Good afternoon. Now I inserted MXF files from Sony FS5 MK2 recorded in S-gamut3.Cine/S-Log3 into Premiere and they are all oversaturated and
Now I inserted MXF files from Sony FS5 MK2 recorded in S-gamut3.Cine/S-Log3 into Premiere and they are all oversaturated and burnt when I put them in the timeline and in the bin windows they appear ultra colored.... In the Sony Catalist browser are seen normally like any Slog 3 file..
I'm asking for help
Thanks in advance
Premiere Pro is attempting to display media with a wide color space (S-Gamut3 Cine) in the timeline of a much narrower color space (Rec. 709). You didn’t see this in previous versions of Premiere Pro because they didn’t recognize the S-Gamut3 Cine color space and treated the files as if they were Rec 709.
Candidly, we did not do a great job in explaining this change. That is compounded by us not yet having tonemapping, which would automatically map a wide color space to a narrower color space. We’re working on a bunch of color management improvements right now.
Fortunately, the fix to this is really simple and is explained very well by my colleague Karl in this video: