Premiere Pro

Welcome to the Adobe Premiere Pro feedback page. Submit feature requests and bug reports to the Premiere Pro team via this UserVoice page and see what ideas or issues other users have shared.

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  1. Bring back multichannel H264

    With the MOV H264 codec you use to be able to do multichannel exports with any number of mono tracks. Now that you got rid of that, there's no way to make lo quality proxies with multichannels. I mean you have the H264 in and MP4 but you can only export mono, stereo. or 5.1. Why can't you just let the user choose the audio configuration. I would like to have a full stereo mix and an M&E stereo mix on a proxy. The audio config options for the H264 MP4 codec are really limiting.

    25 votes
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    3 comments  ·  Export  ·  Flag idea as inappropriate…  ·  Admin →
  2. Export timeline but as individual clips

    It would be great to export a full timeline from Premier but instead of one video, each video clip on the timeline is exported individually. This is an option in DaVinci Resolve and I've found it to be really useful. Having to do it manually can definitely be a pain.

    201 votes
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    56 comments  ·  Export  ·  Flag idea as inappropriate…  ·  Admin →
  3. Have option to use proxies for faster export

    Would save a lot of export time to have a "Use Proxies" option when exporting, rather than using original media. I am currently working with 8K R3D files and my export for a 10 minute clip takes almost 2 hours for a 1080 work in progress cut. Would much prefer a lower res output using proxies to save time.

    8 votes
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    2 comments  ·  Export  ·  Flag idea as inappropriate…  ·  Admin →
  4. How to fix premiere pro cc 2019 crashes when exporting?

    When i export clip, premiere pro always crash??

    27 votes
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    52 comments  ·  Export  ·  Flag idea as inappropriate…  ·  Admin →
  5. Exporting Using Markers

    I often work on sequences that have multiple sections of video that need to be exported individually. It would be incredibly useful to export or even batch export using my marker points that already exist rather than having to go through and mark in and out points one at a time.

    The file I have attached shows a project I'm currently working on. This project has multiple courses. Each sequence contains a different course and each marker needs to be exported as separate videos.

    8 votes
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    4 comments  ·  Export  ·  Flag idea as inappropriate…  ·  Admin →
  6. Option: Estimated File Size available for ProRes file while export.

    Please make an option "Estimated File Size" available for ProRes file while export.

    3 votes
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    1 comment  ·  Export  ·  Flag idea as inappropriate…  ·  Admin →
  7. Adding more visible clip information when exporting video.

    Must add more naming, time code, effects and treatment such as sizing and speed to exported reference movies. This is helpful data when submitting edit reference reels to color houses and audio post!

    11 votes
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    6 comments  ·  Export  ·  Flag idea as inappropriate…  ·  Admin →
  8. ProRes 4444 XQ for Mac

    Include ProRes 4444 XQ as export setting in Premiere for Mac.

    8 votes
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    3 comments  ·  Export  ·  Flag idea as inappropriate…  ·  Admin →
  9. Allow the user to set "EXPORT" as the default option in the Export Window, instead of "QUEUE".

    Allow users to set EXPORT as the default option in the export window, so when you hit ENTER after preparing export settings, your video will export.
    It's cumbersome and impractical having QUEUE as the default setting.
    The majority of exports from Premiere are done directly, rather than through Media Encoder, so it only makes sense that EXPORT is the default option.

    6 votes
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    1 comment  ·  Export  ·  Flag idea as inappropriate…  ·  Admin →
  10. Please allow “same as source channels” for exported videos

    Please allow the user to be able to select “same as source” audio channels in the export settings of both Premiere Pro and Adobe Media Encoder. This is to allow fixing the audio channel mismatch error you might get when working with proxy workflows. The reason I am requesting this and hoping to get it upvoted is when we receive footage shot across a wide variety of cameras, i.e. Canon C300 / GoPro / Drone / Canon 5D / Other various cameras that may be using different channels other than “Stereo” or even switching the channels halfway through a shoot…

    17 votes
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    6 comments  ·  Export  ·  Flag idea as inappropriate…  ·  Admin →
  11. Having the chance to keep maxFALL and MaxCLL when working with HDR10. Or the option to render adding this txt info.

