Premiere Pro

Welcome to the Adobe Premiere Pro feedback page. Submit feature requests and bug reports to the Premiere Pro team via this UserVoice page and see what ideas or issues other users have shared.

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  1. Fixing the way Premiere V22 overexposes certain footage

    Multiple users report problem with HLG and SLOG footage that gets overexposed in Premiere Pro v22 after importing it into the project. In my case dealing with overexposed H.264 4:2:2 SLOG3.cine none of the fixes mentioned in groups and forums do the trick to fix the exposure. Interpreting footage to Rec. 709, making sure sequence is Rec. 709, ticking ''colour management'' in general preferences - nothing. The footage is also behaving normal on my windows laptop and issues occur on M1 Pro machine (same files, same versions of Premiere, same settings, I attach pictures of waveform from both computers). Please…

    12 votes

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  2. Add the possibility to apply lumetri effects on video tracks.

    This feature would allow to do colorimetry on each camera. Without the need to add effect layers, or to copy and paste the lumetri effect on all the shots.

    This feature already exists for the sound with the "Mix audio tracks" panel.

    it would be perfect if the same thing existed for video

    2 votes

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  3. VIDEO CHANNEL MIXER

    I am a diver, taking underwater videos with a GoPro 10 Black (Superwide, 2.7K, Flat coloring). The best way, by far, to properly colorgrade underwater videos that are loosing red and green as they are are taken deeper is the VIDEO CHANNEL MIXER. Nothing in the current Lumetri panel is close to matching as easily the impressive results of the VIDEO CHANNEL MIXER, which Adobe has declared "obsolete". I am using Premiere Pro only to mix and colorgrade my diving videos with this powerful tool.
    This is crucial to me and maybe to other divers in order to use Premiere…

    3 votes

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  4. scopes not updating

    Lumetri Scopes are not updating accordingly when making color adjustments. I have to continually jump from the Color workspace to any other workspace and back to Color, for scopes to update properly. Please fix this bug! (Adobe Premiere Pro 2021 v15.4.1)

    7 votes

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  5. Canon Cinema RAW Light Full Settings Support

    Allow the full support of Canon's Cinema RAW Light flavors within Premiere, including ISO and Sharpness (Noise Reduction I could take or leave as I don't find that settings does much), and the ability to select DCI gamma.

    2 votes

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  6. Implement XAVC PQ Export

    All of our source clips are XAVC QFHD Intra class300 files in HDR PQ. Currently there is no official way to export them into the very same codec and PQ. Only HLG.

    One build of the Premiere 2022 (22.3) BETA actually implemented this function but it did not make it into the release and the current BETA also lacks it.
    Funny thing is, albeit not officially supported, the ancient Premiere Version 2019 (13.1.x) does the trick.

    I see no technical reason to not implement this.

    2 votes

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  7. Ability to Add Multiple HSL Secondary Correction Sections

    At the bottom of the HSL Secondary settings in Lumetri, it would be amazing to have an "+ Add new Secondary" option. That way you could add multiple secondary corrections without having to add new lumetri effects for each correction. For example, in a single Lumetri effect, you could have a secondary correction to boost skin tones, an a second correction to boost grass color, a third correction to boost sky, and a fourth to desaturate the orange traffic cone ruining the background of the shot.

    Currently, a new Lumetri effect needs to be applied for each of these little…

    2 votes

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  8. Updated to latest Premiere 2022 from 2021 and my coloring looks different

    Updated to the latest Premiere 2022 and opened an older project that took hundreds of hours to edit; for some reason the color grading is completely different in the new one compared to if I open the project in 2021 (I made a duplicate so I still had the original as Premiere is notorious for inconsistency). Sure enough, my lut, or color grading is completely different. In the 2021 project, my sunset looks bright red/orange. In the 2022 version, my sunset looks bright yellow, with barely any red. It's completely different. Updates are supposed to make things better, not make…

    1 vote

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  9. Disable the auto color function

    When I import the MXF files shooted by Sony FS9, the 2022 version will automaticlly tuned my original slog footage to "normal" color if i drag them to timeline or even making a proxy, it's very annoying and I couldn't find a way to disable this function or turn my footages back to SLOG, I thought it's a lut, but it is not. It took me few days to find a solution, and then I found it's totally normal if I downgrade to 2021.

