Premiere Pro

Welcome to the Adobe Premiere Pro feedback page. Submit feature requests and bug reports to the Premiere Pro team via this UserVoice page and see what ideas or issues other users have shared.

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  1. LUT Workflow - Reconnecting LUT's

    When opening a project, the application I would like the app to state what the name is of a LUT that the application cannot find. Similar to how missing fonts are handled. I share Premiere and After Effect projects frequently with other editors, and I have to manually keep track of any LUT's I have used.

    Also, when copying clips from Premiere and pasting into After Effects, I always have to manually reapply LUT's. I don't know if this is a bug or something that's wrong with my setup. I install LUT's in the Library on my Mac per the…

    2 votes

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  2. Allow Lumetri to open 2 or more tabs at once

    PLEASE allow us to open 2 or more Lumetri tabs at once to avoid the constant back and forth when trying to edit settings from different tabs that could easily be seen at the same time inside the Lumetri window! (see illustration)

    0 votes

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  3. Color Management in Modify Clip

    Can you explain why we can Input LUT through Color Management (Modify Clip/Interpret Footage) on some type of files (ex: .mov) and not on other kinds of files like (.mxf)?
    You are the only professional software that can't apply a LUT directly on a clip without having to put those clips in a timeline.
    Is that option in Color Management in development for other type of files?

    Thank you for your answer.

    Patrick

    1 vote

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  4. Lumetri Still Store

    Lumetri is powerful stuff.

    Let's enable all the colorists out there who are leveraging this workflow and give them a true Colorists Still Store.

    The Still Store is how most colorists use reference images from other parts of the timeline quickly and efficiently. They are also a good way to copy/paste settings and verify it.

    Amazing work with Lumetri, now take it to the next level Adobe! Please!

    Thanks,
    Monty

    1 vote

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  5. Stop adding Auto-LUT

    Your auto-LUT feature should be disabled or enabled when opening the program. If you cannot do this it is absolutely maddening.

    1 vote

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  6. Canon Cinema RAW Light Full Settings Support

    Allow the full support of Canon's Cinema RAW Light flavors within Premiere, including ISO and Sharpness (Noise Reduction I could take or leave as I don't find that settings does much), and the ability to select DCI gamma.

    3 votes

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  7. AFTER NEW UPDATE I CAN NOT COLOR MY CLIPS (sat/bright/tint) - WHERE THE *** IS THAT OPTION GONE?

    YOU UPDATED PREMIERE AND REMOVED THE OPTION TO COLOR CLIPS (saturation,. brightness, tint) - WHERE THE **** HAS THAT GONE TO??? I'm furious! It was so easy to do and now it's gone!

    1 vote

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  8. Add the possibility to apply lumetri effects on video tracks.

    This feature would allow to do colorimetry on each camera. Without the need to add effect layers, or to copy and paste the lumetri effect on all the shots.

    This feature already exists for the sound with the "Mix audio tracks" panel.

    it would be perfect if the same thing existed for video

    2 votes

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  9. Bug - .MXF files not matching between PC & MAC, inconsistent colors between v22.0 and V22.2 and possibly prior versions.

    This bug is best captured in this adobe community support post here: https://community.adobe.com/t5/premiere-pro-discussions/mxf-files-not-matching-between-pc-amp-mac-not-color-management-override-issue/m-p/12832837#M401683

    This issue is not related to turning color management on or off.

    To summarize:

    My Sony MXF files appear to have crushed blacks and slightly more saturation in Premiere on a Mac vs PC. This is not the usual color space override issue. Even after I set my clips to Rec. 709, they are still looking slightly more saturated.

    On my PC, I have color-matched a shot between my Sony FX3 and Sony FX6. One is a .MP4 file and the other is a .MXF. On my…

    4 votes

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  10. BUG? Missing LUTs after 22.4 update

    After updating to 22.4 the contents of my LUT folders @ user/Library/Application Support/Adobe/Common/LUTs are empty. I see the individual folders for Creative, Input, Output and Technical, but they are empty.

    I uninstalled and re-installed Premiere and they are still empty.

    1 vote

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  11. Disable the auto color function

    When I import the MXF files shooted by Sony FS9, the 2022 version will automaticlly tuned my original slog footage to "normal" color if i drag them to timeline or even making a proxy, it's very annoying and I couldn't find a way to disable this function or turn my footages back to SLOG, I thought it's a lut, but it is not. It took me few days to find a solution, and then I found it's totally normal if I downgrade to 2021.

    Attached photos are the screencap of same timeline open at version 2021 and 2022

    8 votes

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  12. ACES

    Please add a better ACES workflow to all adobe software. Your stepbrother davinci can do this

    1 vote

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  13. LUTの見出し及びどんな映像になっているかオーバービューが見たい

    LUTの見出し及びどんな映像になっているかオーバービューが見れる様にしてほしい
    他のソフトでは見れるので。 LUTを自動で変換するのはやめて欲しい
    自分で選択したのがうまく機能しない

    1 vote

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  14. New colour management feature not implemented properly

    The new colour management is an interesting beta feature but having it on by default means all older projects open up looking crazy, having the 709 transform under the user applied LUTs. Also you can't override the input colour space if it isn't detected from the camera file.

    The interpret footage colour settings also don't appear to follow the project across workstations, I'll open a project someone has sent me and its all enabled again.

    There really needs to be a global way to turn it on and off, being forced to do it manually for all the rushes is…

    1 vote

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  15. Updated to latest Premiere 2022 from 2021 and my coloring looks different

    Updated to the latest Premiere 2022 and opened an older project that took hundreds of hours to edit; for some reason the color grading is completely different in the new one compared to if I open the project in 2021 (I made a duplicate so I still had the original as Premiere is notorious for inconsistency). Sure enough, my lut, or color grading is completely different. In the 2021 project, my sunset looks bright red/orange. In the 2022 version, my sunset looks bright yellow, with barely any red. It's completely different. Updates are supposed to make things better, not make…

    2 votes

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  16. Lumetri Color separate windows

    Lumetri Color to have all assets open in a separate windows. This would make the workflow so much smoother. It would be great to see everything at once in Lumetri Color. This would also eliminate having to click and open each asset multiple times while color correcting. This would allow to make a custom workspace only for color correcting!

    Basic correction, Creative, Curves, Color Wheels & Match, HSL Secondary and Vignette could all be separate individual panels within Lumetri which could each be opened in their own separate panel outside of the main Lumetri panel.

    1 vote

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  17. HSL Secondary enhancement

    d like to use the HSL Secondary module in Lumetri to choose a range of colors and then invert to work on the balance of the image -- please?! Thanks!

    1 vote

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  18. 1 vote

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  19. Lumetri effect is good, but pls update the other older color filters, existing once in Obsolete folder, as it will save time in re/editing

    Video Filter missing: Three-Way Color Corrector
    Video Filter missing: Color Balance (HLS)
    Video Filter missing: RGB Curves
    Video Filter missing: Fast Color Corrector
    Video Filter missing: Luma Curve
    pls don-t erase these filters, why obsolete cannot exist with these filters ? cheers

    1 vote

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  20. color wheels & match - lack of precision

    Dragging the cross inside the color wheel feels like drag a tone of weight. It lacks smoothness and precisions. It'd be so much more efficient if it was smooth and would allow more control and precision.

    1 vote

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