

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2974 results found

  1. ProRes RAW and X-Rite Color Checker

    Please add support for ProRes RAW. I'm dying to be able to use it in Premiere as I work in an Adobe only environment. I may however have to use FCPX soon to unlock the full potential of my footage.

    Also I'd love to see support for color correction using the X-rite color checker or similar.

    Thank you!

    9 votes

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    Both of these features are important to us and we are actively considering them, but I am closing this request as “not actionable” because there are actually two requests here which already exist. Please cast your votes or join the discussion on those separate threads. Thank you for your input nonetheless.

    - Francis

    ProRes Raw:
    http://adobe-video.uservoice.com/forums/911233/suggestions/33864517

    X-Rite Support:
    http://adobe-video.uservoice.com/forums/911233/suggestions/35397628

  2. BUG: lost frames when exporting RED RAW footage.

    When exporting a video edited with RED RAW footage, sometimes I notice a 'lost frame' in the exported video (black frame). It could be anywhere in the video... sometimes it's there, sometimes it's not. Really frustrating.

    6 votes

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    3 comments  ·  Export  ·  Admin →
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  3. Support realtime playback of Arri MXF raw

    I would love to see realtime playback of Arri raw MXF files in Premiere like you get with Resolve.

    2 votes

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    0 comments  ·  Playback  ·  Admin →
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  4. Video noise reduction for ProRes RAW

    The current video noise reduction its not the best and it usually damages the quality of imgage. Currently the best video noise reduction software i have tried is magic bullet from redgiant. but there is a premium thats much higher than adobe. I would like to have something natively in this system to use without lost in quality of image, specially now with ProRes Raw since it is now supported in premiere

    5 votes

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    0 comments  ·  Editing  ·  Admin →
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  5. Is White Balance and ISO controls coming soon for ProRes RAW?

    Now that we have exposure compensation and the ability from Atomos to capture ProRes Raw with metadata. when should we expect to see WB and ISO controls in beta or Pro versions?

    7 votes

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    0 comments  ·  Editing  ·  Admin →
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  6. Project Manager Issue with Blackmagic RAW

    I'm trying to collect files and copy to new location. But every time I try this I get a error message saying "an unknown error occurred during the project manager operation. Please save your project and retry the operation". I'm convinced it's an issue with the Blackmagic RAW files inside my project because other projects (ones with mp4 or mov clips) export just fine. Help!

    4 votes

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    3 comments  ·  Stability  ·  Admin →
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  7. Canon C200 RAW - worse performance at half res than at full res

    The new Canon C200 RAW support appears to have performance issues on Windows using CUDA. We tested the 14-core iMac Pro with 4K 24FPS Canon C200 RAW video and can get ~22FPS at full res and 24FPS at half res. On a PC with a Core i9 7940X, GTX 1080 Ti, 128GB of RAM, and a Samsung 960 Pro 1TB storage drive we are getting ~23FPS at full res and ~19FPS at half res.

    Performance shouldn't get worse at lower playback resolutions, and since this isn't happening on a Mac it appears to be an issue with the Windows version…

    14 votes

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    6 comments  ·  Performance  ·  Admin →
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  8. Canon Cinema RAW Light Full Settings Support

    Allow the full support of Canon's Cinema RAW Light flavors within Premiere, including ISO and Sharpness (Noise Reduction I could take or leave as I don't find that settings does much), and the ability to select DCI gamma.

    3 votes

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  9. Better crm Canon raw file editing ability

    Increase the raw adjustment ability when working with crm Canon raw files. The three perameters we have at the moment is not where near as many as you get with red footage native in premiere. Using canons own **** software you have loads.

    Small thing but would help a load. Thanks, Jacob

    1 vote

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    0 comments  ·  Formats  ·  Admin →
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  10. Allow user to change how Premiere Debayers RAW CDNG footage.

    The CDNG feature of Premiere doesn’t allow the user to change how Premiere debayers raw DNG sequences. This is critical as motion pictures require color spaces other than Rec709 for cinema projectors. It would also be very nice to be able to choose what gamma curve Premiere adds to the raw data so we can grade it in a more traditional workflow.

    3 votes

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    1 comment  ·  Formats  ·  Admin →
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  11. Sony F65 Raw Footage not supported in Premiere 12.1.2 (Build 69). It only shows a white screen.

    I recently updated Creative Cloud with Premiere 12.1.2. So, when importing any of my Sony F65 raw footage it appears just a white screen. It used to work in the last Premiere v.12.1.1. I hope it will be fixed in 12.1.3.

