Thanks Fergus- in addition to your Facebook comments I appreciate you going to bat for PreRes Raw.

The importance of these new raw formats to the industry is huge- bigger than Adobe seems to recognize. I can see creatives like myself either leaving the Adobe ecosphere or committing further into it depending on how new tech is adopted and where the best workflow will be.

As a conceptual artist ProRes Raw opens a world of possibilities that are now only available for large, time and resource consuming productions. Give us a chance to showcase this on Adobe!

Lastly, please include compatibility with Fuji's latest codecs coming from the XH2S.

Thanks for the support!

Hi Fergus, thanks for the honest info. Another half year has passed by, so I was wondering, if you now had a better idea about when these updates to ProRes RAW would materialise?

As a little addendum, it'd be great, if you could improve the ProRes RAW implementation in After Effects a little, because it currently is very clunky and even if you did add all of the requested features (Kelvin, tint and ISO control), I wouldn't want to have to dive into the Interpret Footage sub menu every single time to make changes.

Is there a way to make changes to ProRes RAW more immediate? That'd be great.

I am strongly thinking about switching to Finalcut pro as this feature is way overdue and there is no official report stating it will come anytime soon.
Stability is also something to wish for.

Check the social Media pages Adobe. More people are changing to other editing software at the moment.
You are losing customers.

Still waiting...

Hi Fergus,
When can we use ISO and WB controls for ProRes RAW on Premiere ? I hope for some support on Premiere 2023.

Hello, any news when we can get controls for prores raw in Premiere Pro?

Hi Fergus,
may I ask if you've got some learnings from implementing other RAW features in the past, that could give us an Idea how long it may take to get the prores raw controls?
Regards,
Moritz

I own a s1h with a ninja V, I tried prores raw 6k but honestly it was a pain to work with it in premiere pro. I tried a 16bit 3rd file from red digital website after that and my mind was blown away with the quality and the easyness to work with it on premiere. I owne now a red komodo and I am so happy ! I still have my s1h for bcam and for very fast run n gun situation. So I hope one day the proresrae
w files from my ninja will be as super cool to edit as the 3rd files to match even better my komodo with my s1h for high end shooting.

Any update? It's been almost 2 months since the last one. What's the point of a product manager specifically responsible for formats if we're left in the dark regarding the rollout of crucial codecs needed to do our jobs
?

Hey Fergus, thanks for the update.

I think we're all surprised when Adobe interacts with its users. I hope there is a shift in Adobe's philosophy to keep up with the competition. It is increasingly more difficult to justify CC Suite vs Davinci Resolve. I myself am very seriously considering leaving Adobe for Resolve. It's not so much the price as much as the lack of innovation. It feels like Adobe doesn't innovate because they are so big and don't need to, therefore, the users suffer.

I want to be clear, I don't want to change because I know CC and how the apps work. I have my workflow down. But I will if I have to.

Thank you for the update Fergus. Although it doesn't really solve the problem and stills leaves us desperate, at least we now know that there are people at Adobe that even seem to know about it.
It was a hard decision, but I've just renewed my CreativeCloud subscription (for one last time) and I really hope this will be fixed VERY SOON... please don't disappoint me Adobe.

Thanks for the update Fergus.

Please keep in mind Adobe rolled out Prores RAW back in May 2020 (almost 2 years ago now!!) so I apologize if we're still skeptical and annoyed that there are 2 other RAW formats ahead of Prores RAW.

As not only a Z6/Ninja V Prores RAW but also a Z9 shooter, please don't ***** up the Nikon RAW rollout like you did with Prores RAW.

And please provide more timely updates. A lot of us do this for a living and have been patiently waiting 2 years with a half baked solution and it feels like we're not getting full value for the immense amount of money we throw your way every month. More words and more importantly, more action please.

We've supported you for a long time. All we ask is for you to reciprocate.

Wow, it has been quite a while and no support in this area. I'm thinking of going DaVinci Resolve myself. For the amount of money I pay to have Adobe CC which I only use PP and AE Adobe should be leading the industry. I use some of the other apps occasionally so I can negotiate in my mind that I'm getting good value. But, the truth is I pay the premium to have good software and not be limited and here we are being limited. I need Adobe to be more transparent, more engaging, and more sensitive to the people who are paying this high premium. Almost $1000 a year per user and pay for a team, when other software has the features we are complaining about with a one time payment for the software.

Still waiting.

This is so obviously needed ... sheepers, folks!

Already voted but adding a comment here to +1 this request. There's currently a huge gap in the implementation, and we've been waiting well over a year for this.

I know this is crazy to ask but is there any sign of any comment from Adobe about this?

Alright, Adobe. Want to be considered software for professionals? Then give us the WB and other controls professionals expect and are paying for.

This is why we have invested so much money in Adobe CC to stay up to date with creativity tools. If Adobe is not going to give us the tools needed then the question is why keep paying them? The ability to be as creative as possible has been where they hang their hat. Now that creators has trusted that same slogan in this case Adobe has been a "no show". Sad to see lesser platforms give this support and Adobe continues to ignore the people who are paying them.

Well over a year since this, more cameras coming out with ProRes raw support. Another max has been and gone with no update.