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In an effort to improve communications between you and the Premiere Pro team, we are moving this feedback forum to the Premiere Pro page on the Adobe Support Community. As requested, bugs and feature requests will be able to live separately in that forum.

This move is happening in part to acknowledge that we haven't been responsive enough here, and we are combining our forums to help remedy that. Ideas and their attached comments from this UserVoice forum will be migrated based on how many people voted for them. Check your profile on the Adobe Support Community to see any migrated posts that you've created or commented on. If you have an item here that did not make the migration, please bring it over to our new home.

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479 results found

  1. Display Color Management

    Hello everyone. Tell me, who has encountered the setup of Display Color Management in Pro? Who has problems choosing the right color. How do I need to configure the pipette to work properly? If there are any professional tips?

    1 vote

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    0 comments  ·  Color/Lumetri  ·  Admin →
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  2. Lift

    Can we have a lift colour wheel like resolve.
    It’s really useful when correcting for colour shifts and just generally a professional tool.

    1 vote

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  3. カラーでの色調整をノード形式にしてほしいです

    カラコレ?などをする時に、何重にもカラコレ。色調整をすると何段も
    ビデオや調整レイヤーを重ねるごとに再生が遅くなるし
    途中の色を直しどけでは済まずに、上の段に置いていないと上手く色調整が出来ないです。なので、特許とかあるとは思いますが、node形式にして欲しいです。

    1 vote

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  4. QT Gamma Compensation LUT bug in newest M1 Beta

    Whenever I try to apply the compensation LUT, it turns the whole video black. I can apply any other LUT just fine. But that one LUT just bugs out the whole video.

    2 votes

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  5. Bring compatibility for Avid Artist Color control surface vía Eucon

    Please let us use the Avid Artist Color with Lumetri

    3 votes

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  6. Paste Red Source Settings for .R3D Raw to multiple clips

    Hi, I'm working with .R3D files in Premiere (which is great btw thank you for making it so smooth) but would love to request something. When I go into Master Effects for a .R3D clip, I can copy and paste the Red Source Settings to only one clip at a time. It's a bit tedious to have to click into every Master Effects of every clip and paste the source settings to each clip. Are there plans to be able to paste to multiple selected clips OR is there already a way to do this and I'm just a ********…

    5 votes

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  7. Provide area to post BUGS, do not release APP with bugs

    Lumetri Color Corrector in inoperable in newer versions of Premiere Pro
    MTS HD video file placed on timeline.
    Apply Lumetri Color to video file
    Adjust Exposure in Basic Correction
    NOTHING HAPPENS

    This works and doesn't work in the following versions of Adobe Premiere Pro
    Version 14.7.0 (Build 23) does not work
    Version 15.1.0 (Build 48) does not work
    Version 13.1.5 (Build 47) works just fine

    1 vote

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    1 comment  ·  Color/Lumetri  ·  Admin →
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  8. Add color charts PLEASE!!

    The last post regarding this has over 600 upvotes!!! When are we going to see this in Premiere? Resolve and FCP X have both had this for years.

    4 votes

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  9. 1 vote

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    0 comments  ·  Color/Lumetri  ·  Admin →
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  10. Masterclip LUTs intermittently stop displaying

    We use a lot of Amira footage and normally the LogC-to-Rec709 camera LUT is automatically applied by Premiere Pro as a masterclip effect by default. Problem is when I reopen the project the LUTs do not show up - I can see them in the masterclip lumetri effect has the embeded Amira LUT in the creative tab , but the effect doesn't do anything if i turn it on or off - and there isnt a way to get access to that embeded LUT any other way.

    2 votes

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  11. BUG: Lumetri White Balance Picker is broken

    The Lumetri white balance picker is fundamentally broken. - it doesn't do what it should be doing as far as I can tell.

    When I use it to balance a video to something that should be white in a scene - it completely shifts the color to something that is not white in any way shape or form - it shifts the temperature and tint sliders seemingly at random and makes turns things into colors that clearly aren't white. If I have something that I know is white (like a wall) with a slight tinge of color and I click…

    4 votes

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  12. Bug in 15.0

    I am getting a glitch with Lumertri color when applied to source clips and then using a cross dissolve on that clip.
    I have to remove the Lumetri color on the source clips and just apply it on an individual clips to prevent this from happening.
    This started with PPRo 15.0.

    2 votes

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  13. RAW to LOG conversions for ProRes RAW

    ProRes RAW has been implemented inside of Premiere now but it is cumbersome. My workflow remains the same as before support has been added where I need to conform my footage to LOG inside of FCPX and then import that to Premiere. This makes all the work that went into implementing ProRes RAW into Premiere useless to me because I still have the same workflow as before.

    I am suggesting taking an approach like FCPX where in the clip options there be a selector for “RAW to LOG Conversion” that allows you to conform the linear footage that ProRes RAW…

    16 votes

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  14. hlg footage looks darker

    HLG Videos: When you play it on windows, it looks over-exposed, and you drop it to the premiere pro timeline, it looks under-exposed. I don't get it. Does anyone know how and why? Thanks

    2 votes

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  15. Add more LUTS to the Basic Correction Pane, Input LUT drop down

    I use several LUTs that don't come supplied with Premiere (from Sony, Alister Chapman, etc.). To use them I have to browse to my LUTS directory every time I go to the Lumetri panel's Input LUT dropdown. It would be nice to be able to add them to the drop down or remove some of the supplied LUTS that I never use.

    3 votes

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  16. Lumetri effects lose editing scope in multicam sequences on any setting change

    This is a bug that has really annoyed me for years and I just got around to writing it up. So I use multicam sequences for all of my interviews (normally two HD or 4K cameras with synced audio, and a separate high quality wav file synced through pluraleyes and imported to premiere via XML). When I take the synced multicam sequence and cut pieces of them into another timeline to create a video with the multicam option enabled on each clip in the sequence - and then hop inside of the main multicam nested sequence to color my footage…

    1 vote

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  17. It changes the color of my video when I drag It in Premiere Pro

    whenever I drag any video to my timeline, it always changes the color and it makes it a hassle to color correct every time

    1 vote

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  18. Support for Dolby Vision

    This would be very beneficial for users who have Dolby Vision supported equipment.

    4 votes

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  19. Lumetri Color white balance eyedropper causes freeze/crash

    When I use the lumetri color panel to pick a color from the footage, if I hold down my click and go outside of the footage box, to the bottom, it causes my cursor to freeze and not be able to click on anything, inside or outside of the program. Even after pressing ctrl+alt+delete, my mouse would not click on anything and I had to navigate to the task manager with my keyboard, and only after shutting down Premiere through there did it let me use my mouse again.
    The first time I did this, Premiere itself popped up and…

    1 vote

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  20. wrong treatment of 8bit MXF files since version 15.0

    Since version 15.0 Premiere does not provide the full level range of 8bit 4:2:0 clips when imported as a MXF file (coming from Canon XF400 or Sony FS5 cameras). It cuts everything over RGB 235 and the highlights til 255 can't be recovered. This was possible in version 14.9 where the full range 0-255 is present. See the shadows on the wall near the window in the JPG attached. The shadows can be recovered by bringing down the level from 255 to 235. Not possible since version 15.0

    1 vote

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