    Attached photos are the screencap of same timeline open at version 2021 and 2022

    5 votes

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  10. Bug - .MXF files not matching between PC & MAC, inconsistent colors between v22.0 and V22.2 and possibly prior versions.

    This bug is best captured in this adobe community support post here: https://community.adobe.com/t5/premiere-pro-discussions/mxf-files-not-matching-between-pc-amp-mac-not-color-management-override-issue/m-p/12832837#M401683

    This issue is not related to turning color management on or off.

    To summarize:

    My Sony MXF files appear to have crushed blacks and slightly more saturation in Premiere on a Mac vs PC. This is not the usual color space override issue. Even after I set my clips to Rec. 709, they are still looking slightly more saturated.

    On my PC, I have color-matched a shot between my Sony FX3 and Sony FX6. One is a .MP4 file and the other is a .MXF. On my…

    2 votes

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  11. LUTs Subfoldering

    Under the creative tab (Lumetri Color), only a mere list of LUTs show up. It'll be nice if we can organize it by folder for a better organization and a better view. Also, I have a huge LUTs pack that not all show up under this list. Having a subfolder tree will fix this issue.

    2 votes

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  12. reset lumetri controls individually, e.g. curves

    When adjusting color in Lumetri, it would save a lot of time to be able to reset individual controls instead of having to reset the whole panel. For example, it seems impossible to delete points in color curves or reset those curves graphs without losing other color edits

    2 votes

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  13. Bug when Lumetri and Warp Stabilizer are applied in Premiere Pro silicon

    This has been a problem since the beta but when ever I apply Lumetri on a clip and then apply Warp Stabilizer I get a white screen on the timeline. It also exports as a white screen. However if I move the Warp Stabilizer effect to be first and Lumetri to be second the white screen goes away. This error also happen to my co-worker who is also working on the Mac Mini with the M1 chip.

    4 votes

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  14. Multiple clip colour auto correct

    To be able to select multiple clips on a timeline and press auto correct.
    On a timeline of hundreds of clips, doing this individually is very time consuming and very behind AI capabilities with photos.

    1 vote

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  15. MADE COLOR GRADING EASIER! :)

    Hi! First of all, thanks for trying to help with problems with the player. You have incredibly nice specialists who sincerely care to help somehow :)
    As for what I would add to premiere, only (apart from better pc optimization) are the color grading options known from davinci resolve. Currently, color grading is the only advantage of Davinci. So please add CST and GLOW effects, or those great Kodak movie looks. Really people only work at davinci for color grading so do something about it! I cordially greet you!

    1 vote

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  16. Change to Color not working!!!

    Change to Color not working!!! Are you kidding me!!!

    1 vote

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  17. Why videos are lighter in PR ? it's adobe premiere pro 2022

    Why videos are lighter in PR ? it's adobe premiere pro 2022

    1 vote

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  18. ACES COLOR SPACE IS A MUST

    Its is the future of color. Adobe team is staying behind, I hope its not left behind. ACES should of been available a long time ago. whoever is in charge of color on Adobes team. Please pay attention

    7 votes

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  19. GROUPING LUTs in Premiere | fix it

    Dear Premiere developers, add the ability to group Luts into separate folders on the color panel. This feature will improve the structure and usability of specific Luts for your purposes. Now it is extremely inconvenient to navigate among hundreds of Luts by subject. I hope they will hear me.
    Screenshot attached

    1 vote

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  20. Colo changes on duplicate sequences bug

    When duplicating sequences, color grading display changes between them. In my particular case, it would manifest as a green tint on the color of the video.

    1 vote

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