Our camera crews are working more and more with recording TC embedded onto the audio track because there is no “TC in” on some cameras. You need this TC, for example, to be able to group clips in multicamera productions. At the moment Premiere Pro is not able to read this TC. DaVinci Resolve and Avid both have this feature and it is desperately needed to optimize basic multicamera production workflows. I have found a few requests on here but had the need to open another one and reference those in mine. We have the feeling that many users of Premiere Pro are eagerly awaiting this feature.

At the moment there are plugins like "TentacleSync" or "LTCConvert" which can help you work around this issue but it would be a crucial feature for Premiere Pro and all those who want to work with embedded TCs in Audio.

https://adobe-video.uservoice.com/forums/911233-premiere-pro/suggestions/36588481-ltc-time-code

https://adobe-video.uservoice.com/forums/911233-premiere-pro/suggestions/37336132-please-provide-support-for-tentacle-sync-audio-tim

https://adobe-video.uservoice.com/forums/911233-premiere-pro/suggestions/36267631-aux-timecode-like-avid

https://adobe-video.uservoice.com/forums/911233-premiere-pro/suggestions/33965926-read-ltc-from-any-audio-file

I have the feeling these posts all basically want the same thing more or less.

I had a deadline today and instead of delivering on time, I spent the entire day troubleshooting this crash. Turns out, adding a vst3 plugin to an a/v clip causes Premiere to crash 100% of the time when exporting or rendering. Sometimes Pr immediately crashes, other times it will crash at the end of the audio pass. Either way, the only fix was to delete all signs of vst3 from project and then export. I had a ton of work which i basically had to trash because i didn't have time to rebuild all the audio with other solutions.

I tried every workaround imaginable and nothing fixes the crash except deleting the vst3s. I even have a few plugins in both vst2 and 3 format and the vst2 version exports as expected.

Premiere 14.4 on Win10 v2020 with Nvidia 2070.

Hi! I have 280 sequences that all need to have added two effects from the Audio Track Mixer-panel, but the effects there are not possible to copy and paste from one sequence to one or multiples, so I now need to create 1 sequence with correct Audio Track Mixer effects, then duplicate it 279 times, then rename all new 280 comps and then paste every one of the original 280 sequences into the new one in order to have an easy Single Band Compressor on Audio Track 2, and Hard Limiter on Master track.

A simple right-click in the option drop-down menu on Audio Track Mixer with "Copy all effects", and an option while in the panel window in the right-click drop-down menu with "Paste all Audio Track Mixer Effects"

If I record from my microphone direct to audacity and export the file as a WAV 24 bit file then I can import to Adobe Premiere and use the De-Noise feature and it works great.

If I record audio from my Zoom H5 field recorder in a 48khz 24bit format (and any other format) and drop that audio file into Premiere (after copying to my local folder) the DeNoise feature does nothing. It does not show any background noise at all. It is unable to detect anything or make any changes whatsoever.

This is the file made from Zoom H5:

https://1drv.ms/u/s!AvWk1qY5DngWkcE16EQAlrDw6iUn_Q?e=FOuxA2

This is the file made using Zoom H5 recording directly into Audacity and exported as a WAV 24bit file

https://1drv.ms/u/s!AvWk1qY5DngWkcE22PA-Hf_dZASYSg?e=mP8pih

If you put the 1st file into premiere you cannot use the DeNoise filter. It wont do anything

If you put hte 2nd file into premiere you can add DeNoise and it works great.

Please look into this. I can provide more file examples if needed. Note that it does not matter what format I record with in Zoom. 48khz 24 bit / 16 bit / MP3 / Etc. If a recording is made with Zoom, copied to PC, then added to a project the DeNoise will not work. It detects no background noise.

If I record from my microphone direct to audacity and export the file as a WAV 24 bit file then I can import to Adobe Premiere and use the De-Noise feature and it works great.

If I record audio from my Zoom H5 field recorder in a 48khz 24bit format (and any other format) and drop that audio file into Premiere (after copying to my local folder) the DeNoise feature does nothing. It does not show any background noise at all. It is unable to detect anything or make any changes whatsoever.

This is the file made from Zoom H5:

https://1drv.ms/u/s!AvWk1qY5DngWkcE16EQAlrDw6iUn_Q?e=FOuxA2

This is the file made using Zoom H5 recording directly into Audacity and exported as a WAV 24bit file

https://1drv.ms/u/s!AvWk1qY5DngWkcE22PA-Hf_dZASYSg?e=mP8pih

If you put the 1st file into premiere you cannot use the DeNoise filter. It wont do anything

If you put hte 2nd file into premiere you can add DeNoise and it works great.

Please look into this. I can provide more file examples if needed. Note that it does not matter what format I record with in Zoom. 48khz 24 bit / 16 bit / MP3 / Etc. If a recording is made with Zoom, copied to PC, then added to a project the DeNoise will not work. It detects no background noise.

It is immensely frustrating that Premiere's volume track controls don't seem to scale at a fixed vaule.

When creating audio keyframes in volume tracks or submix tracks, dragging the keyframes up or down for more or less gain seems to jump at weird incremental values instead of just going from 10.1 to 11.

Case in point, right now if i drag it down it goes from 0, -0.4, -0.7, -1

It seems if I make the track larger vertically then more increments suddenly become available. But surely the program should just roll through all available increments before hitting a round number.

It conversely makes it really annoying getting anything back to 0 in a mix as it may decide it only wants to sit on +0.2 instead.

I'd really rather not have to take entire programs out of premiere to a DAW to mix. Premiere's capable of doing it. It just makes the job a whole lot more irritating because of little things like this.