Essential! So to speak...

Very annoying when using MXF clips recorded in log, on Sony FX9 camera; it has the appearance of burnt-in LUT when dropped onto the timeline.

Sony FX6 SLOG-3 footage doesn't seem to be recognised as SLOG3 which is very odd. "interperet Footage" suggests it is, but it isn't. So we have to over ride it. Infuriating.

I'm dealing with an HDR blowout issue and a panel like this could be useful

Super important. And I would recommend a comprehensive learning resource so that people of any skill level can use CM without making mistakes that would have terrible downstream consequences for their work.

Here you also need a setting to restore overexposed frames. Often, clients provide materials where some moments are ruined by excessive light from camera sensors. To save details in light areas, this function is extremely important. Another thing that is needed on the color page is matching frames by black and white points, not just the entire frame. Because the Match Frame that exists now, it overwhelmingly does not always bring results.

Streamlining the color management workflow would remove the unnecessary but persistent dread of opening Premiere Pro.

The Default of HDR Colour space on MXF Footage is a complete nightmare. Existing unfinished projects have become a mess...

Would be great to be able to set your defaults of how you want footage handled, instead of having to individually change the Interpret settings for every individual clip.

Would be great!

If you want to obtain any color consistency throughout the workflow, this should be an integral part of the start of most any project!

And this should be a full Panel ... floatable, dockable, available from the Windows menu where the rest of the Panels are located.

please sort this out - adding 709 as a default CS is maddening - footage should be displayed as imported and then CM decisions can be made

Just wasted a day on trying to figure this out! Professionals don't have time to deal with issues like this. Time is precious. A software update should make things better and more efficient, not the opposite. Please listen and sort this out.

Adobe developers, do you hear the opinion of users??? How much writing does it take for you to solve the **** color management setup. I've been tormented by setting up this nightmarish color redefinition, which doesn't work properly and spoils the clips on the timeline.

Yes please.

Any updates on this? More and more explaining to editors and clients, etc why footage loads in differently. Shoot with 2 cameras with Slog3C (and even same sensor!) - FX6 (MXF) and A7S3 (MP4) and before these new color workflow updates, footage always matched right off the bat, now clients think there is something wrong as with MXF files, SLog3 metadata is read, but not from MP4 files. Seems easy to select correct color space in Resolve, why not yet in Premiere?

YES! Please, Adobe!

This! I know the "R" word might be a no-no, but Adobe engineers please see Resolve's Project Settings window. It has a simple hotkey to open up, and gives all the sequence related settings that you might need, including a Color Management tab where we can pick the right settings for our particular project. There's no "one size fit's all" color management.

Yes please we need this!

One hundred percent, they need to make this happen.

Honestly, I love premiere but every time they make my workflow slower, I am considering other options like Davinci more and MORE.

Please Adobe, listen to your customers and give us the option to turn the default ugly looking LUT OFF!

Thank you