Premiere Pro

Welcome to the Adobe Premiere Pro feedback page. Submit feature requests and bug reports to the Premiere Pro team via this UserVoice page and see what ideas or issues other users have shared.

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  1. Support Blackmagic RAW

    Please add support for Blackmagic RAW .BRAW files as soon as possible! This would be a tremendous help to our workflow! .BRAW was released today: https://www.blackmagicdesign.com/products/blackmagicursaminipro/blackmagicraw

    1,343 votes
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    460 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  2. Support for ProRes RAW

    Support for Apple's newest codec, ProRes RAW and ProRes RAW HQ

    1,141 votes
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    268 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →

    We’re always trying to support a wide range of formats, and this particular format I’ve marked as “under consideration” earlier this year as we hear you loud and clear on the desire to have it supported in our products.

    That said, it isn’t in the release available to you today, and I can’t give you an ETA at this stage. Our priority is to make every new format a great fit in terms of workflow, integration and performance, and sometimes that means it isn’t going to happen at an accelerated pace.

  3. Restore MKV Format Support

    Removing MKV Format support has a negative impact on the workflow of people that work with broadcasting software like OBS. Restore MKV support. Having native support for MKVs, even if they don't edit well without generating proxies, saves me a ton of time that I'd otherwise have to spend remuxing/transcoding files.

    29 votes
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    8 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  4. Canon XF705 (MXF) file format

    Please allow Premiere Pro to accept the Canon XF705 (MXF) file format. It's H.265 HEVC. Over a month since release, with no ability to edit.

    47 votes
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    51 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  5. I want to rewrap AVCHD material to other formats (MOV etc.).

    Recently, recording on tapes has decreased, and recording on cards has been increasing rapidly.
    In particular, it is often recorded in AVCHD.
    However, AVCHD is very cumbersome because multiple clips are stored in one file.
    I can not handle clips as single files. There are several disadvantages associated with this.

    1. It is inconvenient for delivery because the clip can not be treated as a single unit

    2. When migrating projects with multiple editing software such as AAF and XML, file management becomes complicated and difficult to handle.

    3. It is very confusing because each card has a clip with…

    15 votes
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    2 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  6. Please add support for Blackmagic RAW .BRAW files as soon as possible!

    Please add support for Blackmagic RAW .BRAW files as soon as possible

    9 votes
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    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  7. Support BRAW ASAP

    Please support Black Magic Raw!! I've been a user of Adobe tools for 8 years, but I cannot justify keeping the subscription going without support for this modern and widely used format. I DO NOT WANT TO SWITCH AT ALL, BUT WILL HAVE TO

    3 votes
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    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  8. Ability to batch change specific RED metadata

    I'm sharing this idea from another user, Niko Pueringer (thank you, Nick!), as there's no need to rewrite this. If you do a quick Google search, you'll find that several users are in dire need of this feature...

    From Nick's Post:

    There are only a few things holding back Lumetri from being a perfect powerhouse for my coloring workflow, and the inability to batch change specific RED metadata changes has been my biggest challenge when coloring R3D files in Premiere.

    There are a lot of situations where I need this. For example, if I want to change the gamma space…

    3 votes
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    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  9. 2 votes
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    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  10. Improve Project Manager in Premiere

    I would like a simple, effective way of consolidating an edited project. Quit forcing me to conform my footage to a single format!!!!.

    FCP 7 had the option to simply trim and not transcode source material for a media managed backup, and this was available over 10 years ago!!!!!

    Why will adobe not add this feature? I could trim the project, and not lose any quality from my source material through re-encodes! I would love to have this as a feature!!!!! PLEASE PLEASE PLEASE ADD IT ASAP!

    When working on a project with multiple formats, resolutions and codecs, your Project…

    13 votes
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    3 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  11. ProRes RAW, and replace lumetri for a better color grading option, maybe Camera Raw

    ProRes RAW, and replace lumetri for a better color grading option, maybe Camera Raw

    5 votes
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    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  12. CinemaDNG

    Premiere Pro does not properly support CinemaDNG media. For starters, not all versions can be imported, specifically the media coming from the Blackmagic Ursa cameras.

