Premiere Pro

Welcome to the Adobe Premiere Pro feedback page. Submit feature requests and bug reports to the Premiere Pro team via this UserVoice page and see what ideas or issues other users have shared.

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  1. I know that Development is preparing support for ProRes RAW. Any idea when it will be released

    Any update on the release of ProRes RAW support in Premiere and Media Encoder?

    5 votes

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  2. Edit timebase

    A way of setting the edit timebase to a figure that is different to the fps. For example when we edit in 50p there are 50 frames per second. When this is converted to a 25i clip for broadcast each frame effectively becomes a field of the interlaced clip. Broadcast regulations stipulate that all cuts must be on the upper or odd field, which means that all edits need to be on even frames. Avid allow a way of ensuring this by creating a 50P project but setting the timebase to 25p ensuring cuts can only occur every second frame,…

    2 votes

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    0 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  3. P2 File structure no longer work in media browser 2020!

    This has some how been broken in update. Please fix this fast – it's essential to me!

    2 votes

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    Under Review  ·  4 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  4. cannot use clips recorded with iPhone

    I cannot seem to be able to place clips recorded with my iPhone onto the timeline.. can you please advise?

    1 vote

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  5. BRAW timecode issue

    I imported some Black Magic Raw media into Premiere and it has different timecode compared to Resolve

    5 votes

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    3 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  6. how to save the file is not clear

    impossible to save the file it saves just as a shortcut to the app

    1 vote

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  7. DNxHD 175 not wo

    DNxHD 175 not working, audio only. It is listed as a supported format. This is a quicktime wrapped file. It says AVdn not supported, but on website, it IS supported. which compression types are actually supported?

    2 votes

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  8. BUG: Need To Add Full H265 10-bit Support

    This is an addition to my previous post. So far i've had fairly decent results color correcting and editing H265 10-bit files from my Lumix S1H. However, certain effects, such as Posterize Time, Neat Video and other temporal effects cause the image to not only have a magenta color shift, but also cause color blotching / artifacting that are not actually there. A color shift would have been one thing that could have easily been fixed with another color correction layer. But blotching / artifacts can't be removed and thus require me to first render my clip to ProRes, before…

    3 votes

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  9. Please fix support Khmer fonts in MOGRT

    Please fix support Khmer fonts in MOGRT

    1 vote

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  10. Video clipping issue with various codecs

    I have run into what seems like a very disturbing bug in Premiere Pro. Currently running 13.1.2 on an iMac with OS 10.14.1 and Blackmagic IO card.

    I have a 1920x1080 23.976p sequence with Maximum Bit Depth and Maximum Render Quality selected.

    I have camera original clips of various codecs. The problem occurs when a camera original clip has levels above 100ire.

    When I put a .mp4 based clip with over 100 levels in the sequence the levels are preserved.

    When I put a .mov file containing an XDCam 35 codec with over 100 levels in the sequence, the levels…

    5 votes

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    2 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  11. BUG: Premiere Pro 2020 (P2 broken)

    Premiere Pro 2020 seems to have broken the P2 folder format and importing clips to bins. No longer will the clips appear at the root folder. When trying to load a clip, the software wants to mine into the individual folders, thus unlinking the audio from the video, making them separate clips.

    2 votes

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  12. Implement support for braw NATIVELY

    Please add support for braw natively within Premiere Pro, Media Encoder and After Effects which doesn't rely on third party developers. This has been widely sought after for some time and many feel that support and updates should be implemented and exercised through Creative Cloud updates.

    6 votes

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    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  13. I want to rewrap AVCHD material to other formats (MOV etc.).

    Recently, recording on tapes has decreased, and recording on cards has been increasing rapidly.
    In particular, it is often recorded in AVCHD.
    However, AVCHD is very cumbersome because multiple clips are stored in one file.
    I can not handle clips as single files. There are several disadvantages associated with this.

    1. It is inconvenient for delivery because the clip can not be treated as a single unit

    2. When migrating projects with multiple editing software such as AAF and XML, file management becomes complicated and difficult to handle.

    3. It is very confusing because each card has a clip with the same name…

    16 votes

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    10 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  14. Support .XMLFCPX and .MXF files

    Please support this file, my clients have been limited due to the problems in moving from FCP to Pr. I couldn't get MXF files to open or even find a way to transcode them.

    4 votes

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  15. Improve recognition of MOV files recorded on iPhone XS and higher devices

    When importing .MOV files recorded on the iPhone XS to the premiere timeline, it often only imports audio, other times it doesn't, and in some cases it imports video and audio.

    Improvement is needed in this resource that hinders video producers and editors to do their work in a practical way.

    1 vote

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  16. Ability to batch change specific RED metadata

    I'm sharing this idea from another user, Niko Pueringer (thank you, Nick!), as there's no need to rewrite this. If you do a quick Google search, you'll find that several users are in dire need of this feature...

    From Nick's Post:

    There are only a few things holding back Lumetri from being a perfect powerhouse for my coloring workflow, and the inability to batch change specific RED metadata changes has been my biggest challenge when coloring R3D files in Premiere.

    There are a lot of situations where I need this. For example, if I want to change the gamma space…

    7 votes

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    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  17. proxy media and full resolution media must have matching audio channels

    I feel like you should be able to attach proxies to full resolution media based on video and not just audio - I have hours worth of proxies that a DIT made and the audio channels don't match the source files so I can't connect them.
    I can do this the traditional way, working with proxies, until picture lock, unlinking and then re-linking to full resolution media, however I'd prefer to have both on hand in Premiere.

    73 votes

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    28 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  18. VHS / MiniDV Capability

    Hi there,

    After a couple of sessions being assisted by your amazing support staff they advised me to write to you.

    I work a lot with VHS and older formats. Because Premiere doesn't recognise the Mpeg4 formats in CC18/19 I now have to convert my VHS footage to ProRes in order to keep the sync and have playable video. This isn't too much of a hassle. However, I would plead to Adobe to please not ditch the function of capturing from tape in future versions.

    Many of us who use older formats really depend on this ability to ingest our…

    3 votes

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  19. Support legacy Apple LiveType .ipr files.

    Support legacy Apple LiveType .ipr files.
    Older FCP7 Projects are full of these and it would make PP even more compatible

    2 votes

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  20. 2 votes

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