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479 results found

  1. INTERPRET Color Management PrPro v.22.0 | Serious problem

    Adobe developers also need to pay attention to the development of raw images in the new color management feature. When using LUT for LOG/RAW media, the software monitor does not display the developed material. Although on the timeline, when opening the media icons, it is clear that the LUT has been applied to clips.

    https://community.adobe.com/t5/premiere-pro-discussions/interpret-color-management-prpro-v-22-0-pay-attention-to-the-problem/m-p/12530129#M379145

    1 vote

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  2. Need threeway-color corrector in premiere pro 2021 for apple silicon

    Need threeway-color corrector in premiere pro 2021 for apple silicon

    2 votes

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  3. Dissociate RED "Output Transform Settings" from RED Source Settings in Master Clip Effects

    (Sorry for my bad english)

    Since PPro 14.8, default output settings for RED file has changed : default color profile is LOG and not REC709. That is a good thing for some of us, but some as me like to edit their clips in REC709 before using LOG for colorgrading.

    Actually there is tree ways to change the default LOG ouput, and none of them is good :
    - Change clip by clip the settings, very long and if I want to go back I have to redo it again
    - Add a Lumetri effect with an output LUT on…

    2 votes

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  4. Lumetri in a multi-camera sequence

    Premiere cannot be edited using lumetri in a multi-camera sequence...

    1 vote

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  5. Dolby Vision

    Dolby Vision in Lumetri

    1 vote

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  6. False Color Feature in Premiere Pro and Rec 709 regular

    False Color Feature in Premiere Pro and ReC 709 lookup table regular

    1 vote

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  7. User choice to import RED R3D Files as log or rec709 rather than have a default behavir

    Give us the option to have RED R3d files be imported in as either Log or Rec709 rather than have it chosen for us by the program. Having it default to LOG really impacts the speed of our workflow on shorter, less color sensitive projects. Granted we grade from log for a lot of our work but some projects just need to be pushed out the door with a minimum of clicks and time and having to open the master clips to make changes takes a lot of time on a quick turnaround. It would be great to be able…

    7 votes

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  8. color

    Introduce color warper tools, like DaVinci Resolve / the 3D LUT creator plugin.
    It would be a great addition to the grading workflow, and I'm sure it would be licensable.

    1 vote

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  9. Lumetri and Warp Stabilizer Bug (Premiere Pro silicon)

    This has been a problem since the beta but when ever I apply Lumetri on a clip and then apply Warp Stabilizer I get a white screen on the timeline. It also exports as a white screen. However if I move the Warp Stabilizer effect to be first and Lumetri to be second the white screen goes away. This error also happen to my co-worker who is also working on the Mac Mini with the M1 chip.

    1 vote

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  10. move straight holding shift (or any modifier key) to curves points.

    When adding a point to a curve (ex Hue vs Sat) being able to move the point left to right to widen the selection without damaging the whole image by moving it 2 points up or down would be GREAT.

    1 vote

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  11. 1 vote

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  12. Lumetri Curves - allow reshaping even if top of control box is not visible

    It's currently not possible to control the curves unless the top of the black box is visible on the screen. This can make controlling nodes towards the bottom of the box very difficult at times.

    1 vote

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  13. Export Frame JPEG "looks darker" (embedded sRGB color profile should be Rec.709)

    Since 14.4.0, when using Export Frame to export a JPEG, it is darker than a PNG or TIFF export, while they used to be consistent.

    This can easily be reproduced by adding a HD Bars and Tone in a fresh project/sequence and using Export Frame to export a JPEG and PNG still, and comparing them in Photoshop.

    That "darker" output is exactly the difference between sRGB IEC61966-2.1 and Rec.709 Gamma 2.4, for example if you open the "good" PNG in Photoshop assign it a Rec.709 Gamma 2.4 profile (Edit => Assign Profile) it now looks like the JPEG. But Premiere…

    4 votes

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  14. Issue saving .cube with Lumetri RGB white curve manipulation

    I color correct and save a .cube file where I utilize the white curve in the RGB curve tool of Lumetri; when I attempt to apply this .cube file to a new clip, it completely blows out the image giving me just a white screen.
    I've gone through all the different settings in my corrections and the only time this happens is if I use the white curve of the RGB curve tool AND save it as a .cube file. If I avoid using the white curve the .cube file affects my new clip just fine; if I use the…

    1 vote

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  15. incorrect luminance levels introduced in v15.2

    In 15.0 and 15.1, 422-10-bit footage from the Canon EOS R6 appears to be correct. Superwhites at 110 IRE, and black between 0 and 10 IRE.

    Now in 15.2, the levels seem wrong. White is clipping at 100 IRE rather than 110, and the black level seems elevated above 10 IRE.

    Screenshot attached.

    1 vote

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  16. BUG: Sony A7SIII H.265 HLG doesn't display correctly in Premiere and After Effects

    Premiere and After Effects seem to be misinterpreting some specific A7SIII footage.

    When recording in XAVC-S (H.264, 422, 10-Bit), with an HLG picture profile everything works as expected. In all three programs the clip looks the same.

    Premiere: Looks correct in timeline and export
    After Effects: Looks correct in timeline and export
    DaVinci Resolve: Looks correct in timeline and export

    When recording in XAVC-HS (H.265, 422, 10-Bit) in an HLG picture profile...

    Premiere: gamma is abnormal with raised shadows and pronounced grain in both timeline and export
    After Effects: same as Premiere
    DaVinci Resolve: Same clip looks correct
    Exported from…

    3 votes

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  17. hello, i cant import my luts. please help. like they physically wont open

    hello, i just need help because i physically cannot open my luts

    1 vote

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  18. Comparison View should select adjacent clip

    When I use the Color Match tool in Lumetri, 99 out of 100 times it's to match the clip selected to the one before or after it. Currently however Comparison View's reference clip remembers the last one that was selected and I waste a lot of time scrubbing.

    I wonder how most people usually use the feature? Like I do, or to grade to a particular ref shot?

    If it's overwhelmingly the former than I humbly suggest the behaviour is changed so it automatically picks the adjacent clip as the reference.

    1 vote

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  19. Issue applying effects (warp stabiliser or lumetri color)

    When applying effects to clips it causes the color to blow out and appear overexposed. This doesn't happen for every clip and can sometimes be avoided by nesting but this is very frustrating.

    1 vote

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  20. Allow for keyframing of Curves either within Lumetri or a separate effect completely.

    Allow for keyframing of Curves either within Lumetri or a separate effect completely. I cannot describe how much simpler my job on the daily would be if this effect was keyframe-able. Tweaking shadows, blacks etc, vs just bringing up the mid curves when doing simple rough compositing would be amazing. I don't want to have to create a new after effects project just to do this every time. Everything else in Lumetri can be keyframed, why not this?

    1 vote

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