    But even for the versions that can be imported, support for the format is still lacking to the point of unusability.

    The Media Browser will not see all the clips at the same time. We're forced to go into every individual clip folder for import duties. This is untenable.

    The RAW controls available are limited to Temp, Tint and Exposure. The controls that are possible and must be implemented are:

    White Balance
    Color Space
    Gamma …

    122 votes
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    12 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  13. Please replace DPX support in Premier. It's gone after 12.0.0 and we can't go back to 12.0.0

    I often times receive DPX files directly from a high quality film scanner and need to convert to video for color correction, editing and creating content. Why was the support removed from Premier after 12.0.0 ? Will this ever be added back in to the newer versions? This is a HUGE issue now that I've discovered the real issue.
    Thanks,
    Tim

    3 votes
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    0 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  14. 480i@60 footage mistakenly seen as 30fps

    I capture gameplay footage from a PS2 using an AVerMedia Game Capture HD (C281). The video is 480i@60Hz

    Here's some sample footage: https://mega.nz/#!so4XCa5Q!sMxRIbsqT9ByIktSYs6TV4VBkA47vWagDULOqZ53b0g

    Premiere Pro mistakenly recognises this as 29.97 rather than the correct 59.94

    Hopefully this is of help for you to fix the problem

    1 vote
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    2 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  15. Bug: Monochrome 16-bit TIFFs (RLE compressed) results in black image

    As the titles says, monochrome (1-channel) TIFFs in 16 bit depth don't render at all, I am forced to convert them all to RGB TIFFs for this to work and thus the file size balloons unnecessarily

    1 vote
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    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  16. Something wrong with C300 Mark ii processing

    There's a lot of banding and artifacts when you bring in footage from the C300 Mark II footage. It took me awhile to notice it because it was so slight. When I bring my footage in Resolve the banding and artifacts are no longer there. What are you guys doing to C300 footage.

    1 vote
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    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  17. Have better support for HEIC image filetypes.

    Apple is using HEIC now for images, using these in your project I have found tends to make it crash. There needs to be better support for HEIC images in the media library and sequence.

    3 votes
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    0 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  18. Respect Color Metadata When Decoding Video Files

    Video files carry three pieces of color metadata (color primary, transfer function and matrix coefficients), Premiere Pro ignores all of them and decodes using BT.709 by default.

    Some cameras encode files using BT.601 matrix and when decoded incorrectly with BT.709 matrix, the color will be wrong.

    Emerging format such as Hybrid Log Gamma for HDR uses BT.2020 matrix, again when this is decoded using BT.709 matrix, the color will be wrong.

    Please respect the color metadata tags when decoding video files.

    4 votes
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    0 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  19. 4K HEVC Variable Frame Rate - iPhone HEVC not working with PPro 13.0.2 (or 13.0.1) aka PPro CC 2019

    PPro is recognizing my footage as Variable Frame Rate (see this in footage properties).

    File Path: X:\20120229 TR2016\20181204 FFR Fluid Fuel Reactors eBook\Gord Pimping FFR\IMG_2042 Gord **** FFR AirPodMic 4K MoviePro.mov
    Type: MPEG Movie
    File Size: 1.38 GB
    Image Size: 3840 x 2160
    Frame Rate: 30.00
    Source Audio Format: 48000 Hz - compressed - Stereo
    Project Audio Format: 48000 Hz - 32 bit floating point - Stereo
    Total Duration: 00;08;47;27
    Pixel Aspect Ratio: 1.0
    Alpha: None
    Video Codec Type: HEVC 4:2:0
    Variable Frame Rate Detected

    ...however unlike other Variable Frame Rate clips shot in H264, I'm NOT shown a Variable…

    8 votes
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    0 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  20. 5 votes
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    0 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
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