Option for classic HLG workflow on rec709 timeline. OR add color spaces to proxies.
If you import an HLG clip to Premier pro it is now over-exposed and requires that you change the clip color space to rec709. It was not this way in v15.
However the generated proxies don't respect the color space and are still over exposed.
Either give us option to interpret everything as rec709 (as before) or add color spaces to proxies.
Adam Forgione commented
Same here. There is no possible way for my team to use 2022 as we use footage with HLG and use proxies for remote file sharing daily. 2022 does not allow this without destroying the proxies with overexposed color space. Please fix this bug ASAP. I'll be on 2021 until this bug is fixed.