    Having the chance to keep maxFALL and MaxCLL when working with HDR10. Or the option to render adding this txt info.

    2 votes
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    1 comment  ·  Export  ·  Flag idea as inappropriate…  ·  Admin →
  12. Bug report 13.1 ProRes

    Since 13.1 exporting from ProRes 422-Footage using Maximum Bit Depth results in too high brightness. (Windows)

    9 votes
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    3 comments  ·  Export  ·  Flag idea as inappropriate…  ·  Admin →
  13. Premiere and Media Encoder tints the video more green/purple!

    I exported the same video from Premiere and in Media Encoder, graded using Lumetri. The same export has two different color tints to it, and I don't know why. See the attached files

    3 votes
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    0 comments  ·  Export  ·  Flag idea as inappropriate…  ·  Admin →
  14. Timecode Window effect error

    System - Mac 16,1
    Mac OS - 10.14.2
    Premiere 13.0.2 (Build 38)
    Timecode Window effect:
    Format- SMPTE
    Timecode Source- Media
    Time display- 24

    Working at 24fps (not 23.976) the "Timecode Window" effect displays incorrect timecode. This can be compensated for by adding a 1 frame offset at the start. And drifts 1 frame every 41:16 frames. Requiring one to offset the timecode window setting every 41:16 frames to keep the timecode window accurate.

    10 votes
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    6 comments  ·  Export  ·  Flag idea as inappropriate…  ·  Admin →
  15. Enabled hardware encoding for dimensions larger than 4K (h.264 & h.265)

    Please enabled hardware encoding for dimensions larger than 4K (h.264 & h.265). I work in VR180 and enjoy the convenience of AME, however it's inability to use hardware encoding for 5K & 6K sizes make export times extremely long (24hrs for 40 minutes of footage).

    1 vote
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    1 comment  ·  Export  ·  Flag idea as inappropriate…  ·  Admin →
  16. Exports look way different than what we see in Premiere

    Please find a way to have exports look the same as what we see in Premiere. Every time i export something it is way less saturated and contrasted than in Premiere (exporting in any format).
    This means I have to re-export multiple times and guess my way to what I want it to look like by compensating for this.
    This is such a HUGE issue, I cant believe it exists in a program that costs so much. PLEEEEEEEEASE fix this

    2 votes
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    1 comment  ·  Export  ·  Flag idea as inappropriate…  ·  Admin →
  17. Export Media loses dissolves when using Maximum Render Quality & software renderer

    When I export a sequence with dissolves to ProRes 4444, all dissolves are lost (turned into hard cuts) when the following is true:

    - In Project Settings/General, Video Rendering and Playback is set to Mercury Playback Engine Software Only

    - In Export Settings, Use Maximum Render Quality is ON.

    If I change either of these settings, the dissolves once again render properly.

    3 votes
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    0 comments  ·  Export  ·  Flag idea as inappropriate…  ·  Admin →
  18. Speed up h264 and h265 encoding with NVENC Nvidia hardware

    Nvidia has included NVENC on its GPU cards. Adobe Premiere uses Mercury engine to accelerate effects but does not utilise the power of NVENC to speed up the h264/265 encoding this encodes takes a very long time. It seems silly to have this feature there in the gpu and not take advantage of it. Times would speed up by a factor of 4 if it was used.

    14 votes
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    2 comments  ·  Export  ·  Flag idea as inappropriate…  ·  Admin →
  19. Ability to export a multi-channel timeline correctly

    I need the ability to export a DNxHD or ProRes QT file with audio channels that are mono and stereo.

    Example:
    track 1 - mono (VO)
    track 2 - mono dialogue
    track 3 - stereo music
    track 4 - stereo effects

    currently, when exporting a mono audio track, it exports as a stereo (same audio on both left and right) - which is dual mono.

    I have been asked to send files based on the above channel assignments and am unable to do so correctly.

    I need this ability so we can easily send files to facilities that will do…

    7 votes
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    2 comments  ·  Export  ·  Flag idea as inappropriate…  ·  Admin →
  20. Add animated PNG to export list

    Animated gifs are a good export option, but it's time for an upgrade. Animated PNGs are better. I'd love to see that export option added.

    2 votes
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    1 comment  ·  Export  ·  Flag idea as inappropriate…  ·  Admin →
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