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7 results found

  1. Put red in the center of Lumetri curves, not cyan. That would make it easier to adjust skin tones.

    For the Lumetri Color Effect’s curves controls (Hue vs Sat, Hue vs Hue, and Hue vs Luma), cyan is in the center, while red is on the far left and right sides. This is inconvenient, because most users will probably want to adjust skin tones more than anything else, and skin tones are almost always somewhere in the reds and yellows. Therefore, I propose that red be in the center by default, while cyan is on the edges.
    NOTE: Because a horizontal scroll bar is already available, it is possible for the user to essentially do this themselves... but because…

    397 votes

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    Hello everyone,

    thanks for the productive conversation and all the fantastic feedback. Also wanted to take a moment to thank those of you who took the beta out for a test drive, that’s tremendously helpful for us in making sure we’re hitting the mark with these feature improvements.

    15.0 is officially available as of last week and it includes this feature update. As it is a major version update, be sure to check out the full list of what’s new before making the move.

    https://helpx.adobe.com/premiere-pro/user-guide.html/premiere-pro/using/whats-new.ug.html

    Cheers,
    Patrick

  2. Luminance/Saturation Curve in Lumetri Color

    Please add luminance/saturation curve in Lumetri Color. The one like in DaVinci Resolve. Users could desaturate based on the luminance range much easier than using HSL Secondaries.

    158 votes

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  3. Premiere Needs Color Management

    I can't believe that my calibrated screen ICC profile doesn't work with Premiere. How am I supposed to color what program monitor doesn't show me an accurate image? This is SOOOO BASIC. WHY???

    111 votes

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  4. Rec2020 Color Space for HDR & HLG Workflows.

    Would love to see non rec709 color space for HDR/HLG workflows. More cameras are shooting HLG like the GH5 now. This would be a great and welcomed addition.

    6 votes

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  5. Proper color management for P3 displays

    Colors appear incorrect on wide gamut displays such as the iMac 5K. Please implement proper color management as already exists in Photoshop and After Effects.

    62 votes

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  6. The selected Lumetri "layer" will connect to the controls in the effects panel.

    If you select a Lumetri Color Effect, in the Video Effect Window, the corresponding inputs and values should populate into the Lumetri Color Window.

    Currently, the sliders and controls in the Lumetri Color panel will only link up to the bottom-most Lumetri color effect in the video effects panel. However, this isn't the best workflow because if you have a number Lumetri effects applied to the same video clip then you have to keep rearranging layers if you want to access the sliders in the Lumetri Color Window. (And yes I know you can open up the effect and access…

    30 votes

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    This feature is now officially available.

    You can now select from multiple Lumetri layers directly from within the Lumetri Panel. It’s also possible to add new layers from the same menu, and you can rename them as well.

    Here’s an overview of what’s new with the latest version of Premiere Pro:
    https://www.adobe.com/uk/products/premiere/features.html

    Thanks for your feedback – keep it coming!

    Cheers,
    Patrick

  7. Centralize LUT locations between programs

    Can you make the LUTs live in one place for all Adobe programs to access? As things are now I must install them in three places to cover Premiere, Media Encoder, and After Effects. How about putting them in the Common folder?

    5 votes

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    Completed  ·  2 comments  ·  Color/Lumetri  ·  Admin →
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