Hi! I have 280 sequences that all need to have added two effects from the Audio Track Mixer-panel, but the effects there are not possible to copy and paste from one sequence to one or multiples, so I now need to create 1 sequence with correct Audio Track Mixer effects, then duplicate it 279 times, then rename all new 280 comps and then paste every one of the original 280 sequences into the new one in order to have an easy Single Band Compressor on Audio Track 2, and Hard Limiter on Master track.

A simple right-click in the option drop-down menu on Audio Track Mixer with "Copy all effects", and an option while in the panel window in the right-click drop-down menu with "Paste all Audio Track Mixer Effects"

In 14.0, it appears there's a bug when trying to slide over audio keyframes horizontally. I used to be able to hold the CMD key (Mac) while sliding keyframes left/right. Now, when I try to do that the keyframes will jump up or down a few decibels before locking onto the X-axis. Soooooo frustrating. I am manually ducking audio under a voice track, and when I edit that voice track there are times I need to adjust the ducking. Haven't tried doing the same with Essential Sound yet. Maybe that's the way to do. Regardless, this used to work pre-14.0. PLEASE FIX!!! Thanks!

On my previous iMac and my current MacBook Pro the audio in Premiere and After Effects would switch to headphones when headphones were plugged in and switch back to the speakers when I unplugged, all without having to go up to Audio Hardware in preferences and switching.

Now, on the iMac Pro that is not the case. Each time I plug in headphones, the timeline stops playing and i have to go up to preferences and audio hardware and select external headphones or iMac Pro speakers if I'm unplugging them.

I was on the phone with Apple about this as well as Adobe, and what the Apple rep and I found out is that the iMac handles audio a little differently. When you plug in headphones it sees it as a new audio source while the previous iMac and the current MacBook Pro switches it.

On the older iMac and the current MacBook Pro in Preferences/Audio Hardware/Default Output you see Built-in Output (this will be whatever the output is for the computer it self)

On the iMac Pro in Preferences/Audio Hardware/Default Output you see iMac Pro Speakers and if headphones are plugged in External Headphones. It's reading it as two different sources.

Also, which I think is a complete bug is if you are on External Headphones and you unplug them, it won't play the video any more even if you switch the audio hardware to iMac Speakers, you have to quit (sometimes force quit) and reopen the application.

Audio speed time remapping in premiere pro
in premiere pro as all we know speed time remapping of video layer is this: (right click > show clip keyframes > time remapping > speed.)
why something like this is not in audio layer?
my problem is that i have to gradually speed up and slow down clip multiple times. after 4-5 times of video speed edit with smooth speed ramping it completely loses audio sync and needs hours of work to match it with its vide.
what could be the solution?

I think it would be ideal if adobe adds function to copy and paste speed attributions between video and audio like it works with video to video. (right click to video > copy and then right click to another video > paste attributes)

If there is any solution please let me know

When zooming way in on media in the sequence view, the zoomed-in version of the waveform commonly fails to draw and there are no peaks or valleys to be seen in the sequence.

It will eventually draw, but it can take 3+ seconds, which if you're zooming in often is a big issue.

We've got multiple audio clips and some of them are lengthy. The peak files have been completely generated and Premiere Pro is doing nothing else.

It's a new issue in Premiere Pro 2020 (V14.0.0 Build 572) that all 3 of my editors are experiencing. Windows 10. Peaks used to show within 1 second in 2019

In both Premiere 2019 and 2020 waveforms of rendered audio from a nested clip are offset incorrectly in the timeline.

Sometimes they will display correctly immediately after an audio render, but after the first edit (trim, ripple, etc) the waveform is completely wrong. It appears to generated correctly but be offset by a significant amount when displayed.

This makes it impossible to use waveforms on Multicam or Nested clips if I've applied effects/gain to the audio in the nest, therefore requiring rendering.

This was working at the beginning of 2019. I'm not sure when exactly it went wrong. Thanks for your help.

You know the situation. You cut up a sound file and all looks well until you play it back. Then you hear it. The audible click from each start and end of a clip as the sample is jumped from zero of near silence to the audio clip you want there.

The common solution? A one or two frame fade to bring that sample down so it plays nicely in the mix.

The 1-2 frame crossfade on sound clips... So many times people have asked me why I so religiously do it on all sound clips. But killing all the clicks, you so notice them when you know how to get rid of them.

I mean, it is so ubiquitous, that I'm wondering, why is it not applied by default in edit programs? Why is it up to me to make sure that a sound clip doesn't start or end at a non-zero sample? In how many scenarios would a non-zero sample start and end actually benefit an editor?

Ok. I know, some people would point to the meticulous task of editing syllables in speech... But those guys would never accept an NLE's "precision" of 1/24's of a second anyway. So those people need the sample accurate ability of 1/96000 of a second that DAW's provide.

So why do NLE makers not add such an easy to overlook function?

It is so strange for me.

Even if it's simply a button in essential sound I could click on after selecting all potential troublesome clips. It would cut down on mouse clicking so many folds... And it wouldn't bother the old school crew who prefer the dangers of clicky sounds.