    4 votes

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    0 comments  ·  Formats  ·  Admin →
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  12. I know that Development is preparing support for ProRes RAW. Any idea when it will be released

    Any update on the release of ProRes RAW support in Premiere and Media Encoder?

    5 votes

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    0 comments  ·  Formats  ·  Admin →
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  13. pls improve the adaptability of R3D raw files in Premiere CC 2019 and Prelude CC 2019

    First, it is very amazing that Premiere has supported R3D file from Red Cinema Camera for a long time, you can import those files directly and adjust the raw settings in the Master Effect Panel and source settings when right click on the footage. But there are two things that really slows down the workflow on r3d files.

    1. In Premiere, everytime you open a project with r3d files, it will regenerate all the audio peak files for the r3d file. Since it was already generated when importing, why everytime needs to re-generate again. Sometimes I really needed to wait until…

    8 votes

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    2 comments  ·  Formats  ·  Admin →
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  14. Bug in Premiere 15.0: Canon R5 8K RAW files crash Premiere

    With Premiere 15.0 playing back Canon R5 8K RAW files results in a crash. It was working pretty good in Premiere 14.9, but after Premiere 15.0 update a total disaster. And now even after installing Premiere 14.9 problem persists. Before the update I was able to playback 8K raw files in full resolution with minimal dropped frames. Only selecting High quality playback usually resulted in a freeze or a crash.

    My PC specs:

    AMD 3960X
    64GB
    Nvidia 2080 TI

    On my HTPC that has AMD 3900X, 64GB and Nvidia 3090 playback is fine, although it can only play in 1/2…

    2 votes

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    0 comments  ·  Playback  ·  Admin →
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  15. Apple silicon problems with RED Raw

    When software rendering in AME RED Komodo 6K footage is rendered as a white screen. Happens with all clips from camera. When hardware rendering experience glitches on transitions.

    Also playback issues after clip warp stabilisation (see clip) - note the different framing on incoming and outgoing clips.

    Clip properties:
    Type: RED R3D Raw File
    File Size: 2.00 GB
    Image Size: 5760 x 3240
    Frame Rate: 25.00
    Total Duration: 00:01:04:03
    Pixel Aspect Ratio: 1.0
    Alpha: None

    Red R3D Details:

    Camera Firmware Version: 1.6.5
    Minimum Color Version: 2
    Resolution: 5760x3240
    FrameRate Num: 25000
    FrameRate Den: 1000
    Reel ID: G084A0230317R2

    2 votes

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    1 comment  ·  Export  ·  Admin →
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  16. Orange colour casting/change Bug with canon cinema raw lite files in latest update 15.4.0

    I've recently noticed a strange colour change with the latest update where, even though my raw settings haven't changed over multiple projects, they're all getting an orange colour cast.

    6 votes

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    1 comment  ·  Editing  ·  Admin →
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  17. enable ProRes RAW files have individual exposure adjustment

    Due to ProRes RAW being limited within the MAster Settings tab for adjustment, when duplicating files to create a layer or otherwise, the exposure adjustment remains and can not be changed without affecting the original file as well. would be great if when creating a duplicate there can be a toggle to link or unlink files to have individual adjustment to the exposure.

    2 votes

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  18. Add option to export using the proxies, not the raw, when using proxy workflow

    Please add an option in the Export menu to 'Use Proxies' (like the option to 'Use Previews'), instead of the export being transcoded from the original media. Editing 4k camera raw media with 1080 ProRes proxies, an h264 export can four or five times as long as it would if it was coming from the proxies when just exporting a 720 work-in-progress cut.

    8 votes

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    1 comment  ·  Export  ·  Admin →
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  19. 16 votes

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    9 comments  ·  Editing  ·  Admin →
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  20. ProRes RAW Source Settings - apply correct color space to multiple clips at once

    I am editing ProRes RAW, S-Gamut.cine/SLog3 material and it is killing me to have to do the following for each and every clip in a sequence:

    1. select an individual clip in the Timeline
    2. navigate to "Source" tab in Effects panel (not selected by default)
    3. Color Space > select S-Gamut.cine/SLog3 in drop down
    4. And then the usual Lumetri corrections, clip by clip. I will be editing a lot of this material, and it is always defaulting to BT.709. Perhaps there is a faster way already that I cannot find? If not, the ability to a) set a default color space…
    7 votes

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